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| Thread | Thread Starter | Forum | Replies | Last Post |
| EMS Rack System | fifthcircle | Remote Possibilities in Acoustic Music & Location Recording | 7 | 4th May 2007 08:01 PM |
| EMS Phaser & Modulation EFX box | kbjazzman | So much gear, so little time! | 0 | 26th December 2005 07:21 AM |
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| | #1 |
| Gear interested Join Date: Sep 2007
Posts: 23
| Mic for the little speakers of the EMS SYNTHI A hey guys, i have an EMS SYNTHI A and just love that thing. it happens to have two tiny speakers which seem to be driven by a germanium stage. compared to the line-output, their sound seems to be usually distorted and lacking bass, but then they are really, really crispy and fit to a lot of sounds. i'd really like to know if anyone could suggest some not-so-expensive mics i could record this kind of stuff with? maybe some is actually doing that with an EMS SYNTHI A? hints? thanks |
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| | #2 |
| Lives for gear Join Date: Jan 2004 Location: Switzerland/New Zealand/guitar case
Posts: 3,391
| a shure sm 57 would be a good bet, usually used on guitar speakers, good for distorted signals narco
__________________ The last thing for me to sell! FS: Mytek 896 D-A + exp card (located in new zealand) - will ship worldwide |
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| | #3 |
| Gear maniac Join Date: Jan 2006 Location: MXDF/SATX
Posts: 156
| If you're happy with the crispiness, then yeah: a 57 on each speaker might work. If you wanted to tame the high end a little, you could experiment with some of the cheaper ribbons coming out now (not Nady/Behringer/ bargain-basement cheap, mind you -- do a search on ribbons and see what you come up with). A ribbon would also give you a bit more leg-room if you chose to do some creative EQing. Also, unless you sequence everything, I think you'd only want to use a mic'ed signal if it were mixed with the DI, as I anticipate a lot of the sound of your playing (as in, your hands striking the keys, your keyboard moving on its stand, etc) would be captured, annoyingly. |
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| | #4 |
| Gear addict Join Date: May 2006
Posts: 416
| The Synthi-A is a little suitcase thing. It doesn't have a built-in keyboard. However, the point is still valid as far as tweaking parameters while you play -- the mics will be in the way, and they might pick up noise from your hands. Maybe you could find a way to rig up a couple of lav mics; at least they wouldn't be in the way as much. |
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| | #5 |
| Gear interested Join Date: Sep 2007
Posts: 23
| Thanks for all the input, guys. My first guess was a SM57 too, that's good to know i wasn't so far away. My Synthi A does actually have some kind of keyboard (it's the KS version), but it doesn't make any noise at all. Oh, and which Ribbon exactly are you speaking of if not the very cheap ones from those famous but behatred companies you mentioned? Thanks! Johannes |
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| | #6 |
| Gear maniac Join Date: Jan 2006 Location: MXDF/SATX
Posts: 156
| I wish I could give you a worthy mic recommendation, but all I know of lower-end ribbons is hearsay. I *can* tell you a Royer 121 would be great, but I've heard good things about the Fathead, for what it is worth. Experiment, and tell us what works for you. D |
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| | #7 |
| Lives for gear Join Date: Aug 2006
Posts: 1,434
| It might be interesting to put a mic or 2 in the cabinet (PZM?). I've thought about doing that with my 2600's. Also, try an omni SDC real close to each speaker to cut the proximity effect, though with little speakers you might want the bass boost. Either way, I'd try a condensor in addition to dynamics and ribbons. I'll bet they all sound good - just different flavors. |
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