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| Low End Theory Big sounds out of small pockets, a don't-break-the-bank recording gear think-tank. Moderated by Mathijs (aka 'DrDeltaM') |
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| | #1 |
| Gear interested Join Date: May 2008
Posts: 29
| Spending no more than $5000.00, build me a low end studio. ![]() Hi guys, Thread title is pretty much self-explanatory. Spending no more than 5k, build me a portable recording solution from the ground up. In your posts,please include some of the following gear: -Interfaces -Pre-amps -Mic's -Monitors -Converters -Effects -Anything else you can think of. Please leave out room treatment and software from your lists. Interested to see what ideas you slutz come up with. Zachary |
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| | #2 |
| Lives for gear Join Date: Dec 2003 Location: Brooklyn
Posts: 2,176
| Sweet, I like your budget, its a fun game Ill play. What types of music do you plan to record? I think the Mackie Onyx 1200F is pretty hard to beat for the money. If you need less inputs or routing options, maybe MOTU or RME. But the 1200F is amazing for the money. I think the Sure KSM series of studio mics are VERY underrated. And cheap. I like Dynaudio monitors, ADAM also has some nice ones. Those arent cheap tho. Maybe those Yamaha HS50Ms for monitors, only $339 a pair. FX? Plug ins, freeer the better. I think a UAD1 is a pretty amazing piece of gear, I wouldnt mix without it. |
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| | #3 |
| Gear maniac Join Date: May 2006 Location: Haifa,Israel
Posts: 296
| How many channels will you be recording? |
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| | #4 |
| Gear interested Join Date: May 2008 Location: France
Posts: 12
| hi folks ! it's my first message on this amazing forum... ![]() this thread is cool ! I stay around and will follow it... |
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| | #5 |
| Gear interested Join Date: May 2008
Posts: 29
| What types of music do you plan to record? Everything ! My personal style is a mix between Boards of Canada and Pink Floyd. I like Dynaudio monitors, ADAM also has some nice ones. Those arent cheap tho. Agreed. The A7's are my first choice, but that subject to change. |
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| | #6 |
| Gear interested Join Date: May 2008
Posts: 29
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| | #7 |
| Gear interested Join Date: Feb 2008 Location: San Diego
Posts: 16
| A good selection from cdog: the onyx has 12 great preamps. And the Adam A7's changed the way I mix; never skimp on monitors! I can't speak for the KSMn series, but I've always thought the SE series were also way underrated. Don't forget your staple mics; SM57's, a D112, maybe a couple of 414's and 421's.... and there goes half your budget! Also, nice though the onyx pre's are, I'd make sure I had at least one really nice pre-amp/channel for OD's etc. (at least a focusrite track master). Don't forget to budget for leads, patchbays, and stands. You're right; this game is fun! |
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| | #8 |
| Gear addict Join Date: Mar 2007 Location: Athens, Greece
Posts: 453
| I have the Fireface 800 and the Behringer ADA 8000 at my home setup. There are not enough things to say about the RME unit but the Behringer is decent for the price. So that's interface, converters and 12 mic pre amps for about $2000. (I don't know how much they are in the States) Add a couple of Electro Harmonix 12AY7, true tube pre amps for $200 each. For mics: 2 x SM57 SDD 2 x Octava MK012 SDC 2 x Octava MK319 LDC 2 x Octava ML52 ribbons (huge sound) 2 x Senh MD421 LDD used 2 x Beyer M260 ribbons (balanced sound) So far that's about $4500 If you get the Yamaha monitors and some cables, you are within budget. Lose some mics and the EH pre amps to get the Adams. Good luck |
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| | #9 |
| Gear Head Join Date: Jan 2008
Posts: 49
| Rack Road Ready RRM14UW 340 In the Rack Digidesign 003 Rack 1100 SCA N72 (2) T15 (2) Chasis 1200 RNC & RNLA FL Package 475 Lexicon MX200 200 Raxxess 3U Drawer (2) 220 Foam Padding 35 3570 In Rack Drawer 1 AT 4040 300 Shure SM57 (2) 200 Sennheiser e609 100 Audix I5 100 Cascade Fathead Pair 300 Sennheiser e902 200 4870 Cables, tax (magically comes out to 5000) Add a BLA mod and more microphones as funds increase. I forgot monitors. I am cheating and throwing in a free set of Yamaha HS50M's from sweetwater for purchasing close to 4000 worth of stuff from them. |
