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| | #1 |
| Gear Head Joined: Jan 2007 Location: Nashvegas
Posts: 48
Thread Starter | best stomp box compressor
Just wondering if anyone had any thoughts on what the best comp would be to add to my pedal board...
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| | #2 |
| Lives for gear |
No idea if it's the best, but I've been through a fair few and still like my Boss CS-2 Does the trick! |
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| | #4 |
| Gear addict Joined: Nov 2003 Location: New Jersey
Posts: 444
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Barber Tone Press. Have it and like it alot.
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| | #5 |
| Moderator Joined: Dec 2003 Location: London
Posts: 4,597
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My mate swears by the Keeley comp, and he's tried many pedals. Its very transparent.
__________________ :: New Album "Rooms" out now http://www.andymitchellmusic.com :: twitter > http://twitter.com/mitchellmusic - http://www.twitter.com/theyardbirds |
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| | #6 |
| Lives for gear Joined: Nov 2006 Location: silverlake
Posts: 1,231
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the keeley is good. the retrosonic is good as well. i use the keeley all the time although sometimes i wish it had an adjustable attack. the retrosonic seems a little more transparent and has two or three attack time settings. |
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| | #7 |
| Lives for gear Joined: May 2004 Location: The Lost Moon of Poosh
Posts: 1,759
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[img]******//homepage.mac.com/patricksevenlee/dynacomp.jpg[/img]
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| | #8 |
| Lives for gear Joined: Feb 2004 Location: C-ville area VA
Posts: 1,618
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all these listed are cool...BUT...the Diamond Compressor pedal is the shizz...trust me. |
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| | #9 |
| Gear maniac Joined: Oct 2006
Posts: 153
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i dig the bbe optostomp
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| | #10 |
| Lives for gear Joined: Apr 2006 Location: Boston
Posts: 1,425
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an GOOD dyna-comp is OK at best, workable for sure. a Keely is preferable most of the time But! the new TC electronic vintage compressor is exellent. I use it more for bass heavy tones, but I dont know what you are looking for. try the TC if it doenst throw the aesthetic of your pedals, it is pretty dumb looking, but sounds really nice. |
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| | #11 |
| Lives for gear Joined: Jan 2007 Location: Terra Firma
Posts: 6,364
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+1 on Dyna Comp. No script on mine but I can't seem to get satisfied without it.
__________________ "The main thing is to have a gutsy approach....but use your head." Julia Child "Stop talking about it, get your hands dirty" guitarboy94 "Sometimes invisible are these glistening threads........" Janni Littlepage "Special thanks to STEVE GLEASON......for making me who I am today" Leonard Scaper Leonard Scaper |
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| | #12 |
| Gear nut Joined: Aug 2006
Posts: 104
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| | #13 |
| Gear nut Joined: Mar 2004
Posts: 88
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Jangle Box is GREAT for the Byrds/Beatle/Petty thing....(especially Rickenbacker 12 string stuff)...the pedal is alos great for slide work
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| | #14 |
| Gear nut Joined: Jul 2006
Posts: 89
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I love my Analogman Juicer (Dan Armstrong Orange Squeezer clone.) [IMG]******//www.analogman.com/graphics/juicer2003.jpg[/IMG] |
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| | #15 |
| Lives for gear Joined: Oct 2004 Location: right coast
Posts: 3,857
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Original MXR DYNACOMP is the best ever, the best in current production is the Keeley Compressor. |
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| | #16 |
| Lives for gear Joined: Dec 2004 Location: mexico
Posts: 4,959
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was interested in the barber tone press as it's supposed to offer parallel comping. my bass player had one lying around. joke. if someone made a true parallel stomp box that could be the shite. never tried the keeley or diamond, but for now no comp for me is fine. |
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| | #18 | |
| Lives for gear Joined: Jul 2004
Posts: 616
| Quote:
Has anyone ever used one for line-level compression on other tracks? Cheers, bdp
__________________ "No work of art has ever done social harm, though a great deal of harm has been done by those who have sought to protect society against works of art which they regarded as dangerous." Stanley Kubrick (1972) "When I listen to a band like Good Charlotte I think they are a bunch of pussies but then I remember that I’m at that age so I should just shut up and get out of the way." Henry Rollins "We are all sons of bitches now." Kenneth Bainbridge, Physicist, Manhattan Project (1945) | |
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| | #19 |
| Lives for gear Joined: Mar 2003 Location: Norway
Posts: 3,086
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You don't specify your setup, hence all the various suggestions (and more to come). If you want versatile, look into pedals with tweaking potential, i.e Carl Martin and Diamond. If you want a simple 'one man, one knob' thing, some very good pedals have already been mentioned in this thread. My comp favourites: Carl Martin comp/lim Analogman Juicer Ibanez CP 835 ruudman |
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| | #20 |
| Lives for gear Joined: Jul 2006
Posts: 519
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my pedalboard rocks a joemeek 3q - f*ucking sick ![]() ![]() for multi channel flavours, like when i gang my dc30 inputs thru an aby in my dreams, keeley four knob and janglebox are on the list
__________________ "I can only tell you that if you get the whole lot of minims crotchets and quavers mixed up together it is like an atomic xplosion cheers cheers cheers." 'I think you'll find that 'generic and flavourless' is generally something that occurs before the microphone....' karloff70 'Recorded by champs, mixed by chimps, mastered by chumps' |
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| | #21 |
| Lives for gear Joined: Dec 2002 Location: North West Coast, UK.
