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| | #1 |
| Gear addict Joined: Oct 2006 Location: Hollywood
Posts: 328
Thread Starter | favorite pre amp for kick drum and overheads?
im already sold on the api 3124 on toms and the neve 1073 on snare. what are yalls favorite kick drum and overhead pres? |
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| | #2 |
| Lives for gear Joined: May 2004 Location: Los Angeles ,Ca.
Posts: 8,853
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Overheads:Loads of choices.. Daking,Wunder,Tonelux,V-76,TG,Aurora GTQ Kick:Rock stuff.. usually start with a Neve 1073/84..usually gets the girth/punch and grit I like. sometimes a bit of 10k..7.2 or even 4.8K for attack/ air..maybe a little 60hz for ooommf factor ..pretty standard..or a lotta times a Fearn Eq or Pultec does it. ..Maybe a Daking or Tg Eq for sucking a little lower mid mud.. I dunno..they can all work fab .. whatever sounds good for the track at the time. go rent/ borrow/ demo /steal some and find what rocks your personal tastes.thumbsup |
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| | #3 |
| Lives for gear Joined: Oct 2004 Location: right coast
Posts: 3,857
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Recently, I have been using the Chandler Germanium pre for the kick drum mics. I usually use a Neve on the mic positioned outside of the drum and API on the inside mic. For overheads I like API 525s or Neve 1272 depending on the sound of the song. Mid-tempo Songs: I like the clean API Hard Rock: want mean go Neve. |
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| | #4 |
| Lives for gear Joined: Nov 2002 Location: on the beach in warm, sunny SC
Posts: 872
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On drum OH's lately the LaChapell Audio 992 Extended Gain has been king. And that's on a lot of different kinds of music - from mellow ballads to balls-to-the-wall rock. Extremely versatile preamp. http://www.lachapellaudio.com/page3.html I've got some notes on using the 992 EG at http://studioforums.com/eve/forums/a...9/m/5641074991 For kick we've been rediscovering the Sebatron vmp-2000.
__________________ Dan Richards Yackin' about gear and recording techniques at http://studioforums.com |
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| | #5 |
| Lives for gear Joined: Sep 2005 Location: hell, michigan
Posts: 2,797
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OHs - stereo Fearn thru a JoeMeek SC2... love that sound. the meek has a magic lil spot in the release knob about 2.3 that i never move... tried a million times and keep coming back to that spot... use the attenuators on the Fearn for some squash.
__________________ 3WO - Mixing Without Tears "Some think I should teach men the way to heaven. But I would rather teach them the way to hell so they'll know how to go around it..." -- Niccolo Machiavelli |
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| | #6 |
| Lives for gear Joined: Feb 2005 Location: Israel
Posts: 990
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overheads: RCA BA-71A bassdrum: 1073 \ 1064 |
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| | #7 |
| Lives for gear Joined: Sep 2005 Location: Texas
Posts: 1,955
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overheads:john hardy kick: never or api |
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| | #8 |
| Lives for gear Joined: Jan 2004 Location: USA
Posts: 1,016
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OH: Telefunken v672 Kick: API 512C |
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| | #9 |
| Gear nut Joined: Oct 2006
Posts: 76
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OH - UA 4110 K - Chandler TG2 |
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| | #10 | |
| Lives for gear Joined: Oct 2004 Location: right coast
Posts: 3,857
| Quote:
I always have problems with the Fearn being to sensitive. It d\istorts so easily even with a pad. Do you ever have problems with that? Are you using a ribbon as the overhead mic? | |
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| | #11 |
| Gear addict Joined: Jan 2006 Location: Toronto, Canada
Posts: 462
| More props for Chandler
I've been loving a pair of Germs on O/H and TG-2 for Kick In + Subkick (drive the TG-2 a bit on input and pull the output back to taste).
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| | #12 |
| Gear maniac |
OH UA 2-610 Kick OSA L3 |
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| | #13 |
| Gear maniac |
Typically Kick = API512c OHs = ISA110s or API512c |
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| | #14 |
| Gear maniac Joined: Oct 2006 Location: Maui
Posts: 245
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A Great river pre with an AKG d112 on the kick is VERY nice!
