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| | #1 | |
| Lives for gear Joined: Apr 2004 Location: Chennai, India
Posts: 1,257
Thread Starter | unhyped general purpose sdc cardioid pair
i am in india, and unless i'm lucky, i don't get to audition gear. i'm looking at sub $500, preferably sub $350, must have enough low end to record pipe organ. yes i know, if i can extend my budget a bit, many options would open up. i have checked out available info/reviews on SE, M-audio, avant electronics, rode, peluso, shure... currently looking at studio projects c4 (top of my list), oktava 012 (reputation!), busman (lots of extras), at 3031 (tried it and it worked well)... i'm not looking to make anything "cut through the mix", i just want a clear, natural sound... thanks,
__________________ http://soundcloud.com/audiothings/mudhakaratha-rm Quote:
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| | #2 |
| Lives for gear |
Shure KSM 137s sound like what you're after in a small SDC pair. They may be a little over 500, but worth the slight extra cost. -SD
__________________ ...My goal for many, many years was to obtain a beautiful API desk and be buried with it when I die... vin-gear ...My 57 is only a few years old, but I'd like to think that someday my children can pass it down to their children. Killahurts ...I would much rather tweak a moog than that thing bro... MYAMS |
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| | #3 |
| Lives for gear |
I've tried the Avant CK1s too. They're around 300 pr. They sound very good and are quiet. The extra capsules are a bonus. When comparing the cardioids to the KSMs, I would prefer the Shures on many instruments. However for an organ, the CK1s may sound great. -SD |
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| | #4 |
| Lives for gear Joined: Dec 2004 Location: Finland
Posts: 3,756
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I think those Busman mics are modded from the same generic mic as the avants, -never heard them though, but they have a good reputation in some circles Matti |
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| | #5 |
| Lives for gear Joined: Jul 2006
Posts: 1,131
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Kel HM-1's
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| | #6 |
| Gear Head Joined: Mar 2008 Location: Scan Di Navia
Posts: 74
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Oops... was suggesting an LDC type of mic.
Last edited by Pexx; 8th October 2008 at 07:43 PM.. Reason: bad advice |
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| | #7 |
| Lives for gear Joined: Dec 2004 Location: Finland
Posts: 3,756
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Those KEL´s have 0,5" capsules Matti |
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| | #8 |
| Lives for gear Joined: Jul 2006
Posts: 1,131
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| | #9 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
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n/a War |
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| | #10 |
| Lives for gear |
Any hard-core location recordist with experience with organ will probably scold you for not using omnis to record organ. Generally speaking, cardioids tend to sacrifice the super low-end that organs can exploit. |
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| | #11 |
| Lives for gear Joined: May 2008 Location: AZ
Posts: 1,138
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is there really such a thing as an affordable, FLAT, SDC? just my thought. maybe i'm wrong. that'd be nice! Last edited by desotoslo; 15th November 2008 at 06:36 AM.. Reason: eh, bs'ing a little too much , perhaps. |
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| | #12 | |
| 3 + infractions, forum membership suspended. Joined: Oct 2004 Location: Rosedale Cemetery Singing Beach, MA
Posts: 4,873
| Quote:
beyer mc930 | |
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| | #13 |
| Lives for gear Joined: Aug 2003
Posts: 555
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| | #14 | |
| Lives for gear Joined: Mar 2008 Location: Sweden
Posts: 3,960
| Quote:
/Peter | |
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| | #15 | |
| Gear interested Joined: Feb 2005
Posts: 7
| Quote: Thanks in advance! | |
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| | #16 |
| Lives for gear |
Let me re-emphasize the fact that you MUST use omni mics to get that low-end information from an SDC. If I were you in a pinch, I wouldn't mind using the MXL 603 pair with omni caps - new for about $250, but cheaper used. Oktava would be a move up probably but I don't have any experience with the omni caps they have. However neither of these are "flat." For that I would bust out my Earthworks omnis but then we are way over your budget. Gotta sacrifice somewhere. The MXL's would probably be a little bright and the Oktava's a little dark. For organ I'd want dark probably, but that's just me. |
