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| | #1 |
| Gear interested Joined: Nov 2003
Posts: 1
Thread Starter | FAVORITE MIC PRE 4 MALE VOX !
WHUTZ YOUR FAV.... MIC PRE 4 MALE VOX? (FOR APPLICATIONS SUCH AS HIP HOP R&B & ROCK) |
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| | #2 |
| Gear interested Joined: Aug 2003
Posts: 19
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I have gotten some excellent results with my Phoenix DRS-2 (with a BLUE Baby Bottle), and with the Chandler TG-2 (great on dynamics, like my 421 and 441´s). This is for rock, but I think that it would be nice in an R´n B situation as well. Chewie |
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| | #3 |
| Gear nut Joined: Nov 2003 Location: Berlin - Deutschland
Posts: 144
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i use a modified u87, i have a tube u87, i guess ww.innertube.com (im not sure though) and a dan alexander 1272 neve pre (clone)... to me that is a wonderful combination for almost every vocal situation...just my 2 cents
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| | #4 |
| Lives for gear Joined: Aug 2003 Location: East Coast, USA
Posts: 657
| Faves
Joe Meek VC1Q or Drawmer 1969
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| | #5 |
| Lives for gear Joined: Jan 2003
Posts: 1,124
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| | #6 |
| Lives for gear Joined: Jun 2002 Location: Chicago, IL
Posts: 1,384
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I am a big fan of 1081's and the Mastering lab pres right now.
__________________ Steve Smith - Unorignal, yet commonplace. |
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| | #7 |
| Gear maniac Joined: Nov 2002 Location: los angeles
Posts: 259
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Summit TPA-200B See? We could go on forever... |
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| | #8 |
| Lives for gear Joined: May 2002 Location: Ans (Liege) Belgium
Posts: 3,286
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as if I would ever get tired of saying it ..... my first choice will allways be the avalon ad2022. why? .... because I like straight in your face transparrency. If I switch pre's for lead vocals it's usually because the voice / performer / artists isn't worth to be heard that straight in your face .... and I need to look for colours and tricks and treats to muffle it all up.
__________________ Chris Lambrechts |
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| | #9 |
| Lives for gear Joined: Jul 2002 Location: Nashville
Posts: 1,816
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Which mic pre totally depends on which mic, IMO. Mics and pres interact like guitars and amps. Also, the A/Ds, room and monitoring chain impact people's choices. "Thin" A/Ds push people to like "warm" mic/pres, etc. I have a Rode Classic/ Focusrite 215/ TubeTech CL-1B combo that works very well for me in many cases. It's not any single component, it's the combo on my A/D setup. My point is, you're likely to be disappointed by just asking about a pre, depending on your mic. Either name your preferred mic, or else consider somebody elses recommended complete combo. Regards, Brian T |
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| | #10 |
| Gear addict |
Aurora Audio GTQ2... ancient chinese secret, good for anything
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| | #11 |
| Lives for gear Joined: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,780
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Soundelux U99 through Avalon VT737 smooth and creamy Jason |
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| | #12 |
| Lives for gear Joined: Jun 2002 Location: Bloomington Il
Posts: 5,185
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Seventies U87>VoxBox>Drawmer '69 comps. This combo works for me quite often, but not always...
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! Follow me on TWITTER! WWJMD? Come see me on the Tape Op boards! It's only inches on the reel to reel |
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| | #13 |
| Gear nut Joined: Jun 2002 Location: Chicago IL
Posts: 118
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I Agree... Aurora GTQ-2 /Cranesong STC-8/Cranesong Hedd (For Conversion) Through Sound Delux E47 or U99.
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| | #14 |
| Gear maniac Joined: Sep 2003
Posts: 162
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Which male voice ?
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| | #15 |
| Gear maniac Joined: May 2003 Location: UK
Posts: 225
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Another vote for the Avalon 737 here..... Great if you want added colour to the voice Just bought mine last week.....And love it Although i dont have the following pres listed below,they are supposed to be awsome too.....Just hard for me to purchase here in the UK...... Pendulum Quartet,Buzz Audio, |
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| | #16 |
| Lives for gear |
I use the curtis opre2 -i thought of getting an avalon but the curtis is better clearer and richer (quoting from ghoost). Curtis technology, look them up, its worth it if you have a good compressor . Mac
__________________ "Tolerance becomes a crime when applied to evil" ... - Thomas Mann |
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| | #17 |
| Lives for gear Joined: Jun 2002 Location: Dublin
Posts: 703
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It's the Avalon AD2022 for me.
