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| | #1 |
| Lives for gear Joined: Oct 2005
Posts: 845
Thread Starter | Best all around mic to record amps ?
Hi again, im looking to buy an Fender 65' Twin Reverb re-issue amp for live guitar, bass, and running some keyboard sounds through like Rhodes, Wurlitzer, clavs, organs, ethnic plucked instruments, and some synths. Im going to use a Shure SM57 for the guitars, but was wondering what would be another all around great mic for recording Rhodes, Wurlitzer, clavs, organs, ethnic plucked instruments, and some synths, coming out of the amp? Would the SM57 be the best bet or would abother mic be better/richer/warmer, for this particular task? Thx a lot in advance guys! |
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| | #2 |
| Gear maniac Joined: Mar 2004 Location: The Bane of Oz
Posts: 281
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i trust the sm57 for a lot of things.if you're talking live, than that is where it is at.
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| | #3 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,252
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Audix i5 = does everything an SM57 does...only better in my opinion. Sounds more full / robust and doesn't have the peakiness a 57 can. Also, I really like the E/V ND468 for a very tight mic with good full & present sound. War |
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| | #4 |
| Gear Head Joined: Feb 2006
Posts: 64
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Some of my favorites: Shure SM57 Senn 421 Senn e609 (blackface) Shure SM7 Royer 121 AKG 414 |
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| | #5 |
| Lives for gear Joined: May 2005
Posts: 3,683
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I'm not a huge Royer fan on heavy guitars, but I really like them on Fender amps when using the types of instruments you describe - from strats to bouzoukis etc
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| | #6 |
| Lives for gear Joined: Apr 2004 Location: Akron, OH
Posts: 766
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Beyer M160 is my go-to mic for all things amplified.
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| | #7 |
| Gear maniac Joined: Oct 2005 Location: Sunny Vancouver, BC
Posts: 207
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I put a rode classic on the amps for shits and giggles and it sounded amazing. I use that every session now.
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| | #8 |
| Lives for gear Joined: Oct 2005
Posts: 845
Thread Starter |
Thanks a lot guys for the responces. I'll definetly get a Shure SM57 and a Audix i5 because they are so damn cheap. But how does a Royer 122 compare to a Beyer M160 in sound? Im only using these to record the sounds coming out of my amp. Would a Beyer M88 be a better choice than the Beyer M160? Thx! |
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| | #9 | |
| Gear maniac Joined: Dec 2004 Location: Wellington, New Zealand
Posts: 277
| Quote:
I never had any luck recording electric guitar with an M88 - very useful for lots of other things, but not electric guitar in my experience.
__________________ Matt Parlane GraceNote Recording Studio http://www.gracenote.co.nz matt@gracenote.co.nz | |
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| | #10 |
| Lives for gear Joined: Oct 2005
Posts: 845
Thread Starter |
Hey murp, i think the Shure SM57 would take care of the electric guitars for me, im more worried about the keyboard sounds coming out of the fender amp. Would the M88 be better for this situation than the M610 in your opinion?
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| | #11 | |
| Gear maniac Joined: Dec 2004 Location: Wellington, New Zealand
Posts: 277
| Quote:
I think either would probably work fine though, the M88 might give you a slightly more open top-end, and the M160 might help taming any shrillness, but I think with the right sound/amp/placement, either would work. If I were micing keyboards through a Fender amp, I would personally reach for a LDC first, but that's just me... | |
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| | #12 |
| Lives for gear Joined: Jul 2003
Posts: 1,716
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Shure SM5b/SM7b both seem to never suck on guitar or bass cabs, the sm5 tends to be a bit cooler on guitars, sm7 better on bass. 57's and 609's are cool on guitars and have different peaks that may compliment each other sorta. M201's and 421's are less peakey than 57's and 609's and also both quite cool. When 121's work, they slaughter the dynamics, but when the suck, they suck. I still haven't found a rhyme or reason when they are going to work except they usually sound best on smaller cabs. Sometimes a U87 is pretty cool on guitars, U47's/47 fet's on bass. Coles 4038's also sound good except distort easily. If I had to just pick the ones that work on everything, the sm7/sm5's.
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| | #13 |
| Lives for gear Joined: Mar 2005 Location: New York, NY
Posts: 2,843
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royer 121 hands down. way richer and smoother then a 57
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| | #14 |
| Lives for gear Joined: Oct 2005
Posts: 845
Thread Starter |
Thanks guys, murp, can you tell me the exact model LDC mic you would rather use to record a Fender Amp? And whats your reason for reaching for it first? Thx! |
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| | #15 | |
| Gear maniac Joined: Dec 2004 Location: Wellington, New Zealand
Posts: 277
| Quote:
I would think that the extra HF reach of a condensor would better suit keyboard sounds, but that's without knowing the genre/song/sound/amp etc... just try sticking a bunch of mics on the grill and see which one sounds best. | |
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| | #16 |
| Gear Head Joined: Feb 2006
Posts: 48
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For heavy distorted guitars on some last recording I've been using Sennheiser e906. It has three selectable frequency filters, which I do find useful with different amps/sounds. I do recommend at least checking it for couple of days before turn to the SM57 ![]() Previously used various combinations of Electrovoice N/D478 dynamic (another great mic) and Shinybox ribbon (despite having "China made parts" stamp it did fabulous job in most cases) :-/ |
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| | #17 |
| Gear addict Joined: Aug 2004
Posts: 475
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I just love U67's with those amps (or any amp). It tames the highend a little, but still gives a huge amount of body.
__________________ "It was the 80's! People spent half their record budget on Cocaine and lit their big fat joints with $100 bills." |
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