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| | #1 |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter | Peluso P12 vs Peluso 2251
Which one of these microphones would sit best in the mix with a male singer (kinda in the Bono style)? Which one would require less Eq? Which one is more versatile? What would you use them on? I know the P12 is a little less bright ...... that's all I can gather from previous posts and such. What can you guys tell me about the character of these mics ........ |
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| | #2 |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter |
Anyone got any insight on the Peluso P12?
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| | #3 |
| Lives for gear |
Sure, the P12 will have a bit more bottom end to it than the 22 251. The 251 will be more "airy" and tends to work really well for female vocalists and higher range male vocals. As to which one you won't need to eq, well that's a loaded question because I have no idea regarding your recording environment, what you as a vocalist sound like, etc. The 22 47LE is also a fantastic choice for an all around workhorse mic that sounds great on everything including vocals (I used it all the time for vocals, acoustic guitar, kick, room mic, etc.).
__________________ Joshua Aaron President/Chief Engineer AudioLot/AudioLot Studios High End Pro Audio Sales & Consulting Recording/Music Production/Mixing http://www.audiolot.com Follow AudioLot on Facebook for AudioLot's BIG DEAL Gear Specials, Morning Mix Tips, and more by clicking here AudioLot is located in Hollywood, CA. If you're in the LA area and are interested in coming by to see any of the gear we carry in person, please let us know. |
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| | #4 |
| Gear maniac Joined: Dec 2002 Location: LA
Posts: 250
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A bit off topic, but I've recorded a friend who is a dead ringer for Bono, and like Bono, he sounds best with a dynamic. The RE-20 through a V76 won the shootout, with a 57 a close second. Bono uses a 58. Worth considering.
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| | #5 |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter | |
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| | #6 |
| Lives for gear |
Im interested in those 2 mics as well. I want to buy one as well but dont know which one. I already own a TLM103 so i dont want soemthing thats similar and i only ever record female vox! Cant make up my mind. Does anyone have any ideas? Unfortunately i cant test them myself cause no local dealer has one. |
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| | #7 | |||
| Lives for gear Joined: May 2002 Location: Ans (Liege) Belgium
Posts: 3,286
| Quote:
look at the graphic frequency curve of the mic. The one that has a wide Q, 8 db cut ranging from 500 to 5k and looks like it is boosted at least 6db from 5k up is likely going to need the lesser EQ Which ever one comes with a free pop mic and at least 2 different suspensions and one of those softy cleaning cloths. batting practice if mounted correctly on a non boom stand. Quote:
Quote:
Nothing that would justify me trying to convince you into buying one of these mics because I have never had the priviledge of trying one myself. Please read and try to understand and maybe possibly even accept the message I'm trying to get across here. It is impossible to give a suitable answer to your questions. If you're anything less but serious about this business then by all means, believe every word that people might write to try to convince you into getting this or this mic. However, if you are serious about this business ... read them with a grain of salt as big as the grand canyon and filter whatever information that you might find interesting enough to remember when you actually try them out yourself. It IS the only way you'll be able to answer those questions yourself under the conditions and circumstances YOU are going to use them ... and then again .... If for some reason it is impossible to try them out ... try harder ... contact the manufacturer, push the local distibutor, look for people you can 'borrow' one from ... whatever ... and if in the end you can't get a hold of them ... turn around and get something you CAN try out. Unless of course you have enough money lying around doing nothing and you want to buy yourself a christmas present and you don't really care wether it was a good investment or not .... then by all means ... support the economy and manufacturers you like the presentation pictures of the most and ignore everything I just said. Thanks
__________________ Chris Lambrechts | |||
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| | #8 |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter | |
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| | #9 |
| Lives for gear Joined: May 2002 Location: Ans (Liege) Belgium
Posts: 3,286
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| | #10 |
| Lives for gear |
and still i will ask for other peoples opinions who have tried those mics before: Which did you generally prefer on female vox: 2251 or P12? |
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| | #11 | |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,921
| Quote:
__________________ Tony Belmont ![]() We Sell Gear! ![]() High Profile Audio.....PluginDiscounts.com I may on occasion talk about some of the products I am a dealer for in my posts.. and that's OK! I sell them because I like them. Not vice versa. It's more fun to talk about things you know and love, then things you don't. | |
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| | #12 | |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter | Quote:
