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| | #1 |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 483
| Help me with my room(s) I'm looking for a little advice on how to best treat these room(s) without nailing or screwing anything to the walls or ceiling and without putting up more walls, etc(keeping my wife happy ). You can see that my main room has a fairly large opening into this foyer which is hardwood and somewhat boomy. I'd like to track drums just outside this opening on the hardwood you see, but need suggestions on what type inexpensive and mobile treatment to use around the drums. I am willing to build bass traps, etc. I also realize I need to do something with my main room itself. I'm still at the point of learning to get really good tracks down, but hope to start learning to mix in the next year. The bookshelf helps my back corner (it's not pictured I don't think), but I'm thinking I likely need some traps in the other 2 corners and behind the computer as well. Any thoughts are appreciated. Thanks guys..... |
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| | #2 |
| Lives for gear Join Date: Jul 2004 Location: Orygun
Posts: 6,017
| You didn't say that removing walls was a problem.... I'd widen the opening between the rooms as far as I could. Bigger spaces are better. -tINY |
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| | #3 |
| Gear addict Join Date: Jul 2005 Location: St. Louis(Wildwood), MO
Posts: 436
| Solid chunk style triangular absorbers can be constructed/purchased that are freestanding for the corners. You can also do panels on stands to avoid any mounting. The trick for tracking drums is going to be getting a cloud overhead for the drums without mounting anything. Bryan
__________________ I am serious, and don't call me Shirley Bryan Pape Lead Acoustical Designer GIK Acoustics |
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| | #4 | |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 483
| Quote:
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| | #5 |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 483
| Bump. I'm a serious newbie when it comes to tracking drums and acoustic treatment. I've read a lot on Ethan Winer's site, but was also wondering if anyone has pics of drums recorded in similar rooms and treatment around them. The overhead clouds sound rather important given my set up. I'm also wondering if anyone else has built triangular traps. I've looked at the ones on the GIK site, but would prefer a DIY. Thanks for the help. |
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| | #6 | |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 4,781
| Mike, Quote:
--Ethan
__________________ www.realtraps.com The acoustic treatment experts ----------------------- Amazing Telecaster guitar video | |
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| | #7 |
| Gear nut | im in the same position with needing DIY acoustic treatment for drums, but this is because i travel to the bands location to track them (usually a rehearsal room) and these generally have acoustics that are less then stellar. ive been been thinking of maybe 3 mini gobos to surround the drums, and i know i need some kind of broadband cloud, but i cant for the life of me think of a way to temporarily fix it to a ceiling without damaging it. anyone?! |
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| | #8 |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 483
| OK, one more question - do you think it would be of benefit for me to build something filled with fiberglass or rockwool and covered with acoustic foam that could cover the opening in my main room. My goal here would not be to deaden the room, but to give a little separation between my main room and where the drums will be on the hardwood outside. Any thoughts? ![]() |
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| | #9 |
| Lives for gear Join Date: Apr 2007 Location: Nashville, TN
Posts: 1,895
| you'd get more isolation with a double layer of plywood. Fiberglass / foam doesn't block sound, it prevents it from reflecting. The only thing that stops sound is dense material like concrete. |
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| | #10 |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 483
| Yeah, that sounds great, but I don't want it reflecting back through my "control room". So, I suppose one option would be a double layer of plywood on one side, then some space, then the rockwool and foam? |
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| | #11 | |
| Lives for gear Join Date: Jul 2005 Location: Atlanta, GA
Posts: 3,796
| Quote:
Glenn
__________________ Glenn Kuras - GIK Acoustics www.GIKAcoustics.com Need help with your room? click here | |
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| | #12 |
| Gear interested Join Date: May 2007
Posts: 2
| Hello, I'm new here and figured I'd bump this thread rather than start my own because I have a question related to Herman's post... Is it wrong to set up a mixing desk in a kitty-corner way (as he has it in his 2nd pic)? I have set up kitty-corner in order to deal with sloping ceilings/walls in my new home studio space but worry it will throw off my stereo imaging. Thanks in advance. (PS If you'd prefer I start a new thread, just let me know) |
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| | #13 | |
| Lives for gear Join Date: Jul 2005 Location: Atlanta, GA
Posts: 3,796
| Quote:
Glenn
__________________ Glenn Kuras - GIK Acoustics www.GIKAcoustics.com Need help with your room? click here | |
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| | #14 |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 4,781
| Yes, very wrong. Okay, I'm kidding. But it's not great either. The upside is that's like having angled walls, which can be useful to send early reflections behind you away from your ears. The downside is this puts the opposite corner behind you which has a huge focusing effect. And that's bad. Focusing is the opposite of diffusion. Early reflections are easily handled with absorption anyway. See this article on my company's web site: RealTraps - How To Set Up a Room Then follow up here with any questions. --Ethan
__________________ www.realtraps.com The acoustic treatment experts ----------------------- Amazing Telecaster guitar video |
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| | #15 |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 483
| So, Ethan, in looking at my room would you move them from the caddy corner position to one of the walls and 38percent into the room? I think the walls are all equal. |
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| | #16 |
| Gear interested Join Date: May 2007
Posts: 2
| Thank you for the replys. In the end where I'm sitting is about 38% into the room. Although it's not to scale (the desk and chair are kind of small) this floor plan will give you an idea of how I'm set up: studioplan01desk.gif - Image - Photobucket - Video and Image Hosting Because the room is a rectangle I actually don't have the problem of my reference monitors facing directly into another corner. In fact, what would normally be the opposite corner of the room is where the door is, which is also kitty-corner. One other thing to note is that the wall to the left of my desk is actually on a slant. You can see it on the right side of this model I created: studio5.jpg - Image - Photobucket - Video and Image Hosting There is also a cupboard with folding doors sort of behind me. Oh yes... and the room is carpeted. |
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| | #17 |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 483
| ..... |
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| | #18 | |
| Lives for gear Join Date: Jul 2005 Location: Atlanta, GA
Posts: 3,796
| Quote:
__________________ Glenn Kuras - GIK Acoustics www.GIKAcoustics.com Need help with your room? click here | |
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| | #19 |
| Gear addict Join Date: May 2006 Location: Mockingbird Lane
Posts: 483
| Glenn (and whoever else will chime in), Here's the real questions looming over my head - is it possible for me to do an adequate job treating this room with the opening, the fact it's square with 8/5ft. ceilings, and not "shooting" it? 1) I realize the opening is easy to fix and I plan on putting in doors soon. 2) I also realize square is not necessarily good and wonder what I can do to eliminate standing waves (I think from my reading this will be the main issue, but may be wrong) 3) Can I do an respectable job treating it without shooting the room? I don't know? There's a lot I don't know here obviously. Thanks for any words of wisdom. |
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| | #20 |
| Gear addict Join Date: Jul 2005 Location: St. Louis(Wildwood), MO
Posts: 436
| There are certain things that need to be done in every room like bass control, reflection control, etc. Also, one can calculate the approximate amount of absorbtion at various frequencies required based on the room volumne and usage. Now, being able to do all those things without putting a lot of stuff on the walls like you said in your first post is going to be the challenge. That basically leaves stands which will take up even more room. Bryan
__________________ I am serious, and don't call me Shirley Bryan Pape Lead Acoustical Designer GIK Acoustics |
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