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| | #10 |
| Gear interested Join Date: May 2008 Location: Hollywood, CA
Posts: 19
| $5k Budget You didn't say: Is a computer part of this budget? Instruments and their amps are not, I'm assuming. Are you tracking a whole band at once, or one instument at a time? With this budget I'm assuming mixing ITB. One can, with good mic technique, track a band live with only 8 channels (or fewer.) What size band? What instrumentation? Fewer channels means each can be higher quality. For instance, for minimalist classical recording I use 2 Telefunken Ela M 260 into an AEA TRP into an Apogee duet/ibook G4, with a Micro Track II for back up. Sounds fantastic, and without cables or stands comes in around $5k. With more information can come better advice. Though I understand this might just be an exercise, complete and real world scenarios will make it more challenging, and fun. Cheers, David |
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| | #11 | |
| Gear interested Join Date: May 2008
Posts: 29
| Quote:
My goal for this build is to find an equilibrium.Whether im tracking a whole band at once , or just one instrument ; id like to have the means to accomplish both without breaking any limbs in the process. | |
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| | #12 |
| Gear interested Join Date: May 2008 Location: Hollywood, CA
Posts: 19
| My Thoughts If you have firewire, then this is the gear I would be looking at. All these pieces I have some experience with. MOTU 896HD I/O. I have one. If you can get by with 36db of gain on the mic inputs, this is a good start. Later, outboard preamps and an analog means of controlling the volume will yield big rewards, as the conversion is better than the analog stages. All XLR ins/outs, separate +48V for each channel. $1k KRK RP5 monitors. A friend has these. Not too bad for $200 pr. Add a sub later for full range monitoring. Audio-Technica AT-4040. Decent LDC. Buy 2 for $600. Vocals, upright bass, etc. Audio-Technica AT- 4051 or Rode NT-5 SDC. Buy a matched pair. Good for A. guitar, overheads, room, other acoustic instruments. Omni capsules available for NT-5's $300-700. Misc. dynamic mics, the usual suspects: D-112 standard kick mic, SM-57 not great, but usefull in many situations, e609 good for inst. amps, Audix OM-5 better handheld than SM-58, Beyer M 201 similar to, but better than an SM-57. I get better results with fewer mics on the kit, so no dedicated tom, hi-hat, etc. for me. Besides, I'm limited here to 8 ch. This should be enough to track a whole band live, with care taken in mic. placement. And even with cables and stands, should be under $5k. Well, that's what I would do anyway. There are other ways and opinions. Best, David |
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| | #13 |
| Gear interested Join Date: May 2008 Location: Hollywood, CA
Posts: 19
| BTW Adding a MOTU 8pre will yield 16ch. of mic pre/ADC to the above system for an additional $550. |
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| | #14 |
| Gear Head Join Date: Aug 2005
Posts: 33
| I think we all know that you will want to upgrade. I would say buy less high quality gear with your 5k and shop around for some used deals. If possible, buy things that can be upgraded or expanded at a later date instead of being sold at a big loss. |
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| | #15 |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 410
| I have to disagree with Hornblower. Don't by MOTU. My understanding is that they are at risk of bankruptcy in the near future. I have been dissuaded from MOTU several times and I'm thankful. There's just better you can get for the money. Here's my ideas: Presonus Firestudio (with free MSR which is $299) $699 (Fireface is another good option) Presonus Digimax FS $599 ($1300 for 16 pres) I will tell you that there have been issues with the Firestudio and Sonar, but my understanding is that it has been remedied. I have not heard the Mackie unit, but if it is now truly available (it took about a year!), I'm sure it's a good unit. My guess is that the pres and conversion would be on par with the Presonus units. Best wishes on your decision. I've rethought and rethought decisions on gear purchases over and over, but it all comes back to the music. Good music will sound good. Have fun.. |
