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| | #1 |
| Gear nut Join Date: Mar 2003
Posts: 93
Thread Starter | PART 2:Must have "MICS"under 1k pr? Favorite "Sleeper" "ROOM" Mics? "Out of the Norm" Part one of this post: http://www.gearslutz.com/board/showt...7&page=1&pp=30 I found some very nice mics from the above post, now I'm looking to expand my arsenal with budget room mics and hope to see some cool mics listed. What's your fav "SLEEPER" mics in the $500 Time to have fun again! ![]() |
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| | #2 |
| Lives for gear Join Date: Jun 2003 Location: Oklahoma
Posts: 1,399
| avenson sto-2's are on my want list. joshua |
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| | #3 | |
| Lives for gear Join Date: Dec 2004 Location: The Great Northwest
Posts: 634
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| | #4 |
| Lives for gear Join Date: Jul 2005 Location: LA
Posts: 1,475
| Langevin CR2001. Execellent FET mic made by Manley. Sounds great on absolutely everything. |
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| | #5 |
| Lives for gear Join Date: May 2005
Posts: 1,698
| I just used Avenson STO-2's as room mics. ****ING AWESOME. Put em through a Chandler TG1 and it gets even better. |
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| | #6 |
| Gear nut Join Date: Mar 2003
Posts: 93
Thread Starter | Cool! ![]() |
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| | #7 |
| Lives for gear | Rode K2 - I use a pair in M/S through 312s for my drum room sound. The sound is HUGE and WIDE. They're amazing mics for $500 a pop - I'm surprised no one else talks about them here. |
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| | #8 |
| Lives for gear Join Date: Apr 2004
Posts: 5,695
| I have a pair of NTK's and for room mics they are really very nice. I am about to use them for toms on my next session, we will see. For sleepers you should check out the Nady ribbons. I have a pair of non-Nady Nady's that I got from the Group DIY buy for $100 each. They crush for drum room. Funny thing is they are 180 degrees away from the NTK's, where the Rode mics are a little thin the Nady's are a little dark. I am not sure I like either on any other source but on drum room they both work very well. If I want dark room mics with less cymbals I go for the Nady, if I want less kick in the room mics I go for the NTK. Most of the time I go for the Nady's because I like dark room mics (better for the crush'n) but YMMV....
__________________ Michael |
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| | #9 |
| Lives for gear Join Date: Dec 2004 Location: Athens, GA- US
Posts: 2,322
| I just got a pair of Avensons a few weeks back. I will never look back! $500/pair and they rock. Not to mention Brad is a nice guy and easy to deal with. Go with the Avensons...you'll love em.
__________________ Me- "You know he's not playing in key right?" Unnamed Producer A- "Really?....Uh, Does that matter?" Me- sigh...."In all other cases, Yes, in this one...I guess not so much." http://pigpenstudios.net http://www.myspace.com/pigpenstudios |
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| | #10 |
| Gear nut Join Date: Mar 2003
Posts: 93
Thread Starter | I'm gonna have to pick up some more work to build up on my collection. Any single room mic suggestions? |
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| | #11 |
| Lives for gear Join Date: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 9,364
| MCA SP-1. www.mcamics.com About $50. Kevin Coleman (Smashmouth) bought 9 and wired his entire studio with them to allow "tapped" delay and ambiance. Jim Williams Audio Upgrades |
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| | #12 |
| Gear Guru Join Date: Jul 2004 Location: Orygun
Posts: 10,206
| $500 is too much for a "Low End Theory" room mic. I have had some good luck with the Studio Projects SDC pair that make me think they would work pretty well. The are about $350 for the pair with cardioid and omni capsules for each. -tINY |
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| | #13 | |
| Gear addict Join Date: Jul 2004 Location: LA
Posts: 460
| Quote:
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| | #14 |
| Lives for gear Join Date: Mar 2005
Posts: 738
| Rode Classic is a great mono room mic, I use it in omni. Very dirty sounding, which I personally like. For stereo pairs I usually use 414's, or U67's if a studio has them. There are so many great cheap LDC mics now, I worry more about the room itself before worrying about the mics. |
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| | #15 |
| Lives for gear Join Date: Sep 2003 Location: Los Angeles
Posts: 2,559
| Without question, the Josephson C42's, a matched pair should run $850 - $1000. Regularly outperform's mics costing twice as much. |
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| | #16 |
| Gear maniac Join Date: Oct 2002 Location: D.C. / MD
Posts: 222
| GT-44. Total sleeper.................. -Scotty |
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| | #17 | |
| Gear Head Join Date: Jul 2005
Posts: 72
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| | #18 |
| Gear Head Join Date: Jul 2005
Posts: 59
| i don't know if they are sleepers, but the shure ksm series are damn good mics for under $1k ... the ksm27, 32, and 44 all perform well beyond their price point. personally i dig most shure mics from the 57 and 58 up thru the ksm series. anyone on a budget should definitely check the ksm's out |
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| | #19 |
| Lives for gear Join Date: Dec 2004 Location: Hamburg
Posts: 1,205
| thomann ribbons are great |
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| | #20 |
| Gear interested | surprised at the at Just got a pair of AT3035's because my friend was using them and they sounded awesome as overheads and room mics. great character and you can't beat the price. great thread! |
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| | #21 |
| Gear addict | What about the Fatheads? Those are my next buy for a stereo pair of room mics. |
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| | #22 |
| Gearslutz.com admin | Beyer M160's get my vote.. |
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| | #23 |
| Gear maniac Join Date: Jun 2007 Location: Pittsburgh
Posts: 278
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| | #24 |
| Lives for gear Join Date: Dec 2007 Location: Vegas, Norcal
Posts: 3,384
| How about $250ea for a pair of AT 4041s? |
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| | #25 |
| Gear Guru Join Date: Jul 2004 Location: Orygun
Posts: 10,206
| Kel HM-1 work well for room mics too. -tINY |
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| | #26 |
| Lives for gear Join Date: Mar 2007 Location: Northwest Territories, Canada
Posts: 978
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| | #27 |
| Gear maniac | I thought this was a little obvious, but no one has mentioned it yet...so AKG C1000s...totally essential mic if you're on a budget...you can have a pair of these for way, way under a grand and still have dough for some decent cables or whatever else you might need. I've used them on everything from hihat/ride to acoustic guitar (usually in conjunction with a large diaphragm condenser, although not always), even on electric guitar combos and vocals (great second mic for backup vox just to change up things)...amazing mics for the dollars. Also AT4020s and 4040s are killer for the bucks. Cheers |
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| | #28 |
| Lives for gear Join Date: May 2004 Location: Atlanta, GA
Posts: 2,787
| C1000 was my first mic beyond a 57/58... it rarely comes out of the box anymore, but it served me well for things. It's a little harsh on some sources, but can be the right thing on certain things (I like it on a lot of percussion instruments). I also got a first-gen C3000 when they first came out, still have it - but it also doesn't come out of the box too often. Strangely - the brightness/harshness of the 3000 works for me on some guitar cabs in the same way that a 57 does.. ssh, it's a secret. "-) |
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| | #29 |
| Gear interested Join Date: Mar 2009
Posts: 14
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| | #30 |
| Lives for gear Join Date: Jan 2005 Location: Los Angeles
Posts: 1,978
| Been meaning to pick up one of these for a while now. Any similarity to the GT Convertible? I've got one of those and it's kind of a super-57 with a really tight pattern.
__________________ "Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep"... --Scott Adams |
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