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| Low End Theory Big sounds out of small pockets, a don't-break-the-bank recording gear think-tank. Moderated by Mathijs (aka 'DrDeltaM') |
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| Gear addict Join Date: Nov 2007 Location: Ameliastan
Posts: 494
| ART PRO MPA vs ART MPA Gold I'm curious as to folk's opinion on the value of the older ART PRO MPA? I know the MPA Gold has some backers here as a cheaper preamp option... does that hold true for the PRO MPA as well? Do the PRO MPA's respond to tube upgrades in a similar fashion? Much appreciation for any feedback... love all that I'm learning here!
__________________ Budget MC Productions: Where Economy and Dignity Meet. http://46Long.com (NEW Website!) http://myspace.com/46long http://cdbaby.com/cd/46long |
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| | #2 |
| Lives for gear Join Date: Feb 2007 Location: Nashville, TN
Posts: 501
| I have 3 of the Pro MPA's and have rolled the tubes in all of them. Definitely a substantial improvement in sonic quality. I have different tube models in each one, and it has resulted in essentially three different preamps. |
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| | #3 |
| Gear addict Join Date: Nov 2007 Location: Ameliastan
Posts: 494
| Thanks, River! Do the PRO MPA's have variable impedance?
__________________ Budget MC Productions: Where Economy and Dignity Meet. http://46Long.com (NEW Website!) http://myspace.com/46long http://cdbaby.com/cd/46long |
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| | #4 |
| Lives for gear Join Date: Feb 2007 Location: Nashville, TN
Posts: 501
| Sure thing, and no, they don't. I suppose if you're handy with a soldering iron, you could build yourself a variable input pad, although I wonder whether the variable impedance is all that important? I know some folks here say that different characteristics can be achieved out of the same mic with this feature. Overall, there can't be more than a few mic pres with this feature, so how essential can it be? |
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