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| | #1 |
| Gear interested Joined: Sep 2011 Location: Springfield, MO
Posts: 2
Thread Starter | Bass through guitar amp
So, I've heard it's not a good idea to run a bass guitar through a guitar amp. At first I heard it would ruin the amp itself, but then I got clarification that it would only affect the speakers and could blow them, which seems more logical... However, couldn't I EQ out the lows on the head itself to prevent this? With the amp being made for a 4x12 cabinet, I can't really see a bass blowing the speakers, either, since I would think the range of the EQ would be different... What am I missing here? (p.s. I'm kind of a noob at this)... btw, I'm using a Schecter Stiletto Studio bass, running to an aby switch, running to a Line 6 Spider Valve (with the 4x12, and which I might switch out for a Marshall JCM2000), and GK 800rb (with a 4x10 bass cab, obviously)... I've done some direct-out recording with my bass plugged into the Line 6, and when I do it right, it sounds pretty cool, and I'm just wanting to mix tones and hopefully have something I can use live as well. |
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| | #2 |
| Lives for gear Joined: May 2006
Posts: 1,252
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It can be done, but it sounds like shit for recording. Got some takes on a tune I'm having to redo right now because we went thru my peavy 5150. When you gotta boost 80hz on the console EQ by +15 db just to get a halfway decent bass tone for the mix, then you know you did something wrong whilst tracking. Nothing's more frustrating IMHO than having to redo performances that were good, because your engineering work was pathetic. |
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| | #3 |
| Lives for gear Joined: Dec 2005 Location: A stoned throw from ground zero
Posts: 5,766
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When using a high headroom guitar amp for recording bass, the idea is to use the amp track as a companion to the DI track, just to add some life to the tracks. ,Without bass drivers in the cab, the sound may be too thin on it's own. I've had good results and others have had quite favorable results using V-4's Hiwatts, big block Fenders, but running those amps through 15"s or a 4X10 bass cab.
__________________ Don't look at me in that tone of voice ![]() Put music in your heart and heart in your music |
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| | #4 |
| Banned Joined: Aug 2005 Location: London, UK
Posts: 2,551
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A bass is just a guitar with thick strings. It won't harm the amp in any other way than a 6 string guitar will if you turn it up too loud. Often a guitar amp is the perfect addition to a DI bass. You don't need the real low end, just some nice crunchy mid range to cut through a mix. Just try it. The guitar amp and cab not being designed for it will filter much of the real low end rumble and shit. |
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| | #5 | |
| Lives for gear Joined: Jan 2008
Posts: 1,242
| Quote:
With the right guitar amp, subjectively it can sound great. I've recorded bass through my Bandmaster with the 2 Weber California 12"s and it sounds fine. I'm sure that the BF showman and closed 2x12 cab I'm fixing will sound great as well. To each his own; what one man likes another will hate when it comes to bass tones.
__________________ nedoramaMonkey Boy Studios Summit 2BA-221, TLA-50 mBox Pro 3, Pro Tools 10.1.3 Radial JDI x 2, ProD2, ProRMP '65 Bandmaster 2x12 combo with Dr. Z Brake Lite, '65 Showman, '74 Princeton, '77 Princeton Reverb, Dr. Z. Mini Z Head, Dr. Z 1x12 Cab, pedals, George L's cabling | |
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| | #6 |
| Lives for gear |
i have had very good success over the years getting great sounding tracks through my old line 6 flextone 2x10. I boost the bass a bit on the amp and it ends up with a nice sound, very tight, punchy, sits well in the mix and more than enough low end on most tracks. sits nicely with the drums because its a little more out of the way of the kick. doesn't sound like crap at all, in fact, a couple of the best sounding tracks i've done in the last 10 years have been through that setup.
