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| Thread | Thread Starter | Forum | Replies | Last Post |
| I Am So Stoked All My High-End Gear Doesn't Work | soupking | So much gear, so little time! | 13 | 15th August 2007 03:36 PM |
| Mid - High End Soundcard With 24 outs? | jonnypowell | So much gear, so little time! | 10 | 3rd August 2007 03:23 AM |
| Cheap, but do they work as high end? | saint | High end | 2 | 29th June 2006 04:22 AM |
| 2 channel high-end soundcard recommendation | infiniteposse | So much gear, so little time! | 4 | 18th May 2004 03:57 AM |
| high end recorders vs PC w/ software | hollywood_steve | High end | 10 | 27th April 2004 04:55 AM |
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| | #1 |
| Gear Head Join Date: Apr 2008
Posts: 32
| How important is a high end soundcard if all you work with is software? Hi, my question is, how important is having a good soundcard when all you work with is software instruments? the reason why i'm asking this is because I have a pair of ASP8 and a 10x12.5 room with six 4" basstraps, and I want to hear the highest in quality sound that my ASP8s can put out. right now i have a cheapo fast track pro usb soundcard. is that sufficient for playback clarity? |
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| | #2 | |
| Lives for gear Join Date: Feb 2007
Posts: 895
| Quote:
Gee, how important is good sound to you? Do you produce music to sell or send to others? If not, use whatever junk you want, but if you are "competing in the marketplace" you need a good reference. But then I only record acoustic musicians, don't play synths, so what do I know.... L | |
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| | #3 | |
| Gear Head Join Date: Apr 2008
Posts: 32
| Quote:
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| | #4 | |
| Gear nut Join Date: Jul 2005
Posts: 122
| Quote:
Relax. You wouldn't need good (or any) analog to digital conversion, and since you don't you can spend more on a good stereo d/a. You still want a good clean signal going from the computer to your monitors, but it's up to you how good you want that to be, whether you want to spend thousands for "high end" or just "good enough." | |
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| | #5 | |
| Gear Head Join Date: Apr 2008
Posts: 32
| Quote:
![]() now i was wondering if anyone could recommend a soundcard with a DA converter thats on par with ASP8 monitors. (how can you tell if a DA converter is any good? and where can i find out what DA converter a soundcard uses? i couldnt find it in the specs). i'm looking to spend ideally $350. $500 max | |
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| | #6 |
| Gear nut Join Date: May 2008
Posts: 136
| you need a very good quality DAC and monitors. you want the truest, most transperant representation of the music. you do not want to "hear" your equipment. you do not want the conversion or the monitors coloring the mix in anyway. This one starts at around $800LUC-AD9624 and it just goes up from there. [top]I wouldn't suggest going below this as with converters you get what you pay for. that said, you can dip down under $100 with some m-audio and i think berihnger products. |
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| | #7 | |
| Gear nut Join Date: Jul 2005
Posts: 122
| Quote:
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| | #8 |
| Gear addict Join Date: Aug 2007
Posts: 398
| You want as good as you can get. As you have no ideal how the sound fonts you're using "really" sound without good da conversion. Your rider mower might get the job done quick. But since you've got bulky tires and on it. You missed the entire fence line, and around the trees, drive, sidewalk, dog house, and all corners. So when your client gets home you get an angry call wondering why you didn't finish mowing. There's a foresty tuft of grass around all objects and borders. You may have gotten most of it. But any client with an eye for quality and standards isn't gonna stand for it. Especially if they paid you enough to buy their own mower / weedwhacker. If you do your own sampling, you wont know how it really sounds without good da conversion. You may not even know if you got bad gear if you don't have good converters that reveals all. I've heard at least one 205 modded mic that sounded great. Until you played it on good gear, and the bassy rumble on some of the lows shines like silver bullet. And more in line with my own gear, on my laptop wind noise doesn't sound half bad, but on better gear, it's down right annoying. And when I record bass heavy things like thunder or a Tuba, it sounds like them, but when played back on higher end gear, it's lacking the boomy rattle your bones sound that it had live. And you know for certain that your monitors / speakers are very capable of such sounds. I suppose you could trust your predifined electronic sounds to be flawless. But that doesn't mean your clients aren't using better gear than you to listen to it. And not liking it because it sounds bad to them, and they're wondering if you're deaf, blind, or just plain dumb. It might sound good to you, but if you up the ante, the piano might really sound like a harsichord, the drums like cheap trash cans, the triangle like a broken beer bottle. If that's what you were going for, then fine. If not, you may not realize it on lesser gear. |
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| | #9 |
| Gear nut Join Date: Jul 2005
Posts: 122
| Yeah, I've personally never heard that dramatic a difference between modern prosumer converters and the high end stuff, all else being equal. You're overstating this one. |
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| | #10 |
| Gear addict Join Date: Aug 2007
Posts: 398
| My Korg MR-1000 really brings out the details. Without it, listening even to DVDs is like listening to people talk with stuff in their mouths. With it, it's like they took diction classes and are almost spitting the words at you with crystal clarity. I may be over stating it. But there are things that readilly show up with good converters and studio monitors, that otherwise remain inaudible with conventional stereo equipment. To make it more layman-ish, with good gear, I can understand the words of the songs on the CD. Without it, I have no ideal what they're saying without reading along with the lyrics on the album cover. |
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| | #11 |
| Gear Head Join Date: Apr 2008
Posts: 32
