A different mic/mic pre question.

[Brenton]

So I have about 20 different mics and 6 different preamps. All are, lets say, medium quality. I'm happy with these options for main tracking sessions but I want to get one very good pre and mic for overdubbing. (nothing new here)

The question is:

Which first?

Do I audition great mics through my average pres to pick the mic first

or do I audition great pres with my average mics to get the pre first.

Any thoughts?

[Jim vanBergen]

Choose the mics you know THE BEST to audition with. Doesn't matter if its high, middle, or low end- if you have heard a '57 thru every type of pre, then it's a good choice. I personally use my preferred vocal tracking mic, a neutral reference condenser mic, and a dynamic of some type to get a sense of a new preamp. If it offers something unusual, I'll bring a good ribbon to see how much gain & character it has.

[mprooxis]

HI,
Since you are most likely going to use your medium mics with the new good pre as well, I would audition all your mics with a good pre,
then after you get the good pre, get a good mic that works with your good pre.
I can't see you doing the opposite, auditioning medium pres with a good mic?
That's what I would do...I used to be and still am in your same shoes...
I eventualy got an AMEK/Neve dual pre 9098 and it is awesome...makes all my mics sound great...
then i got a nueman mic!@
there are allot of good pre's and mics out there..what ever works for your style./budget.
good luck

[Brenton]

Thanks Jim

This make perfect sense, yes I do have 57s and ldcs and ribbons that I use a lot.

thumbsup

[Brenton]

Thanks mprooxis

Also good advice, as you say the new pre could make all my mics sound better.

I'm glad I posted this cause I was leaning towards getting the mic first.
Thanks