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moving from digital-only to digital+analogue - advice greatly appreciated!

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Old 4th August 2008   #1
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Smile moving from digital-only to digital+analogue - advice greatly appreciated!

hi there

i'm looking for some advice on what possible gear to buy..

i currently make house/techno music using ableton live and an RME multiface.. i mix everything digitally and also just render within ableton..
i've released a number of records using this method and even though i'm not 'unhappy' as such with the sound, i just know it can be betterl..

so i've been talking with various friends and i'm thinking about getting either an 8 or 16 i/o pci (or firewire) + breakout box of some sort (e.g. rme/aurora/apogee/motu/ssl xlogic).. then hooking this up with a summing mixer (e.g. neve 8816 or dangerous 2 bus or 2 bs LT).. -> so that i can inject a bit of 'analogue' into my workflow.

the only audio source for the foreseeable future is the audio coming out of my daw (vsti's/sampled drum loops/sampled vocals etc).. so i won't really be doing much recording aside from a drum machine that i use - but i generally just sample that in advance and sequence the audio straight from ableton along with all the rest of my vsti's/softsamplers via midi

is it overkill to spend money on apogee/ssl etc kit? or will i really notice the difference? and re: the summing mixer, will i really appreciate the difference between the something like the nev 8816 or ssl x-rack gear and the cheaper dangerous 2bus LT?

one thing that i definitely want is expandability though..

i've got max $7000 to spend on everything

any help would be greatly appreciated!!

thanks.
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Old 4th August 2008   #2
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Read and understand this thread before you do anything else first

Hardware inserts and "in the box" perfection..?

That is ONE option that is fairly cost effective, another is a hybrid setup with plenty of D to A conversion and an analog desk/analog outboard and there are plenty of threads on gear choices for that approach. Good luck with your research as there many options.
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Old 5th August 2008   #3
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i would say if you want to improve your sound and you have 7k to spend, you can accomplish that mission. with that loot you can upgrade a lot of stuff and i would be 98% sure you would be more excited about your tracks.

i don't dig apogee stuff but it might be great for your music. you could get a couple of channels of it.

you can do a bunch with 7k, spend wisely.
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Old 5th August 2008   #4
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Quote:
Originally Posted by gooner View Post
so i've been talking with various friends and i'm thinking about getting either an 8 or 16 i/o pci (or firewire) + breakout box of some sort (e.g. rme/aurora/apogee/motu/ssl xlogic).. then hooking this up with a summing mixer (e.g. neve 8816 or dangerous 2 bus or 2 bs LT).. -> so that i can inject a bit of 'analogue' into my workflow.

the only audio source for the foreseeable future is the audio coming out of my daw (vsti's/sampled drum loops/sampled vocals etc).. so i won't really be doing much recording aside from a drum machine that i use - but i generally just sample that in advance and sequence the audio straight from ableton along with all the rest of my vsti's/softsamplers via midi
I would read this thread first too Small Summing Shootout = Analog Disappointment. and consider spending that money elsewhere.
I think what you're looking for won't be found in analog summing unless you're throwing a bunch of EQs and compressors in the chain. i would advise you to get a few really good channels of preamps and compressors and high end AD/DA conversion to retrack your digital realm synths thru. I have noticed a huge difference in the way instruments sit in an overall mix once they have been converted out through an Apogee run thru a nice preamp and maybe compressed a little and run back into an Apogee.
I find this to be particularly necessary when you're using almost exclusively plug in synths. Give this a try with your current setup, I'm sure you'll hear a bit of a difference already.
I think once you buy a nice stereo chain for conversion and reamping you should put the rest of your budget into high quality plugins like the UAD-1 or similar.
But I do believe you will be disappointed by the analog summing vs what you're thinking you may get out of it.
Just something else to think about.
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Old 5th August 2008   #5
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thanks for the advice.. i actually read through that post this morning and have been thinking along similar lines ever since!
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Old 5th August 2008   #6
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i think if i were in your shoes i would spend the $ on some good coloration/ fattening outboard gear. maybe a fatso, a mixbuss compressor, a stereo pair of good coloring pres. once you route you digital sources out through a fatso or any color box it is crazy how much beef is added to thin tracks.

summing box seems like a potential waste of money.
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Old 5th August 2008   #7
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How about 2 Chandler Tone Controls, to run things through, but also to run the mix through. The color is great.

For the rest I would get outboard effects, like a tape echo, a couple of spring reverbs, loads of reverbs, a re-amp box, a old tube guitar amp to run signals in. A nice tube mic to record things with. This is starting to not sound like techno, electronics....
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Old 5th August 2008   #8
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thanks - the fatso looks great.. though any advice on any cheaper coloring boxes?

have been checking out the allen & heath zed r16 as a possible solution for the 16 channel interface AND board... i can then spend the rest on outboard fx (i think i excaggerated the budget somewhat - it's probably more likely that i'm gonna spend 5k)

cheers
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Old 6th August 2008   #9
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All good advice, but from my point of view the weak link is that you mix (that's what I've understood so far) in Ableton. When I tried it everything sounded so jittered and digital - I almost couldn't believe it. Maybe get a good 2 track reel to reel and a 2nd computer with a top notch 2ch interface to record read-after-write? It works
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Old 6th August 2008   #10
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Quote:
Originally Posted by beingmf View Post
All good advice, but from my point of view the weak link is that you mix (that's what I've understood so far) in Ableton. When I tried it everything sounded so jittered and digital - I almost couldn't believe it. Maybe get a good 2 track reel to reel and a 2nd computer with a top notch 2ch interface to record read-after-write? It works
sorry, but can you explain the flow of audio in your recommendation? could you also give an example of a reputable reel to reel? (i don't have a clue in this area)
thanks
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