Where does the 2247LE fit into all of this ........ what are some of the main uses for it ..... (vox (female, male) acoustic guitar........ | |
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| | #13 | |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,921
| Quote:
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| | #14 | |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter | Quote:
Yeah ............... please send those!!! Thanks | |
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| | #15 |
| Gear maniac Joined: Oct 2005
Posts: 284
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| | #16 |
| Lives for gear |
It's not an "a/b comparison" but we did a recording here a while back using the 22 251 (female vox), 22 47LE (taylor 914ce body), CEMC6 (taylor 914ce top of neck) and have had it posted at the bottom of the page on www.audiolot.com/proaudio/sales/peluso for quite some time. The entire signal chain is described and no eq/comp was in use. This was a quick, down and dirty 30 minute recording project because so many people were asking for sound samples (back when Peluso was hardly a known name). |
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| | #17 |
| Lives for gear |
I like the guitars. Not too keen on the vocals tho. |
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| | #18 |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter |
Thanks for the audio samples Kittonian That helps thumbsup |
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| | #19 |
| Lives for gear | My pleasure. The girl who is singing on that track had never sung before but when we did it we needed a female voice to show off the 22 251's airy qualities. It may not be the "best performance ever" but I think it definitely shows off the qualities of the mic. Plus, when was the last time you didn't compress or eq a vocal on a recording? Remember that this is completely raw. |
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| | #20 |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter |
Kittonian, I think it sounds great !! Would you say the 2247LE is more versatile? (Acoustic, Vox, etc.) My voice is kind of like Thom Yorke (Radiohead) or Chris Martin (Coldplay) ...... I don't want to sound just like them but for this type of voice which Peluso would work best? |
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| | #21 |
| Lives for gear |
yes, I would say the 22 47LE is definitely a more versatile microphone, just as the original U47 was a versatile microphone. From vocals, to acoustic instruments, to room mics, to amplifiers (guitar and bass), and anything else you can think of, the 22 47LE is definitely worth a shot. I use it on so many things and it never fails to amaze. the nice thing about the peluso's is that they aren't ridiculously expensive and so you can actually buy both the 22 47LE and the 22 251 for less than the price of one of their competitor's microphones (not mentioning any names). |
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| | #22 |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,921
| Email me at: tony@highprofileaudio.com, and I'll send them over. I have a hard time posting mp3s on GS, and they are just me reading the mic description into the microphone. Anyone who wants to hear them can email me, and I'll send them over. |
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| | #23 |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,921
| I have a client with a similar voice and he preferred the 251... you'll be able to tell right away when you hear the samples which one will suit your voice, though. They are tonal opposites.
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| | #24 |
| Gear nut Joined: Jul 2006 Location: The Netherlands
Posts: 144
| this any help?
A quick test for all to listen: No Bono though!!!! www.ootlesound.com/peluso_test.html Ootle took the link off, sorry! Last edited by ootle; 5th July 2007 at 07:42 PM.. Reason: took the link off! |
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| | #25 | |
| Lives for gear | Quote: I prefer the P12 on his voice. Not that the 2251 is bad. Just a question of taste. BTW: You dont happen to have female vox comparison for those two mics?? | |
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| | #26 |
| Gear nut Joined: Jul 2006 Location: The Netherlands
Posts: 144
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No, no female vox on this one. Does she have to sing or is spoken word enough? Later this month I'm recording a female singer with these mics. Ootle |
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| | #27 |
| Gear nut Joined: Jul 2006 Location: The Netherlands
Posts: 144
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I might have to move these files, because my provider says I'm cloggin up the system. Ootle Last edited by ootle; 1st December 2006 at 01:20 AM.. Reason: provider |
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| | #28 |
| Lives for gear | |
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| | #29 |
| Gear maniac Joined: Feb 2006 Location: NOLA/NYC
Posts: 198
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I don't have any comparison files, but I could put up a sample of some female vox using the P12 in a mix if anyone would like.
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| | #30 |
| Gear Head Joined: Jan 2006 Location: New Haven
Posts: 38
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I just did some recording with a male singer for which we were redoing parts recorded on a 47 with the Peluso 22 251 and the Peluso worked much better for his voice. He has a high and clear voice - Keith Whitley without the accent. I find it incredibly versatile. I've never tried the P12 but I would recommend the 251. Eric |
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