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| | #1 |
| Gear maniac Joined: Jul 2006
Posts: 212
Thread Starter | best wireless guitar system
I am looking for someone to chime in and give me a heads up on whats the best out there atm, e.g. does anyone use the shure slx14 wireless gtr system... any good? thanks... ![]()
__________________ We're all screwd |
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| | #2 |
| Gear interested Joined: May 2011
Posts: 23
| best wireless guitar system
I would recommend the new PGX-Digital instead of the SLX. PGX-Digital sounds significantly cleaner and more transparent on acoustic or electric guitar, with much more linear sustain as notes decay. If you play bass, the PGX-Digital gives you much better low frequency response; it even sounds good on a 5-string bass. Shure Americas | PGX Digital Wireless Chris |
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| | #3 |
| Lives for gear |
As much as I was surprised to see it the new Line 6 G50 is supposedly the best thing on the market these days for guitar players. People are raving about it in various guitar forums. I personally haven't tried it but for $399 and a 200ft. radius, with all these great reviews and discussions I can't see how you'd go wrong. I'm thinking of picking one up soon myself.
__________________ Joshua Aaron President/Chief Engineer AudioLot/AudioLot Studios High End Pro Audio Sales & Consulting Recording/Music Production/Mixing http://www.audiolot.com Follow AudioLot on Facebook for AudioLot's BIG DEAL Gear Specials, Morning Mix Tips, and more by clicking here AudioLot is located in Hollywood, CA. If you're in the LA area and are interested in coming by to see any of the gear we carry in person, please let us know. |
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| | #4 |
| Gear maniac Joined: Jul 2006
Posts: 212
Thread Starter |
great, thanks for the heads up guys..... will def look into it cheers |
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| | #5 |
| Gear maniac Joined: Jul 2006
Posts: 212
Thread Starter |
btw chris, for vocals, do you also suggest the digital range? or is the SLX beta series on par?
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| | #6 |
| Gear maniac Joined: Aug 2003 Location: Southern Maryland
Posts: 150
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I have the Line 6 X2 system as shown here. Wireless Guitar System | X2 XDR959 | Line 6 I bought it back around 2007. And I must say that I can't tell the difference between that and a direct cord. I've never tested the distance factor, but it should work for any normal studio or stage. I think their product uses technology that the others haven't caught onto. Plus their prices are reasonable compared to the Shure or Sennheiser. I did run into issues when I first got it and like everything else I get, hook it up and try it... read manual only when there are problems... lol. Come to find out that the little transmitter MUST have certain types of 9 volt battery. I think it is or is not the Alkline. Anything else will either not work or not work properly. If you get it, be sure to read the manual about the battery type. Lastly, I personally stopped using it on the studio because the battery life is not very long. It is a pain to unplug the battery and I sometimes spend hours working on one song or guitar part. So I reverted back to a good chord. Only because of the battry life and the way I work... for sonics, sound and realiability... it is great! I don't play out, but if I did, I would certainly use it... but stock up on batteries... |
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| | #7 |
| Gear maniac Joined: May 2007
Posts: 185
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I really like the Sennheiser G3 guitar wireless. Before that I used the G2, until the frequency band I had was antiquated by the feds. The G3 has a nice metal belt pack and dual antenna receiver box (plastic battery door though on transmitter) and uses two double A batteries. Battery life is great (double As are also cheap in bulk packs) and you even have some settings to emulate the slight mellowing effect of cables. Typically a wireless can make a guitar rig sound a bit brighter, but with the G3 you can tweak it to sound very close to a corded setup if desired. The transmitter and receiver have extensive gain setting adjustments so you can dail it in to your guitars and amp well. Also, it has no audible companding effects, unlike some of the Shure units. Noise wise it's also quite workable, even into high gain amps. I can even still work an amp that responds to guitar volume settings to go from clean to dirty, point is the dynamics are still quite good along with the impedance loading the receiver puts on the guitar. Highly recommended!
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| | #8 |
| Lives for gear Joined: Oct 2005 Location: Weymouth, MA U.S.A.
Posts: 1,234
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Sennheiser G3 all the way (or the Sennheiser 2000 series if it's in your budget) the line 6 system is crap. The only good Shure systems these days are the UR series and that will cost about 1k+ and they have pretty bad companding noise.
