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| | #1 |
| Gear Head Joined: Aug 2008
Posts: 39
Thread Starter |
hi there i'm looking for some advice on what possible gear to buy.. i currently make house/techno music using ableton live and an RME multiface.. i mix everything digitally and also just render within ableton.. i've released a number of records using this method and even though i'm not 'unhappy' as such with the sound, i just know it can be betterl.. so i've been talking with various friends and i'm thinking about getting either an 8 or 16 i/o pci (or firewire) + breakout box of some sort (e.g. rme/aurora/apogee/motu/ssl xlogic).. then hooking this up with a summing mixer (e.g. neve 8816 or dangerous 2 bus or 2 bs LT).. -> so that i can inject a bit of 'analogue' into my workflow. the only audio source for the foreseeable future is the audio coming out of my daw (vsti's/sampled drum loops/sampled vocals etc).. so i won't really be doing much recording aside from a drum machine that i use - but i generally just sample that in advance and sequence the audio straight from ableton along with all the rest of my vsti's/softsamplers via midi is it overkill to spend money on apogee/ssl etc kit? or will i really notice the difference? and re: the summing mixer, will i really appreciate the difference between the something like the nev 8816 or ssl x-rack gear and the cheaper dangerous 2bus LT? one thing that i definitely want is expandability though.. i've got max $7000 to spend on everything any help would be greatly appreciated!! ![]() thanks. |
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| | #2 |
| Lives for gear Joined: Jul 2005
Posts: 1,909
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Read and understand this thread before you do anything else first Hardware inserts and "in the box" perfection..? That is ONE option that is fairly cost effective, another is a hybrid setup with plenty of D to A conversion and an analog desk/analog outboard and there are plenty of threads on gear choices for that approach. Good luck with your research as there many options. |
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| | #3 |
| Gear maniac Joined: Oct 2006 Location: Brooklyn, NYC
Posts: 266
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i would say if you want to improve your sound and you have 7k to spend, you can accomplish that mission. with that loot you can upgrade a lot of stuff and i would be 98% sure you would be more excited about your tracks. i don't dig apogee stuff but it might be great for your music. you could get a couple of channels of it. you can do a bunch with 7k, spend wisely. |
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| | #4 | |
| Kills for gear | Quote:
I think what you're looking for won't be found in analog summing unless you're throwing a bunch of EQs and compressors in the chain. i would advise you to get a few really good channels of preamps and compressors and high end AD/DA conversion to retrack your digital realm synths thru. I have noticed a huge difference in the way instruments sit in an overall mix once they have been converted out through an Apogee run thru a nice preamp and maybe compressed a little and run back into an Apogee. I find this to be particularly necessary when you're using almost exclusively plug in synths. Give this a try with your current setup, I'm sure you'll hear a bit of a difference already. I think once you buy a nice stereo chain for conversion and reamping you should put the rest of your budget into high quality plugins like the UAD-1 or similar. But I do believe you will be disappointed by the analog summing vs what you're thinking you may get out of it. Just something else to think about. | |
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| | #5 |
| Gear Head Joined: Aug 2008
Posts: 39
Thread Starter |
thanks for the advice.. i actually read through that post this morning and have been thinking along similar lines ever since!
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| | #6 |
| Lives for gear Joined: Mar 2006
Posts: 2,154
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i think if i were in your shoes i would spend the $ on some good coloration/ fattening outboard gear. maybe a fatso, a mixbuss compressor, a stereo pair of good coloring pres. once you route you digital sources out through a fatso or any color box it is crazy how much beef is added to thin tracks. summing box seems like a potential waste of money. |
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| | #7 |
| Lives for gear Joined: Mar 2006 Location: Amsterdam Holland
Posts: 684
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How about 2 Chandler Tone Controls, to run things through, but also to run the mix through. The color is great. For the rest I would get outboard effects, like a tape echo, a couple of spring reverbs, loads of reverbs, a re-amp box, a old tube guitar amp to run signals in. A nice tube mic to record things with. This is starting to not sound like techno, electronics....
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| | #8 |
| Gear Head Joined: Aug 2008
Posts: 39
Thread Starter |
thanks - the fatso looks great.. though any advice on any cheaper coloring boxes? have been checking out the allen & heath zed r16 as a possible solution for the 16 channel interface AND board... i can then spend the rest on outboard fx (i think i excaggerated the budget somewhat - it's probably more likely that i'm gonna spend 5k) cheers |
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| | #9 |
| Lives for gear Joined: Dec 2004 Location: Telefunkenland
Posts: 1,138
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All good advice, but from my point of view the weak link is that you mix (that's what I've understood so far) in Ableton. When I tried it everything sounded so jittered and digital - I almost couldn't believe it. Maybe get a good 2 track reel to reel and a 2nd computer with a top notch 2ch interface to record read-after-write? It works |
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| | #10 | |
| Gear Head Joined: Aug 2008
Posts: 39
Thread Starter | Quote:
thanks | |
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