| everything that has been posted is very helpful although what I'm really trying to figure out, is how to find out if a soundcard has good DA converters so that I may make an informed decision on my own. thanks again for all the replies |
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| | #12 |
| Gear addict Join Date: Mar 2007 Location: Athens, Greece
Posts: 463
| What do you use now? For you, what's wrong with it? |
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| | #13 |
| Gear Head Join Date: Apr 2008
Posts: 32
| i'm currently using a fast track pro usb soundcard. but what troubles me is, i want to hear the utmost clarity from my monitors (event asp8) so I'd like a soundcard that is on par with it. i'd like to know more about what to look for in a soundcard so that I may make an informed decision on my own |
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| | #14 |
| Gear addict Join Date: Mar 2007 Location: Athens, Greece
Posts: 463
| The Fireface400 is good and stable. |
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| | #15 |
| Gear addict Join Date: Aug 2007
Posts: 398
| For me I use my M-Audio Mobile Pre from my laptop. But I'm basically being lazy there. And it's lacking at 16 bit / 48kHz. My Delta 44 is noticeably better sounding and capable of 24 bit / 96kHz. But my DSD capable Korg MR-1000 blows both of those out of the water, even on cheap PC speakers. i.e. Even my 60+yo mom can hear the difference and she has virtually no music background. Unfortunately the MR-1000 only acts as a USB storage device when connected to a computer. I'm more of a hobbyist doing minimalistic on location recording every other weekend. So in between events the MR-1000 is relagated to being the best mp3 player I've ever had. I was thinking of upgrading the Delta 44 to a Layla 3G. But after a taste of DSD, one of those DAD units seems attractive. Despite costing more than my last used car. Some configurations costing more than my current "new" car. http://www.digitalaudio.dk/ax24.htm |
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| | #16 |
| Lives for gear Join Date: May 2004 Location: canada
Posts: 3,026
| dragon. for years i chased my tail on monitors. big studio ones , expensive ones, cheap ones etc etc. till i realised i was chasing my tail n no perfect solution existed. my degrees in physics n audio physics is a nasty god to worship. but we do it anyways. cos whatever one buys often the audio physics god slaps one face with another problem. we are masochists enslaved to this cruel god..lol. heck i think once if i remember audio engrs once used in some studios in a bygone era voice of the theater speakers to mix on in conjunction with baby speakers. supposedly in a technical sense VOTtheater spkrs werent ideal in a technical sense but it didnt stop people selling records. today, same deal...people still go to bed at night loosing sleep on the "right monitors" and now also "the right convertors". once again on the convertors issue, i think..like the monitors... one chases ones tail and there is no perfect solution. the god of audio physics laughing at us again. and our technology. the problem also is the bloke listening back to your beautifull song done with elite monitors n speakers prolly isnt useing the same elite set up and is prolly useing computer spkrs or junk. mebe other audio engrs will appreciate your pristine quality but thats not the normal consumer buying your songs. only a few consumers can afford to spend 5k on great playback systems. in summary possibly your current sound device is good enough. dunno. imho there will never be a resolution. n we will all be back 10 years hence n i bet there will still be not a resolution to these problems... cos the god of audio physics wont let there be. he likes to taunt our puny attempts at finding the perfect solution...lol. just my 2cents,.
__________________ i'm just a dumb computer engr (ret'd)...."quantum computing is the future" running a native software studio daw...Powertracks and Reaper on amd. my little songs www.motagator.com/bmanning (saving up for pristine ADA convertors i cant afford...lol) |
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| | #17 |
| Lives for gear Join Date: May 2007
Posts: 1,587
| a good DA makes a huge difference to the sound over a prosumer DA even if you can't hear it. if you can't hear the difference then it's probably even more important for you to have a good DA imo as said before the DUET is an amazing device...the DA is sweet and the price is good |
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| | #18 | |
| Gear Head Join Date: Apr 2008
Posts: 32
| Quote:
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| | #19 |
| Lives for gear Join Date: Jun 2005 Location: Ca
Posts: 1,004
| the biggest change i notice when i upgrade soundcards is workflow. with different cards come different capabilities & i sought out cards that enabled me to capture/process things more easily. |
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| | #20 | |
| Lives for gear Join Date: Feb 2007
Posts: 895
| Quote:
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| | #21 |
| Lives for gear Join Date: Feb 2007
Posts: 895
| Hey, you could try this new one, copied from the new Protools Micro: <http://www.newegg.com/Product/Product.aspx?Item=N82E16829118004&nm_mc=EMC-IGNEFL060508&cm_mmc=EMC-IGNEFL060508-_-SoundCards-_-L5A-_-29118004> or Newegg.com - Turtle Beach TBS-1127-01 USB Interface Sound Card Audio Advantage Amigo - Sound Cards |
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| | #22 | |
| Gear Head Join Date: Apr 2008
Posts: 32
| Quote:
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| | #23 | |
| Lives for gear Join Date: Feb 2007
Posts: 895
| Quote:
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| | #24 |
| Gear interested Join Date: Jun 2008
Posts: 11
| in australia there is one national music station that plays original music, and i get one of my tracks or remixes played on there about once a week. I use what i guess you would call prosumer converters. for detail, i use an admittedly sub standard toneport ux1- a usb connected soundcard for "pro audio" lol. (it clicks and pops, not in recordings but just in general) Never had a comment about low sound quality yet, although I have had many comments on various songs such as why doesn't it kick in more here, or why is it to busy in there strings there etc on some tracks. IMHO its a weakest link thing. our skills as a music maker may be crap in mixing, mastering, arrangement, lyrics etc. Whatever sucks the most at where you are right now, work on that, and once you've fixed it, move on to the next weakest link :) |
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