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| | #31 |
| Lives for gear Join Date: Dec 2007 Location: Atlanta, GA
Posts: 1,045
| I am not doubting that Dan Erlewine says that, and he may be right. I just never heard it from the horse's mouth. I have heard people who have worked intimately with Hendrix make statements about his equipment just turned out to be wrong. People make mistakes. I have my doubts having played Strats for decades doing punishing tremolo work - dropping down to 10's just doesn't seem a practical situation, especially for someone who went up to 13s. Plus you can hear it too. The "envelope" of a bend is just different for different guages. With a heavy string, as you near to the destination note, tension is pushing you back making you slow down. If you play with heavy string and put on light strings, bending to even 3rds offer no appreciable resistance - you just hit the note with even velocity.
__________________ Screamin' Michael Jamsmith - www.jamsmith.com "You CAN polish a turd, but you just end up with a shiny turd." |
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| | #32 | |
| Lives for gear | Quote:
I've used 12's on my strat before- but it aggravates my carpel tunnel. I don't find 10's to be a problem on a well set up strat- but I must admit to not being a big whammy guy. 10's, 13's, whatever- it still sounds like me. There is no ideal way to work. Jeff Beck uses an 11-50 set fwiw.
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams | |
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