__________________ --------------------------------- Digital Precision, Analog Soul www.driftwoodtidemusic.com |
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| | #7 |
| Gear nut Joined: Aug 2009 Location: Bratislava
Posts: 109
| Anything really
You can do anything you like as long as it sounds the way u imagined.If anyone says otherwise,he is probably chemical,structural or civil engineer,and is here by accident. All the best |
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| | #8 |
| Gear addict Joined: Sep 2006 Location: La Center, WA
Posts: 440
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I'm pretty sure it wasn't uncommon in the 60's for Carol Kaye and other bass players in LA to play through guitar amps. really depends what sound you're after, and which amp you're trying. And what bass. And what player. And...
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| | #9 |
| Gear addict |
I've done it with success. Like the sound mixed with a DI. I've used different amps on different occasions. Bass amps also make cool guitar amps sometimes. Doesn't matter as long as it sounds good. I've used 8", 10", 12", 15" speakers and toy amps. All usable tones.
__________________ Mark Marshall Knob Twiddler www.knobtwiddler.net www.facebook.com/markmarshallmusic |
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| | #10 |
| Gear addict Joined: Sep 2004
Posts: 376
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Absolutely no reason not to do this. Just keep the volume to a reasonable level (ie fairly low). Many studio players in the 60's did this. I know someone who got great bass tracks out of a Pignose ! They sounded really cool!. I have also heard a Peavey combo amp sound absolutely wicked with bass. It can be done.
__________________ Greg |
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| | #11 |
| Gear Head |
I agree it can be useful to mix in the tone of an amp into a DI bass track. I have a little Vox VT30 amp here, but one of the settings (Tweed 4 x 10) is modelled on the '59 Bassman and it actually can produce a useable tone, quite a lot of midrange but good for punk rock bass guitar that has that 'twang' anyway. The amp only has a 10" speaker too!
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| | #12 |
| Gear maniac Joined: Mar 2010
Posts: 250
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I´m experimenting at the moment with recording two tracks of bass: one DI throught the Chandler Germanium with thick engaged, and the second with a condenser mic to a VOX AC4 guitar amp. It´s actually quite a cool sound. The amp provides the mid and treble, while DI gets the bottom end. It´s getting me nearer the 60s bass sound. Actually, Paul McCartney used a fender bassman blonde for both guitar and bass tracks circa 1965-1966.
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| | #13 |
| Lives for gear |
Yeah, if you go back to the old days, bass amps were just the same as guitar amps! The tweed twin, in fact, had higher output and better speakers for bass than the 410 Bassman did! You're only going to use a guitar amp for bass for colored sound, not for a tight, clinical bass. Think Ampeg B12/B25 for the sort of ideal tube combo bass sound (warm, dirty, compressed). So, for best results you want something that has a robust enough power supply not to lose the attack on bass notes which means a fairly loud tube amp with big iron, and speakers that aren't too floppy (JBLs for example rather than Jensens). The best solution at a not overly painful price is PA and keyboard/accordian amps from the late 50s/early 60s: Magnatone, Sano, Crooks, Sound City, Ampeg, Kustom,... or bass amps from the same period :Ampeg, Kustom, Acoustic...
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| | #14 |
| Gear maniac Joined: Mar 2010
Posts: 250
| Yeah, it sounds quite tube-y. I don´t push it, just low volumens on the amp, stick a mic on it and let the pre amp do all the work. Then another pre amp for the DI to really get the lows. It seems to get the best of both worlds really: the amp gives note definition that is lacking when you go for a big low end in the pre amp. It sounds total Sgt. Pepper to me...if I get round the hum on the amp, I´ll be happy!
