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| | #1 |
| Gear Head Joined: Apr 2006 Location: brandon mb, canada eh
Posts: 35
Thread Starter | 1176 or Distressor etc.......
Long time lurk'r, first post. I am looking for a great vocal compressor for my chain of pearlman-germ-?-hedd. I can only afford 1 for now. Play rock, male vocals looking for a huge vocal presence; talent included. I am looking for fat color, one track to stand on its' own. thanks |
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| | #2 |
| Gear maniac Joined: Oct 2004
Posts: 268
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Somehow my germs & 1176s (RevF) are not best friends for tracking. For me U87/Valvet/UM92S into the germanium (feedback 4-7) do sound better without an 1176. OCL-2 works better. Can't tell about the Distressor, don't have one. In general I find the germaniums quite picky when it comes to compression - of course dependent on the feedback setting.
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| | #3 | |
| Gear interested Joined: Sep 2005
Posts: 11
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| | #4 |
| Lives for gear Joined: Aug 2005 Location: Left Coast, USA
Posts: 892
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I don't like the distressors for tracking but i have a couple if needed for the odd mix task. an 1176 is the real deal. an Manley ELOP is an amazing deal if you need stereo want the tubey thing and are mainly tracking vocs or acc gtr.
__________________ Examine the religious principles which have, in fact, prevailed in the world. You will scarcely be persuaded that they are any thing but sick men's dreams. - David Hume |
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| | #5 |
| Lives for gear Joined: Sep 2005
Posts: 4,002
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The Distressor rocks for vocals. no doubt flexible, sounds great get it for sure!! |
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| | #6 |
| Gear Head Joined: Apr 2006 Location: brandon mb, canada eh
Posts: 35
Thread Starter |
Thanks for the advice. I need a one trick pony for tracking mainly. Checked out the ocl-2, c-2, and the manley. Seems I need an la-2a style for laying down into PT. Still have to check out the distressor (haven't heard it yet) to make me change my view. Anybody else using germs for tracking vocals?
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| | #7 |
| Lives for gear Joined: Mar 2006 Location: US
Posts: 2,361
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don't forget the TRAKKER; you have the HEDD so you probably have already considered it, just thought I'd add it.... as far as vocal tracking goes, I would rather have an LA-2A or Distressor than anything else. JMHO. J.D.
__________________ Justin Justice |
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| | #8 |
| Gear maniac Joined: Mar 2006 Location: Nashville
Posts: 271
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Man I was freakin out thinking I needed an 1176 because I read all these posts saying that you've got to have one to get that mojo.... So I went to the rental place and did a shootout between that and the 1176 emulation on the distressor..... I deffinately noticed a little more warmth with the 1176, but as far as the detail that it brought to the vocal I liked what the distressor did better, is the distressor better than the 1176 no just different. I didn't think what the real 1176 had to offer was worth getting rid of my distressor although I was fully ready to do that at the time if need be.
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| | #9 | |
| Gear maniac Joined: Apr 2004
Posts: 217
| Quote:
So you want us to decide for you? Ok. You have to buy both otherwise you're fooked especially if you're doing rock. Furthermore if you're tracking and mixing drums you're gonna have to buy 2 distressors. | |
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| | #10 | |
| Gear Head Joined: Apr 2006 Location: brandon mb, canada eh
Posts: 35
Thread Starter | Quote:
R u a member? ![]() Seriously though, I live in no mans land with the freakin' polar bears and troglodites, as a result I can never get my hands on any quality gear unless I buy it first. I actually went to the local music chain in Winnipeg, (about 120 miles) Being a dealer for Neumann asked him bout' a Neumann u 87ai. He said "WHATS THAT?" Nuff said. PLEASE more compressor help! Thanx 4 the replies. | |
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| | #11 |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
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ok, my first response is, GET BOTH. If that's not an option, remember that a Distressor can "emulate" an 1176 as well as other comp designs, so if you can only buy one comp, a Distressor is a pretty good choice. I have 2 Distressors, but I track lead vox thru a Purple Mc76! You can have my '76 when you pry it from my cold dead hands. Hope this helps, cheers! Jim |
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| | #12 |
| Gear maniac Joined: Sep 2005
Posts: 190
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I've been enjoying tracking vox through the Germanium and I've been using an original, early 70's LA3A with it. Seems a great match to me. I get more of what I like about the Germanium when I use it with the LA3A. I'm curious to try my MC76 with it when I get it back...anyone else found that the Germanium and 1176 don't play nice together? |
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| | #13 |
| Gear addict Joined: Apr 2006 Location: Australia aka heaven
Posts: 458
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I own stereo distressors. I've used an original 1176 but never did an a/b. I vote for the distressor.
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| | #14 | |
| Gear addict | Quote:
That's exactly it. You almost can't go wrong with either...and eventually should have both. But the distressor is probably a better first purchase because of its added flexibility. It can be aggressive, and it can be smooth. I love looking over at it and watching the meter crush the signal, and I'm still amazed that I don't really hear much compression. | |
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| | #15 |
| Lives for gear Joined: Dec 2004 Location: Athens, GA- US
Posts: 2,322
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76 in this case....I own them both, but for rock, IMO, the 76 is the way to go. (actually selling a Distressor right now...pm me if you choose it)
__________________ Me- "You know he's not playing in key right?" Unnamed Producer A- "Really?....Uh, Does that matter?" Me- sigh...."In all other cases, Yes, in this one...I guess not so much." http://pigpenstudios.net http://www.myspace.com/pigpenstudios |
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| | #16 | |
| Lives for gear Joined: Sep 2003 Location: Berlin
Posts: 1,097
| Quote:
later i opened up the top end a bit with a manley pultec (full bandwith and a good amount of boost at 10 khz), and then 5-7 db compression with an la-2a. smoooooooth... before i got the germ i used to track vocals through a v72. it seems like now i have a good alternative to play around with. recommended!
__________________ *** Hannes Bieger Producer/Engineer www.boomclap.com Check out my new photo report series "Studio File" starting in Sound On Sound April 2012! Featured this month: Record Plant / Hollywood | |
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