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| | #31 |
| Lives for gear Join Date: Dec 2005 Location: A stoned throw from ground zero
Posts: 2,930
| I'm pretty sure the Fender Dual Showman with a pair of 15's was one of the early semi-concert ready bass rigs as far as USA built. The Ampeg B-15 introduced 1960 was probably the best sounding set-up, but somewhat under powered for larger venues before large PA systems came into play. "Ampeg introduces the B-15 Portaflex, flip-top bass amp in 1960. Tuned and front-ported, with a closed back, the 25 watt 1 x 15" Portaflex sets a new standard for tone, cabinet and speaker efficiency, and convenience in bass amplification. The 25 watt 1 x 12" B-12 follows shortly and by 1963, Ampeg offers the stage-shaking 50 watt 1 x 18" B-18 Portaflex amp." Just found this Ampeg history link. Ampeg : History - Milestones In 1949, the Ampeg Bassamp Company is founded by Everett Hull in New York, after the Michael-Hull company break-up. The first Ampeg Bassamp is the 18 watt 1 x 12" Super 800 model with a rear ventilation port that led to later experiments with sound porting-but then Ampeg breaks new ground in 1951, using a larger speaker, with its 20 watt 1 x 15" Model 815. Throughout the '50s, Ampeg refines its 1 x 15" Bassamp line, upping wattage and control features and offering briefly, the 50 watt 2 x 15" Model 950-C in 1959 and 1960. Vox Super Beatles had the power but were very unreliable. Hiwatt 200 - don't know when they were first released. My first bass amp was a used Sunn 200S around 1969 with a home made 2X15 cab. You didn't really need so much power for recording, so the real power push only came after bands needed more power to cover larger venues live. So really, it looks like you already own the first ultimate bass rig with your B-18
__________________ Don't look at me in that tone of voice |
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| | #32 |
| Gear maniac Join Date: Mar 2008 Location: The Boondocks
Posts: 169
| Here's a rare one. A Versatone Pan-O-Flex. A 1x12 combo that was the king of the LA studio scene in the 60s. It was used on countless sessions by all the great session cats of the time. It was a sealed combo with internal baffles. |
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| | #33 |
| Gear addict Join Date: Aug 2002 Location: Sanger, TX
Posts: 497
| The Fender Dual Showman with JBL D140F's was very popular. The rest of the popular studio bass amps were: Benson, Polytone, and Jordan, followed later by Acoustic Control, then Sunn.
__________________ Harvey Gerst Indian Trail Recording Studio http://www.ITRstudio.com |
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| | #34 |
| Gear nut Join Date: May 2008 Location: Houston, TX
Posts: 129
| Magnatone custom M12 (Highly underrated company) Ampeg B-15 Of Course Fender bassman Marshall Major Fender Dual Showman Coffin Hofner Hiwatt custom 200 Marshall Super Bass |
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| | #35 | |
| Gear maniac Join Date: Jan 2007 Location: Ringwood,NJ,USA
Posts: 168
| Quote:
Motorhead been around since the early 60's? Wow I didn't know. And yes we all used the same amp, Hi z mic's and all. LOL1 ![]() Bur seriously that B-15 Portaflex Ampeg was the best and still is. especially with the JBL in it, unbeatable back than.
__________________ Peace and Blessings The Allphourus Phandango "What comes from the heart lands on the heart" | |
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| | #36 | |
| Gear nut Join Date: May 2008 Location: Houston, TX
Posts: 129
| Quote:
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| | #37 |
| Gear addict Join Date: Oct 2005 Location: Los Angeles
Posts: 382
| Supro Thunderbolt. Goes for a bloody fortune now because of the legendary Page connection. I love little Supro amps, and if you want that sound, I really don't think you have to be limited to the Thunderbolt. |
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| | #38 |
| Gear nut Join Date: May 2008 Location: Houston, TX
Posts: 129
| Of course the Thunderbolt. A friend of mine has one and he wont let it go. But you can get a Magnatone custom M12 and get pretty close. Magnatones never get any credit. |
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