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| | #15 |
| Gear interested Joined: Sep 2011 Location: Springfield, MO
Posts: 2
Thread Starter |
Wow, guys, what an overwhelming response... Thanks! I figured if I just didn't turn it up loud it should be ok, and then I can get the more midrange sounds out of it with some dirt... I have a few tracks where I play 2 basses and it sounds pretty good for my "lead bass" when running direct out of the Line 6, and so I was wondering if I could pull off the same thing live and through a cab without blowing the speakers. I'll be doing some research on a lot of things mentioned on this page, it seems. I'm glad I joined this forum. |
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| | #16 |
| Lives for gear Joined: Dec 2005 Location: A stoned throw from ground zero
Posts: 5,766
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Fliptops.net offers a period correct fliptop B-15 cab in case you're thinking about a 15". |
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| | #17 |
| Gear interested Joined: Jan 2012
Posts: 1
| Guitar to Bass Amp
I had a Fender Jazz King which just happens to have a 200 Watt power amp that is used in a Fender Bass amp, installed an Eminence 2515 Neo speaker, slapped a piece of plywood to cover part of the back for a partially closed back so the amp would still cool (custom rectangular porting as it is known in the gearhead nebula ), used a Tech 21 Bass DI plugged into the effects return and junk bass and it sounds fine for what I need now.
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| | #18 |
| Gear interested Joined: Nov 2010
Posts: 25
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To the OP. Yea you're right....just don't turn it up too loud. The speakers bass extension isn't designed for as long of a throw as are bass speakers, but it's simply a matter of volume. I used to record bass regularly on older Twin Reverb loaded with EV's. Great at low to moderate volumes for recording.
__________________ Comp: Intel core 2 duo - 4 gig FA-66 XP 32 |
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| | #19 |
| Gear addict Joined: Oct 2009 Location: Germany
Posts: 337
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For our last recording, a Fender Vibroverb handwired with a built in custom power reduction (which we used) - together with a Tech21 VT-Bass pedal in front and an old 2x15 JBL Dual Showman cabinet with JBL D140F worked great. Bass was a older Musicman Stingray (dont know the exact specification). Amp and cabinet are guitar stuff and work well (not too loud obviously).
__________________ there are two things in the world that count - ROCK and ROLL |
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| | #20 |
| Gear interested Joined: Oct 2011 Location: Oslo
Posts: 13
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So there´s nothing in the guitar amp´s electronics that may be damaged by the bass guitar (other than that damage you could possibly do with any guitar)? No delicate small chips or something that won´t tolerate whatever difference in signal there might be? Only the speaker (at higher volumes), right? Guess I´m ready to try recording bass guitar with my Fender Hot Rod Deluxe to see how that sounds then... |
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| | #21 |
| Gear addict Joined: Oct 2009 Location: Germany
Posts: 337
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Yep, try it, relativelly low volume to start with please, then increase until it sounds fine - and you should do close micing as the Hot Rod is an open back combo - not the best for bass recording.
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| | #22 |
| Gear interested Joined: Oct 2011 Location: Oslo
Posts: 13
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I´m going to try recording the Hot Rod Deluxe "direct", with the power soak/guitar amp simulator SPL Transducer. After getting the OK from SPL on recording bass through it (as long as you follow the power value limits mentioned in the Transducer documentation), I also wanted to check around to see what people said about the "bass-through-guitar amp" subject. Seems like besides the pushing of the speaker, there are no issues associated with that.
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| | #23 |
| Lives for gear Joined: Jan 2008
Posts: 1,242
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At that point, why bother? The reason for running through a guitar amp is to get the interaction of tubes and speaker vs. going through a good DI. Without the speaker interaction, you're not going to get that different a sound than if you DI'd. Try micing your HRD. I have an open backed Bandmaster 2x12 combo, and with an e906 on the grille it sounds great for bass. It won't hurt your amp and you may like the different sound you get. |
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| | #24 |
| Gear interested Joined: Oct 2011 Location: Oslo
Posts: 13
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It would only be to see how different the sound through the amp and mic/cab simulator would be from the DI sound of the bass directly into the mic preamp. You may be right about the sound not being very different, but that´s what I wanted to try out anyway. Miking the amp isn´t really an option for me, at least not at home, since I live in an apartment building. But in my future apartment of course I´ll have a sound proof room |
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| | #25 |
| Gear addict |
Those cab simulators never capture the air from a real speaker. Glorified DI is all it is. A speaker at low volume Wilkins still sound better@.
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