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| | #15 | |
| Lives for gear Joined: Sep 2005 Location: hell, michigan
Posts: 2,797
| Quote:
Hmmm... maybe my drummers don't hit hard enough... coles 4038s? I *wish*! shitty 414s here... | |
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| | #16 |
| Voiding warranties Joined: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 10,070
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I'm pretty picky about the low end tightness of a detuned kick, (I love 30 hz to move me). Same goes with cymbals, I hate distortion on them. It's like fingers across a chalkboard to me. I love to hear every hit on a ride to sound different with all the bell like harmonics intact. To achieve this I use the Audio Upgrades High Speed preamps, so I'm biased. Jim Williams Audio Upgrades |
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| | #17 |
| member no 666 Joined: Jun 2002 Location: Durham, NC
Posts: 10,108
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Kik is always a TAB-funkenwerks V-78M and overheads are always a Thermionic Culture 'Earlybird 2'... its almost like a religion.
__________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light |
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| | #18 |
| Lives for gear Joined: Nov 2003
Posts: 574
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whatever sounds good and fits my choice of 1) drummer 2) the sound I'm looking for 'hey, maybe I don't need a mic pre for the kik, maybe I need only one mike for the whole bloody kit) 2) drum kit (yeah, 24' gretch is not 18' yamaha) 3) room (well, for the front of the kit mic of course ) 5) mic choice (what do we have here, D112, D12, M88, Beta 52, D25 ?) 6) what I need for the rest of the band (I guess you gotta save the best one for the singer, right ???) Then, and then only, I'm starting to wonder what I should use for the kik as preamp. And if I don't get the sound I want, I steal the singer pre, **** him, he's going to redo his tracks anyway. You gotta love this place for that kind of question. Keep on the good work. regards |
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| | #19 |
| Lives for gear | |
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| | #20 |
| Lives for gear | |
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| | #21 |
| Lives for gear Joined: Jun 2003 Location: Oklahoma
Posts: 1,399
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Well, I haven't tried everything (or even close), but my favorite overheads to date were through a D.W. Fearn VT-2 and a Great River MP-2NV/EQ-2NV combo on Kik.
__________________ Joshua |
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| | #22 |
| Gear nut |
1073 for me all the way on both! I'm a NEVE snob for drums. Everything just comes out so colorful and punchy. It's the EQ.... 60hz on kick and 110hz on OH makes for a big drum sound IMHO. Lots of other options though.
__________________ Keith Everette Smith Producer/Mixer/Songwriter http://www.insoundproductions.com http://producerkeith1.blogspot.com |
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| | #23 |
| Gear maniac Joined: Oct 2006
Posts: 230
| Just curious about the setting that you use for overhead with SC2. Thank you
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| | #24 |
| Gear addict Joined: Aug 2008 Location: Richmond, Virginia
Posts: 309
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Overheads - NPNG into Royer SF12 Kick - 1073 or API 3124 |
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| | #25 |
| Lives for gear Joined: Mar 2006 Location: Chicago
Posts: 1,439
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Not a big fan of the 512c on Kick. My personal favs from what I've tried are: The A-designs P1 and the Juggernaut. I also like a Neve 1081 and the Amek 9801, but don't have those in my studio anymore. |
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| | #26 |
| Gear nut Joined: May 2008 Location: Stockholm/Sweden
Posts: 124
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Kick: API 3124 (drive preamp with pad) OH: My stereo Neve 33115 (smooth & nice) /H
__________________ www.drumrec.com |
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| | #27 |
| Lives for gear Joined: Sep 2005 Location: calgary canada
Posts: 963
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kick SCA A-12 or N-72 oh Langevin AM 401 |
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| | #28 |
| Gear maniac Joined: Nov 2008 Location: Austin, Texas
Posts: 154
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Like someone said way earlier, 1272s for overheads have been pretty kickass for me, for kick I dig the OSA MP1-L3, really fat and nice :]
__________________ "I don't hear anything." "Did you push the faders up?" |
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| | #29 |
| Gear nut Joined: Feb 2008 Location: Canada
Posts: 76
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I've been loving the great river on the kick drum. It has a huge bottom end but also enough mid / high detail to cut through a mix. I almost always choose it over a 512c in shootouts. For overheads check out the Sage Electronics SE-1 pre. I have been using these for overheads and they sound wonderfull, very fast transient response, nice and open and quite neutral. Plus they are hand made and very well priced.
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| | #30 |
| Gear maniac Joined: Jul 2006
Posts: 167
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Kick, Daking Overheads, Purple Audio BIZ. The Biz is quite bright and lovely for Overheads, IMO. |
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