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| | #1 |
| Gear interested Joined: Jan 2007 Location: Atlanta, Georgia
Posts: 26
Thread Starter | nice mic pre with dual outs?
i have a couple of Great River mic pres that i like, and they allow me to do zero latency monitoring with the monitoring outputs they have (which i patch into a little mackie mixer I use for monitoring only - i record direct from mic pre to daw). was using samplitude now using pt le (i know, i know, why...) for a setup like this, in which i'm monitoring what i'm recording against playback out of the mic pre (instead of through the daw) am i locked into Great Rivers in this price range? i was hoping to swap one of the GRs out with another, maybe a tad nicer, mic pre - for variety. i'm not finding many other mic pres that have multiple outs that can both be actively used. or is there some 'low loss' splitter i can use out of any mic preamp with which i can split to my mixer for monitoring & go direct to pt le for recording? am i just confused?
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| | #2 |
| Lives for gear Joined: Mar 2007 Location: Athens, Greece
Posts: 505
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Not in the GR price range, but rather nice with dual outputs the TFpro P3 channel strip. About 220 euros P3 product information Also Peavey VMP-2, dual tube pre with a balanced and an unbalanced out. |
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| | #3 |
| Lives for gear Joined: Mar 2005 Location: NYC
Posts: 2,639
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Demeter VTMP-2
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| | #4 |
| Lives for gear Joined: Oct 2003 Location: San Antonio Texas
Posts: 1,773
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I would try and wire up or buy a splitter and see how it works out for you. As for the VMP-2, it does have a balanced and unbalanced output that are both hot at the same time. Just know that the XLR balanced out goes through a transformer while the 1/4 inch bypasses it.
__________________ www.miximusmaximus.com |
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| | #5 |
| Gear interested Joined: Jan 2007 Location: Atlanta, Georgia
Posts: 26
Thread Starter |
Thanks very much for the replies. I used to have some JoeMeek stuff - same person that did the TFPro right? If so that's promising. I didn't know about the Demeter, will definitely check into that. Regarding a splitter (say if I got a preamp with one XLR out, some sort of device to connect it to that will allow me to split off an out to go to my monitoring mixer), I assume this would lead to some audio loss, less strength of signal, maybe even introduce some noise - is that right? |
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| | #6 |
| Gear maniac Joined: Oct 2006 Location: Brooklyn, NYC
Posts: 266
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the summit mini (i think the model number is 2ba-221) has dual outputs. about 500 bucks per channel, less used. they have a mic impedance knob, and separate tube output/solid state outs to adjust blend. i think they sound great, but that's just me. steven walcott Engine Studios |
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| | #7 |
| Lives for gear Joined: Oct 2003 Location: San Antonio Texas
Posts: 1,773
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I would just wire up a Y cable. I doubt you will hear or notice any signal loss or degredation.
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| | #8 |
| Gear interested Joined: Jan 2007 Location: Atlanta, Georgia
Posts: 26
Thread Starter |
thanks everyone for the replies. as suggested, i think i'll wire up a Y-cable or get one of the smaller half-normalled patch panels (hosa?) and do some listening. thanks again.
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| | #9 |
| Lives for gear | Mult it!
I'd just run through a mult on a patchbay, or split it passively in some other way like that. You really shouldn't notice any signal loss. I know that it seems that you would get the signal halfed or something, but it just doesn't work that way. I'm trying to remember why and articulate it intelligently, but I think it's something to do with the same idea of when you run resistors in paralell.
__________________ David Fisher (aka tibbon) What is Noise, Blog (DIY, gear, tech, etc) Follow me on Twitter imVOX- Voice for Gamers WTB: Moog Theremin Signature Edition |
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| | #10 |
| Lives for gear Joined: Oct 2003 Location: San Antonio Texas
Posts: 1,773
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If you get a patch bay, then doing the mult thing, like Tibbon said, is the ticket. If you don't, then doing the Y cable is just as acceptable.
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| | #11 |
| Lives for gear Joined: Apr 2007
Posts: 2,146
| Sorry to butt in...
Hi, sorry to jump in, but I am considering buying a great river myself. It will be my first out board mic pre so I am a little curious as to how good it is for rock vocals. I've heard a lot of talk about it being absolutely wonderful, so I am wondering what you think? What does it really excel at, in your opinion, if anything? Thank you, Scott |
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| | #12 | |
| Lives for gear Joined: Apr 2006 Location: London
Posts: 743
| Quote:
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| | #13 |
| Gear Guru |
You want a line level distribution amp. Here are a few: Distribution Amps, Analog The Radio Design Labs models aren't too expensive. I have a couple like this: Radio Design Labs RUUDA4 That is an unbalanced model. If you want to keep your signals balanced, here is a balanced version: Radio Design Labs RUMLD4
__________________ http://soundcloud.com/sounds-great-1 -Rob And these children that you spit on As they try to change their worlds Are immune to your consultations They're quite aware of what they're going through |
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| | #14 | |
| Lives for gear Joined: Apr 2007
Posts: 2,146
| Quote:
Presently i only have a Rhode NTK and a Focusrite Saffire, like the mic,hate the saffire. Have you had a chance to play with a millennia origin, I would love to know how the tranformer option sounds, I read some were that the transformer is based on an old neve desighn. Makes me wonder if it could be the best of all worlds. | |
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| | #15 | |
| Gear nut Joined: Jul 2008
Posts: 91
| Quote:
How pro is that? Avoid dealing with this guy Andrew Kinsey.
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