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| | #9 |
| Lives for gear | Not that I'm debating you on that statement but I'd love to hear why you think that about the Line 6. From all the guitar forums I've been reading, everyone seems to rave about the new G50 system over both the Shure and Sennheiser solutions (even the top end ones). Do you have direct experience with the G50? |
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| | #10 |
| Gear maniac Joined: Jul 2006
Posts: 212
Thread Starter |
price is no object, as stated previously, I am seeking the best wireless for guitar
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| | #11 |
| Lives for gear | |
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| | #12 |
| Lives for gear |
I have to agree that the line 6 system is pretty freaking amazing. I am guitar snob... and I was really, really impressed with it.
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| | #13 |
| Gear maniac Joined: Jul 2006
Posts: 212
Thread Starter | tnx
I'm curious to know the main differences (in a real world situation) between the line 6 G50 and G90 models. I can get both for a good price here and not sure if the top model is warranted...I don't do stage diving or run across stages 30 metres wide if anyone is curious ![]() ![]() |
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| | #14 |
| Lives for gear |
I think the differences are range, number of locked channels, and form factor. L6 site has a comparison chart, if I remember.
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| | #15 |
| Lives for gear Joined: Mar 2006 Location: Amherst, NY
Posts: 691
| I've used a Line6 X2 system for the past few years and it is quite impressive for the money. It does eat batteries (I actually found some rechargeables that work really well, however don't show you an accurate level on the charge remaining meter on the unit), but the sound is great and I've never had a dropout. For the older X2's, my only real gripes beyond the battery thing is the construction feels a bit flimsy (particularly the belt transmitter... never had any breakage though), and the cable that came with it crapped out on me quick (just a few uses... replaced with a high-quality 3rd party cable). The newer models seem to address and correct all of these issues, as well as improve other things (more channels, extended coverage area). I've considered replacing my X2 version with a newer one, however it still works great... maybe if/when it breaks down. --- c |
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| | #16 | |
| Lives for gear Joined: Mar 2006 Location: Amherst, NY
Posts: 691
| Quote:
--- c | |
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| | #17 |
| Gear maniac Joined: Jul 2006
Posts: 212
Thread Starter |
Thanks to all for chiming in, If there was a difference in the sound between the G50 and G90, I would not hesitate to go for the better unit, but I think both units are identical in sound apart from the extra range etc. The stomp box style G50 is smaller and would be more practical sitting on my combo amp than the rack unit G90. The cheaper price tag is just a bonus for me. I'll order the G50 and after I get to play with the unit I'll chime in with my thoughts. |
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| | #18 |
| Gear interested Joined: Nov 2011
Posts: 1
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I found this website www.wirelessguitarsystems.co.uk which has some pretty good reviews and information on it.
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| | #19 |
| Lives for gear Joined: Nov 2006 Location: Brisbane
Posts: 1,233
| I agree. Cheaper Shure are rubbish. Very poor RF. UR series is great though. Sennheiser G3 sounds great. I can hear an improvement in bandwidth over the old G2...and the G2 was great.
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| | #20 |
| Gear interested Joined: Nov 2011
Posts: 11
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Another on the G50. I personally use it, and found it sounds absolutely amazing. I've even used it in recording and found no difference between my cable tone and wireless tone.
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| | #21 |
| Gear nut Joined: May 2009
Posts: 130
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think about all those times you will wish you had the 300ft range when you play at 250ft
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| | #22 |
| Gear addict Joined: Jan 2010
Posts: 345
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Just consider, if you are playing venues that have other RF gear, some of the cheaper guitar units might not be operating at frequencies that would suit the venue RF engineer. This is probably only really an issue if you are playing larger arena type venues. At least with stuff like the Sennheiser stuff you have a bit more control over what actual frequencies its operating at. I haven't had experience with the Line 6 stuff, so not dissing, just mentioning a point that gets some guys in trouble with cheaper RF gear. |
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| | #23 |
| Gear interested Joined: Sep 2011 Location: The Wolfs Den
Posts: 23
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Great thread. What did you end up with? |
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| | #24 | |
| Lives for gear Joined: Nov 2006 Location: new mexico
Posts: 770
| Quote:
these are the best guitar wireless sytems available imo. i have done shootouts w many various other systems and this is it. their wireless mic systems are used on the overall majority of all movies and morning television/news shows. their guitar system is just as impressive. their is400 is the cats meow of wireless guitar systems. | |
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