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| | #16 |
| Gear interested Join Date: May 2008 Location: Hollywood, CA
Posts: 19
| If there are solvency issues with MOTU, then yes, explore other options. I now use Apogee I/O, but since you are not using a Mac that wouldn't be the best choice. Apogee would also blow your budget. My experience is primarily with MOTU and Apogee, so outside of these I would defer to the opinions of others. (Personally, I dream of Weiss and Lavry.) David |
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| | #17 |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 410
| David, I agree with Apogee. If I were a Mac user, that would be my route of choice. Good points. |
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| | #18 | |
| Gear nut Join Date: May 2008 Location: DC/Balt
Posts: 145
| Quote:
i like the way this guy thinks. however you forgot A COMPUTER!!! get a good computer and go for like DP or Cubase or something. werd | |
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| | #19 |
| Gear nut Join Date: May 2008 Location: DC/Balt
Posts: 145
| although i wouldn't get the lexicon. save up money for plugins dude! also....screw all this and get a 500 series rack with a couple pres, a laptop and a nice converter. yeah ![]() |
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| | #20 | |
| Gear maniac Join Date: Dec 2006 Location: Australia
Posts: 197
| Quote:
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__________________ http://www.myspace.com/drtroublefeatemmaleighmorris | |
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| | #21 | |
| Gear Head Join Date: Jan 2008
Posts: 49
| Quote:
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| | #22 |
| Gear nut Join Date: May 2008 Location: Houston, TX
Posts: 129
| Ok, here's what I would do Hi guy's, this is my first post and while I'm experienced in the ways of the audio jedi, I was just to plain lazy to register with gearslutz. But I love stuff like this and I couldent resist, so here we go. BTW: This is a pro tools setup as I work in PTLE most of the time. Interface/Converter: Digidesign M-box 2 Pro 549.99 at audiolines.com Preamps: Seventh circle audio 8 unit chassis with PS, wiring harness, 2 A12 (api) Preamp Modules, 2 sc25 opamps, and 2 N72 (Neve) preamp modules (Some minimal assembly required). $746.00 at Seventhcircleaudio.com Monitors: M-Audio BX-8a Deluxe pair (Don't knock em, they sound pretty good.) $499.00 at AValive.com FX/Outboard: Focusrite Liquid Mix 799.99 at AValive.com Microphones: Cascade Fat Head Standard (The undisputed king of cheap microphones) 159.00 at Cascademicrophones.com Avantone CV-12 $499.00 at Audiomidi.com Se Electronics SE-1a Pair $345.00 at Audiomidi.com Beyerdynamic M88TG (For the low end!!) $449.00 at Fullcompass.com Beyerdynamic M201 TG (Greatest snare mic ever made) 299.00 at Full Compass.com Accessories: 2 mini boom stands, 2 regular boom stands, 2 large boom stands, 6 proco 30' cables, 2 proco 25' speaker cables, 1 metal pop filterand 1 radial pro di $682.70 at sweetwater.com GRAND TOTAL!!!: $5028.68 before shipping I know its a little over budget but if you buy a lot of stuff from sweetwater at one time, they are liable to cut you a deal. |
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| | #23 |
| Lives for gear Join Date: Jan 2008 Location: Midwest
Posts: 546
| Concerning Presonus vs. Mackie... I own a Firestudio, and expand to 16 inputs via the Mackie 800r. The firestudio is great, but the Mackie pres smoke the Presonus ones. But there's something to be said for having options when it comes to pres. At your initial investment limitations, and starting from square one, I don't know that I would get too heavy otb. Maybe one juicy pre for over dubs, but for the most Part, I'd concern myself with mics you'll never out grow, and some good quality monitors. Starting with great monitors will allow you to hear where the rest of your chain is lacking, and allow you to make better informed decisions in the future. Best of luck, and leave room in the budget for some solid road cases FOR EVERYTHING.