Posts: 603
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The Homebrew CPR saw off the Dyna Comp from my board... Fantastic comp with a retro flavour, rather than transparent.
__________________ Best Regards, Carl. |
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| | #22 |
| Lives for gear |
Love my AnalogMan BiComprossor (now that's a name!) 2 compressors in one, one side is based on the Ross compressor (that in turn was the blueprint of sorts for the DynaComp) The other side is the already mentioned Juicer that's based on the Orange Squeezer. Both sound great.
__________________ 'Ever since the Supreme Court overturned the Snare Act, it has been legal to use any mic you like on snare.' - joeq http://www.doorknocker.ch/ |
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| | #23 |
| Lives for gear Joined: May 2004 Location: The Lost Moon of Poosh
Posts: 1,759
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I owned the Keeley Compressor. In fact, I owned one of the first 300. It's a really clean and transparent compressor. If I was after that sound, I'd be all Keeley all the way. I wanted vintage mojo and my script logo MXR Dyna Comp delivers that and then some. The simpler the better is my philosophy on effects pedals, if money was an issue (these script logo Dyna Comp pedals go for insane prices on eBay), I'd get the Analog Man Orange Squeezer clone. |
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| | #24 | |
| Lives for gear Joined: Aug 2002 Location: Baltimore
Posts: 1,968
| Quote:
Dave has made a awesome unit with that concept. I use it on my gtr rig all the time and have been using it on Bass when tracking.. There will be a Linden EQ coming.. Which is like a B15 in a pedal. Sounds great..I've been running basses through the Tone Press then into the Linden then split to a SVT amp. But on gtr that blend feature is awesome when you want to dail a bit of dynamic back in..And the sustain is killer with this box.
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| | #25 |
| Lives for gear Joined: Aug 2006 Location: No longer participating here.
Posts: 6,705
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I went the cheap route and got a Guyatone ST2. It has a parallel switch (blending the unprocessed signal) and it does the job well enough on Guitar. It's useless on Bass however. I use compression to get good sustain and leveling for clean solos...so if I don't want distortion/overdrive (which compress the signal plenty) but still want the leveling and sustain. The two-knob Keeley, note, has two adjustments internally that you have to unscrew the plate to reach. I haven't compared the Guyatone to anything, but it was cheap and does indeed work. |
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| | #26 |
| Lives for gear Joined: Aug 2005
Posts: 1,358
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You should check out the Carl Martin. The Diamond would be the other serious consideration.
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| | #27 | ||
| 500 series nutjob | Quote:
when they are pushed they have to much sag and pump far to much for me :( but thats me. as for as i have found, as mentioned, the Carl Martin is the best i have used! Quote:
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| | #28 |
| 500 series nutjob |
i love just about anything Carl Martin the build and sound is great! |
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| | #29 |
| Lives for gear Joined: Aug 2004 Location: Up here
Posts: 6,180
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One of the cleanest is the Carl Martin, and it's very adjustable. My favorite could be the Demeter because it quite simply makes my tone and playing sound "better." Just a little warmer and punchier. For overall studio flexibility I use a Barber TonePress because I can dial in the amount of compression vs. source tone.
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| | #30 |
| Lives for gear Joined: Jan 2006 Location: London
Posts: 1,434
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My Barber Tone Press and Barb EQ are the only 2 pedals of mine (all 12 of them) which never get switched off. The Tone Press also seems to add a bit of 'sparkle' or 'sheen.' I didn't try any others before buying, but did some research. If I was to try another one, I would want one with a variable attack time, which narrows it down some-what. I guess it also depends on whether you want one for sustained solos or one just to 'even out' your playing. |
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