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| | #18 |
| Lives for gear Joined: Jul 2002 Location: CT
Posts: 970
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SLAM!, Req. Audio PAL,Vipre into Distessor for rock, Flamingo for classical. Of course the mic has something to do with it (from what I've heard) chap |
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| | #19 | |
| One with big hooves |
OSA MP1A, Daking and Telefunken V672 are at the top of my list based on what I have here. It really depends on what mic I'm using and what the rest of the track is sounding like. I'll use anything. Even the console.
__________________ J. 'Moose' Kahrs producer|mixer|recordist MooseAudio.com mooseaudio.bandcamp.com Quote:
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| | #20 |
| Lives for gear Joined: Jan 2003 Location: Just northeast of LaLa land
Posts: 709
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I got great results from a soundelux 251 through a Daking pre. In fact, I am going to the bank right now to wire the money to VK to buy them. Lucky me. Tunes |
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| | #21 |
| Gear nut Joined: Jan 2004 Location: Wageningen, The Netherlands
Posts: 126
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I prefer a Millenia STT-1 with a U87 or a 414
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| | #22 |
| Gear Head Joined: Jan 2003
Posts: 59
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Ok I'll edit tis post, but really guys try using the search function this topic has been covered quite a bit. And to mr. buddhaman, ah forget it I'll take the higher ground. |
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| | #23 |
| Gear addict Joined: Apr 2003 Location: CT
Posts: 458
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Renshen---FU my fav lately : Soundelux U99 into a Manley SLAM! |
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| | #24 |
| Gear nut Joined: Jan 2004 Location: L A
Posts: 120
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korby mic - trident a range- 1176
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| | #25 |
| Lives for gear Joined: Aug 2002 Location: maui, hi. USA
Posts: 668
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shure sm7 + pendulum quartet = YEA, BABY
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| | #26 |
| Lives for gear |
The Amek Channel In A Box from Neve's new PurePath line is quite incredible. Haven't found a mic it can't make magical (course I'm using nice mics).
__________________ Joshua Aaron President/Chief Engineer AudioLot/AudioLot Studios High End Pro Audio Sales & Consulting Recording/Music Production/Mixing http://www.audiolot.com Follow AudioLot on Facebook for AudioLot's BIG DEAL Gear Specials, Morning Mix Tips, and more by clicking here AudioLot is located in Hollywood, CA. If you're in the LA area and are interested in coming by to see any of the gear we carry in person, please let us know. |
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| | #27 |
| Gear addict Joined: Nov 2003 Location: New Jersey
Posts: 444
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I use a Soundelux E47 into a UA 6176 and it just sounds so thick and the tubey richness is to die for. I also have a distressor and Manley VariMu if I need to go to that for the compressor instead of the 1176 that's in the 6176. Another mic pre that I have is a TLAudio dual pentode that I never hear discussed on the forum but it sounds good too. Has anyone ever used one?
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| | #28 |
| Gear addict Joined: Apr 2003 Location: Los Angeles
Posts: 440
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Samson Wireless Lapel mic --> Macke XDR preamp --> Line 6 Pod for compression and EQ --> ADAT blackface, for that vintage analog feel. Sometime I'll dump from the ADAT into Acid for serious editing and mixdown work. -sm
__________________ metricusers.com - the Metric Halo Users Forum |
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| | #29 |
| Lives for gear Joined: Aug 2003
Posts: 2,695
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Brauner VM-1-->AD-2022-->Digi 192 for an natural, transparent and dynamic sound like an opera singer Horch--> Slam-->Spider AD for an elegant, creamy, smooth sound - R+B, Pop... Horch--> Spider Pre / FAT & Tape level on-->Spider AD for a fat rock voice |
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| | #30 |
| Lives for gear Joined: Nov 2002 Location: Ohio
Posts: 1,581
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The Speck mic pre is very nice. I was very graciously lent one by Fletcher and it was a solid performer for pretty much everything.
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