__________________ "phantom power doesn't make your voice sound spooky" http://www.myspace.com/dykstra |
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| | #24 |
| Gear interested Join Date: Mar 2008
Posts: 5
| One important aspect which will affect your recorded sound more than any single piece of gear: room acoustics. For a mobile system I say you wouldn't go much wrong by getting an SE Reflexion Filter or SM Pro Audio The Mic Thing. You could even build your own. |
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| | #25 |
| Lives for gear Join Date: Dec 2003 Location: Brooklyn
Posts: 2,176
| Let me just add. Also, you should MIX IN THE BOX, learn to do it well, and DONT BUY EXPENSIVE OUTBOARD PROCESSORS. If it can be done in the box, DO IT IN THE BOX. BUT. If you want ONE truly high end box. The Langevin Dual Vocal Combo is IMPOSSIBLE to beat for the money. Its a dual channel preamp with 2 channel EQ and 2 channel optocompression. They used to sell for $1500 new, not sure now, you can probably find one on ebay, and Manley will fix it for free IF there are any issues with it, most likely. Seeing as though its all solid state, these things are built like a tank and never die. Also, to reiterate, the Mackie Onyx 1200F is the best bang for the buck interface right now, hard to see this not being the best choice. And, you dont have to worry about Mackie going bankrupt. But the Langevin DVC combo costs as much as the 1200F, and if your budget is only $5000, you cant spend $1500 on two channels. Hmmmmmm. Not sure if that helped, but, it is what it is. So, if your budget goes to $6500, get the DVC, otherwise just stick with the Makcie 1200F and some decent mics, monitors and plug ins. ![]() |
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| | #26 |
| Gear interested Join Date: Jul 2007
Posts: 21
| Pete B’s Studio for $5,000 Rack 200 16 Tracks Recording: MOTU 8Pre 600 MOTU 8Pre 600 Microphones: 5 Shure SM 57 500 2 Rode NT-5 450 2 Cascade Fatheads 300 2 AT 2020 200 1 EV RE-20 400 Blue Mouse 1,300 Monitors: KRK Rokit 8 Monitors 350 (a pair) at American Musical SUBTOTAL 4,500 If you have a PC MBox Mini + Pro Tools 7.4 300 Stable, and gives you some good basic tools for mixing. FXPansion VST RTAS Wrapper ($99) to get a TON of free VST plugins off of DontCrac[k] - Audio Software instant Downloads at Dontcrack If you have a Mac Logic Pro 500 Gives you some great creative resources for mixing and production.
__________________ Pete in Denver pete_buchwald@yahoo.com www.myspace.com/cafeEP www.myspace.com/petebuchwaldmusic www.myspace.com/mrpetesbus |
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| | #27 |
| Gear addict Join Date: Feb 2004 Location: Birthplace of the Soundblaster
Posts: 302
| I think the vital piece of information you left out is: How many simultaneous channels do you need to record. Without that I don't see how anyone can help you figure out a package that is really what you need. ![]()
__________________ "If the human mind was simple enough to understand, we'd be too simple to understand it." - Emerson Pugh |
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| | #28 |
| Gear interested Join Date: Jul 2007
Posts: 21
| Electronic Musician Article This is a little old but I find it interesting nonetheless. maybe it would be helpful to you as well? Build a Personal Studio on Any Budget covers five studio types, designed with a basic and killer price tag.
__________________ Pete in Denver pete_buchwald@yahoo.com www.myspace.com/cafeEP www.myspace.com/petebuchwaldmusic www.myspace.com/mrpetesbus |
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| | #29 |
| Gear addict Join Date: Feb 2006 Location: South Central PA
Posts: 417
| Adam A7 - 1000 Mackie 1200f – 1400 AT4050 Pair – 700 (used) Shure SM57 (4) - 400 Shure SM7 – 300 – (used) Good set of cans - 150 Stands, Cables etc. – 300 Room Treatment – everything left over - 750
__________________ THAT JUST HAPPENED!!! Ricky Bobby |
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| | #30 | |
| Gear nut Join Date: Aug 2007 Location: Europe
Posts: 131
| Quote:
That's it! It won't get any better with 5000.
__________________ Why do young engineers often worry more about sample rate than the actual sound of a converter? Because numbers are the thing they can judge most easily, not the substance of the device's sound. Brian Lucey | |
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