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| | #17 | |
| Lives for gear Joined: Mar 2008 Location: Sweden
Posts: 3,960
| Quote:
Where do you live? Possibly I can help you get a pair if you want. I could link you to some shop in Sweden that carry them. /Peter | |
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| | #18 | |
| Gear interested Joined: Feb 2005
Posts: 7
| Quote:
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| | #19 | |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,233
| Quote:
I was going to post the same thing.... The only low-budget, directional mics I can think of with a good, extended low-end are the CAD M177/M179. These are neutral, but they are not SDC. So, they will have some frequency-dependant polar response. -tINY | |
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| | #20 | |
| 3 + infractions, forum membership suspended. Joined: Oct 2004 Location: Rosedale Cemetery Singing Beach, MA
Posts: 4,873
| Quote: in my tests the 4041 had a unnatural exaggerated high end. Not terrible but not great bad just not real at all. shure 137's were not terrible but not great btter than the 4041 josephson and beyer sdc's I thought were the best bang for the buck and sounded the best for low end sdc AT mics I just don't get. You hear folks praise them but to me they are just ok Is it because they once had low expectations? not sure but I think they are overrated these days. The only AT mics I would ever use are the ATM25 on toms and that would be one of my last choices | |
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| | #21 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,233
| It's nice to be a snob, I guess. But AT has some very useful mics at very attractive prices - and I've never had one fail on me. That said, I don't think they have any directional SDCs suitable for pipe organ recordings - I don't even think that DPA does..... -tINY |
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| | #22 |
| Lives for gear Joined: Jun 2008 Location: Europe
Posts: 553
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The MK012 doesn't have that a tight cardioid pattern and the sound is terrific. I've recorded acoustic (nylon and steel strung) guitars, double bass, percussion and even vocals with this mic and the results are flawless. I have other other SDCs but the MK012 holds its own.
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| | #23 |
| Lives for gear Joined: Dec 2004 Location: Finland
Posts: 3,756
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If i remember right mk 012 was made for film studios like Mosfilm and Lenfilm at the time ( 60´ies ) by a good designer based on some other designs. Decent job under the circumtances ![]() Matti |
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| | #24 | |
| Lives for gear Joined: May 2008 Location: AZ
Posts: 1,138
| Quote: man, they are cheap, and the freq. response looks great. i'd love to pick up a pair... maybe if some more dough comes my way, i will... assuming i can get thru to them(?) | |
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| | #25 |
| Gear nut Joined: Oct 2008
Posts: 98
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my opinions based on FroneEndAudios mic side by sides...... the AT3031 and ATM450 are tied for second place. the Avant CK1 in OMNI mode takes 1st place by a lot. maybe not a lot, but a hands down first place. However, I think the cardiod mode sounded kinda dead, and the hypercardiod moder only a little better than the cardiod. The other mics on the list. eh. edit: i looked the Avant ck1 up online and cant find it. does anyone know where I can get one? a link of some sort would help. |
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| | #26 |
| Lives for gear Joined: Dec 2004 Location: Finland
Posts: 3,756
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| | #27 | |
| Gear nut Joined: Oct 2008
Posts: 98
| Quote: btw any thoughts on the Avant CK 6 has a LDC for Vocals, Guitar Cabs, and Drum Overheads? right now I am seriously considering 1 (more than likely two) of these: Sterling Audio ST51 Large Diaphragm FET Condenser Mic Audio Technica AT2020 LDC MXL 3000 LDC MXL V63M Studio LDC and still considering, but less seriously, Sterling Audio ST55 MXL 4000 Audio-Technica AT4040 so cxompared to those, hows that CK6? I know those are all pretty inexpensive mics, but i just record for fun, so Im not looking for anything expensive (rather spend my money on guitar shit) but still sounds good. by good i mean Slightly Better than Average or sounds better than what you would expect from the price. | |
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