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| | #1 |
| Gear maniac Joined: Oct 2006 Location: Maui
Posts: 245
Thread Starter | Red vs. Blue mics. Is Blue worth paying twice as much for?
As far as I understand, Blue and Red are pretty much the same company? I am looking to get a "bottle" style mic w/ changable caps, and was wondering if the Blue bottle is any better then the Red type A? Let me put that a different way..... since "better" is a difference of opinion. What are the differences between the two? Thanks- |
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| | #2 |
| Registered User Joined: Dec 2005
Posts: 523
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If you can afford it - get the Bottle - it's a stunning mic. The B7 on the Bottle is very special. Trebor |
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| | #3 |
| Gear maniac Joined: Oct 2006 Location: Maui
Posts: 245
Thread Starter |
Have you been able to compare it to the Red?
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| | #4 |
| Lives for gear Joined: Jul 2004 Location: The Deep End
Posts: 1,359
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The Red Type A rocks really Hard!!! Ive tried the R0,R6 and R7 and they all sounded great.
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| | #5 |
| Registered User Joined: Dec 2005
Posts: 523
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No - I've never heard a Red type A or B (although I'd love to get a type A so I can use my caps where the Bottle is too big and it is BIG!) I suppose for the money you get THE best electronics BLUE can offer and the transformer in the Bottle is like the size of your fist. (Sorry NL )I'm not keen on transformerless mics for lead vocals - so for me the type A and B would be out for my vocal mic. You really do need to try them to be sure if the Bottle is worth the extra money. Trebor |
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| | #6 |
| Lives for gear Joined: Dec 2005 Location: Toronto, Canada
Posts: 1,661
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If you're into the Bottle, and it isn't too much of a sales pitch, I have a bottle for sale with B7 and B6 caps. Might have a buyer in line already, but if you're interested, by all means, write me.
__________________ -Matthew |
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| | #7 |
| 500 series nutjob |
the only BLUE mic that i am aware of that will take their multitude of capsules is the BLUE bottle. the RED type a is not a transformer coupled mic as i understand it ( that is not to say it is a bad thing either ) were as the BULE bottle is. it has a very large custom made trany. i just bought two RED bottle mic's or i would be getting Matthew's BLUE bottle! i tried trading him my ex-girl friend but he was not interested : )
__________________ www.pan60.com Pan60 Facebook Page Pan's Facebook BLAST PAD Inventor just one invention among others. A CHARTER MEMBER OF THE 500 FORMAT, MAFIA it is easy to sound as though one was endowed with great intelligence, whilst speaking amongst a crowd of total morons |
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| | #8 |
| Lives for gear Joined: Dec 2005 Location: Toronto, Canada
Posts: 1,661
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I told you Pan, all girlfriend trades, ex's or otherwise, have to go through a thorough inspection here at my lab. The offer still stands. thumbsup
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| | #9 |
| 500 series nutjob |
lol |
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| | #10 |
| Lives for gear Joined: Sep 2005 Location: Nashville, TN
Posts: 1,809
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Blue is Red and Red is Blue, but neither is Violet.
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| | #11 |
| Lives for gear |
the best Blue mic es el Blue Berry!!
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| | #12 |
| Lives for gear Joined: Jul 2003 Location: Czech republic
Posts: 1,086
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what do you think about using Blue capsules with CMV 563?B7 and B6 would be awesome.
__________________ www.soundevice-studio.cz |
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| | #13 |
| Gear maniac Joined: Nov 2004
Posts: 163
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| | #14 |
| Lives for gear Joined: Jul 2004 Location: The Deep End
Posts: 1,359
| I tried the type A on vocals and loved it. I was a little on the fence at first about the Red Mic, But what a great investment it has been. Try and get a demo from a good dealer ( i purchased mine from Warren at Front End Audio) and see if it works for you.
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| | #15 |
| Lives for gear Joined: Feb 2005 Location: UK
Posts: 3,514
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For the life of me i can't decide between a type b and a type a red mic I haven't tested the reds but i can't see the blue as being TWICE as good as them, so i'll grab a red. if money is no option, i guess the blue is the one to go for.... |
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| | #16 | |
| 500 series nutjob | Quote:
BLUE dose not offer a mic like any of the RED mic's and their is nothing wrong with a transformer-less mic. i owen transformer coupled as well as non, it dose not factor in when i choose a mic. i either like the mic for what i am doing, or i think another may preform better at the time. | |
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| | #17 | |
| Registered User Joined: Dec 2005
Posts: 523
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thumbsup Quote:
As regards a CMV for the Blue caps "tape op" mag gave that combo a thumbsup Now the thorny issue of output transformers on mics. Well I've been a professional singer and vocal coach for 15 years now - during which time I have tried many many mics for recording my voice. I have a complex harmonically rich tenor voice that leens towards being bright - therfore I always sound best on a darker U47 type cap (B7) and .... I find mics that are transformerless sound "too hard and tiring" when recording a track where I am using a lot of vocal output. The transformer coupled mics IMHO soften these artifiacts and create a wonderful smoothness along with the fact I sound best on a valve mic and usually a valve pre and valve comp. This is all MHO of course but I once read an article with that chap Klaus Hynes (can't remeber the spelling if his name) a mic guru where he said excactly the same thing. It's like when I treid the TLM149 when getting the Bottle, it had a hardness that electronic balanced mics have to me ear. I even find the KIWI lacks a transformer and would love BLUE to do a retro fit of the KIWI to a transformer output KIWI. If you can afford the Bottle over the Red's and the application is lead vocals then for me it's a no brainer - that B0 cap (like a Blueberry) is amazing on darker sounding voices - you can use it like 1-3" away and it is just incredibly intimate and detailed. For bright Tenors and female vocals the B7 is very special and the B6 on male barritones /pop male voices is great. Trebor | |
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| | #18 | |
| 500 series nutjob | Quote:
so transformers get a big just wanted to clarify my point which is their is not anything wrong with a mic that lacks a trany. as to ericdevine question, they are just different and i hope that has been made clear. if you can swing it Matthew's mic would be a great investment as well as a great bargain. at some point in building your gear collection you will want many mic's some will and some will ( most likely not ) not be transformer coupled. | |
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| | #19 |
| Lives for gear Joined: Jul 2003 Location: Czech republic
Posts: 1,086
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are blue and red capsules the same?
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| | #20 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
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Yes, they are interchangeable. War |
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| | #21 | |
| Lives for gear Joined: Jan 2004 Location: USA
Posts: 1,016
| Quote:
100% agreement here! The Bottle rocks! I have experimented with the Type B (solid state) and it is a very nice mic. I used it with the B7 cap on a Leslie woofer, and all I can say is "WOW"! It would make a very cool addition to the mic locker, especially as it can use all my Bottle caps.
__________________ DH "Nobody goes there anymore; it's too crowded." -Yogi Berra | |
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| | #22 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
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There is nothing wrong with that Type B body, really just a good clean solid sound. War |
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| | #23 |
| Lives for gear Joined: Feb 2005 Location: UK
Posts: 3,514
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Nothing really wrong with it? Don't over sell it dude |
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| | #24 |
| Gear maniac Joined: May 2006 Location: New Jersey, US and A. Niiice!
Posts: 218
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I have a Type A w/R6 capsule sitting here and an R7 should show up sometime in the next few weeks from the rebate offer. I haven't had the opportunity to put it through it's paces yet, but so far, I used it successfully on a male tenor BV, a doumbek and on the keyboard side of an accordion. I know, I know, lets not start another "what's the best mic for the keyboard side of an accordion" thread.
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