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| | #1 |
| Lives for gear Joined: May 2006 Location: Mockingbird Lane
Posts: 608
Thread Starter | Help me fill up my mic locker
I recently recorded a project with a female singer and realized I need more mike choices. Here's a list of what I currently own: CAD Equitek E-200 (dark, LDC) Audio Technica 3035 Oktava MK-012 x 2 SM57 x 2 e609 x 3 SM58 Beta 91 (kick mic) My sense is that I really need a better LDC/vocal mic. I'm considering either an Avant CV-12 or a Fathead II, but am leaning toward the Avant. I'm also considering a MA-200, but really don't want to spend that much $$$, but then again, you get what you pay for . Anyone have any thoughts on this? I have also considered a SM7b, but don't record a lot of rock vocals. Thanks.
__________________ Mike (Mockingbird Lane Studio, Cullman, AL) |
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| | #2 |
| Lives for gear Joined: Apr 2007 Location: New York
Posts: 2,425
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The AT4033 works real well on both female and male vocals. Good all around mic to have in your locker too. Widely used. Well respected.
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| | #3 |
| Gear maniac Joined: Dec 2007 Location: stockholm
Posts: 174
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the EV RE-20.. I have no idea how much that mike would go for but it seems like a relatively cheap mike with god specs... I love it on some vocals... but it also doubles as a kick-mic.
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| | #4 |
| Gear interested Joined: May 2008 Location: Berkeley, CA
Posts: 15
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if you can spring for the mojave, do it. it will definitely be a step up from what you have now, and you'll love the sounds you can get from it. if you can't get enough, there are plenty of alternatives, the AT4033 as mentioned earlier is decent, as well as the RODE NTK/K2 with a swapped out tube. I have heard good things about Avantone as well, but have never used one yet. good luck
__________________ Alex Atlansky |
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| | #5 |
| Lives for gear |
MXL 960, with a Mullard 4024 swapped in. After you spring for the tube and a shock mount, you're only in for $250... and I bet you'll thank me every time you use it. I still get a silly grin when I hook mine up.
__________________ Budget MC Productions: Where the Tubes are Hot and the Beer is Cold. Mastering for the People! http://theaudiomc.com |
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| | #6 |
| Gear maniac |
SM7b.... i have heard it used on more than just rock vox... sounds amazing =]
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| | #7 | |
| Gear Head Joined: Jun 2008 Location: Los Angeles
Posts: 59
| Mojave Quote:
__________________ ". . . I want to be a force for real good . . . " - John W. Coltrane | |
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| | #8 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
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You might also want to check out a sputnik. warmth on the bottom ala a 47-ish flavor, and lots of air up top ala a C12. Works fantastic on some things.
__________________ Mindseye http://www.mindseyeprod.com IMDB Composer - Orchestrator Scoring & Mix Engineer - Music Editor |
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| | #9 |
| Lives for gear Joined: Feb 2007
Posts: 860
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I'd vote against an RE20 on female vox. I would rarely use this microphone on anything, and it's certainly not versatile enough to be used on much to begin with. I can think of a mic I'd prefer over it for almost every application. I would recommend that you consider selling the Beta 91 for a Heil PR-40. This is only because I've used almost every kick drum mic other than a FET47 (good luck affording that one for most of us, right!), and the PR-40 is amazing... captures full body, all sustain that you want, and is SO (and I mean SO) eq-friendly. *I actually sold my PR-40 because I didn't test it out enough, but once I tested a friend's again, I went out and bought another... didn't loose anything there though. =) Also, the PR-40 works very well on bass cabinets. As for getting another LDC, I agree with the recommendations on the Audio Technica line... they are pretty nice, but perhaps you could should look into an older AKG 414B-ULS or even the M-Audio Sputnik. I think you'd be impressed with either of those, and both are very reasonably priced for what they offer. =) Just some thoughts for you, my friend. I'd be curious to see how that 201FET sounds too. Only complaint I've ever heard the Mojave stuff is that it's a little bright, but see... it's really about what YOUR ears want to hear. Try as much out as you can, listen to things in context, and make your decision. The best tools you will ever have are good ears and great passion. =) Best of luck to you, brother, and God bless. B |
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| | #10 |
| Lives for gear Joined: May 2006 Location: Mockingbird Lane
Posts: 608
Thread Starter |
Thanks for the help guys. I'll keep on the look out and keep listening for you guys opinions. The Sputnik looks like a good option. I haven't found a ton of information on the CV-12, but it sounds like it might not be the warmest mic (and I need a warm, but not dark, mic).....
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| | #11 |
| Lives for gear Joined: Mar 2007 Location: Northwest Territories, Canada
Posts: 1,033
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Buy two of every mic that Kel Audio makes... you won't regret it
__________________ "From the forest itself... comes the handle for the axe" - Matisyahu |
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| | #12 |
| Gear Head Joined: Jun 2008 Location: Los Angeles
Posts: 59
| Well, I'll be using a loaned stereo pair to do a live radio broadcast on Thursday morning. It's a four piece indian classical ensemble. It will be a pretty straight ahead recording - no processing, just ORTF straight into the broadcast board - that should give a pretty clear picture of what the mics bring to the party . . . or don't. If the artist gives me permission, I'll post a clip.
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| | #13 | |
| Gear addict Joined: Mar 2008 Location: Dallas, TX
Posts: 411
| Quote:
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