Oh, Ok, I just search a little bit...
In this case, a2d has to be master clock of digital signal. then triton has to be slave of digital signal. hmnnnnn...ploblem is internal clock quarity & jitter .......hmnn..everybody saying good....no jitter...
I also check this http://www.eqmag.com/story.asp?storyCode=15625
They saying this is a 24/192 converter..But i couldnt find manual on there site..
Pop/click noize must sync digital signal between a2d and triton..So, i need quarity converter that use internal or external clock...
And, digiout of a2d is spdif of coaxial...my triton s has only 2ch optical input.... i need dd converter. but for my case i use m-audio co2. i read that no diffrence the sound.
And 2ch pre has api 312...I read alot of good things, i also check this http://www.proaudioreview.com/pages/s.0087/t.449.html
And triton s recorder is 24/96. Its no diffrence than other recorder. Ploblem is ad/da...Finally its signal that be 12/44.1. ...So, tritons renge is easy to understand the diffrense...when i tracking beats..
After data transfer from triton to pc for mastering... hmnnnnnnnnnn...
Quarity is same between triton & my pc. Ploblem is a way of processing to make grimy brighty bigger sound for encord to 44.1/128kps..
When i got that i wanna say WOW !!!!
Thanks SLUTZ !!