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| | #61 |
| Gear maniac |
I like the HR824s theyre all good...I think it's whatever you learned on. The only reason people like the NS10s is because they learned on them, I would say. Becuase they certainly are not very good speakers. having said this, i'd much rather have a good room than a good pair of speakers
__________________ stike “I am so clever that sometimes I don't understand a single word of what I am saying.” stike |
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| | #62 | ||
| Lives for gear Joined: Apr 2004 Location: Sweden
Posts: 539
| Quote:
You have a very detailed 'resolution' in the K+H. The Mackies and Genies are a bit 'cosmetic' and can't really reaveal what's in the mix for you. You can 'sense' the details, but if you can have a listen to the K+H or ADAM S3A you will notice things in your mix. Although I can recommend both the Mackies and Genies for their price, they are good monitors I think.
__________________ Recording, mixing and mastering at http://www.servantstudio.com | ||
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| | #63 |
| Gear interested Joined: Nov 2005 Location: Germany
Posts: 17
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I like my Geithain RL-906. Very transparent. To me, they are much better than the Adam P-11 i had before. If you can, check them out. thumbsup
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| | #64 |
| Gear maniac Joined: Apr 2006
Posts: 274
| P-22As
I've been using these for about 6 months now and find them to be extremely honest. Just take the time to position and eq them in the room so that your ref cds sound good and you should be fine.
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| | #65 | |
| Gear interested Joined: Mar 2006
Posts: 8
| Quote:
! I'm fully aware that it's your personal opinion. It's hard if even really possible to find a place for comparing the Geithain to any other speaker. Just by chance, did you check any other Geithain speaker as well (e.g. MO-2) ? Thanks | |
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| | #66 |
| Gear maniac Joined: Feb 2005 Location: Nashville
Posts: 209
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Event ASP 8 they're shiney and come with two ports! |
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| | #67 |
| Lives for gear Joined: Apr 2006
Posts: 2,288
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I used to be very happy with my Tannoy SRM12b's (LittleReds)... but then, one day, I got bored and thought "Why not utilize the connectors on the back and run these active?"... Best thing I ever did! Using a BSS 360, a couple of MC2 amps and a parametric eq as theres a fair bit of necessary eq-ing going on in the original passive xover ie a shallow but wide notch at 2.5k and the 6db/oct boost from about 5k typical of cd horns. Wouldn't swap those for anything.The closest thing to removing the control room window I have yet to hear so to speak. A bit big for modern nearfields though... |
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| | #68 |
| Gear maniac Joined: Feb 2005 Location: Germany
Posts: 202
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ADAM S3A. no doubt, way better than K&H o300 D, which to me, sound way too "genelec-ish"
__________________ www.hammerstudios.de |
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| | #69 |
| Lives for gear Joined: Sep 2002 Location: NYC
Posts: 1,123
| It's like footware....
Did you ever notice that when you have an excellent pair of shoes/sneakers on your feet, you never once think about them (the feet and the shoes) over the coarse of the day...not until you get home and kick them off. The sign of quality footware. Same thing with the Dynaudio BM5a's. You'll track & mix all day without ever thinking about an upgrade, crossgrade, etc. Mackie 824s used to make my feet hurt. |
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| | #70 | |
| Lives for gear Joined: Jul 2003 Location: Netherlands
Posts: 1,722
| Quote:
.Greetings, Dirk | |
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| | #71 |
| Guest
Posts: n/a
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Emes mini owl is best "FOR ME" (I need to buy a flight case for it) |
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| | #72 | |
| Lives for gear | Quote:
I've never had a direct comparison but similar triamped genelecs (1037c - s30) probably perform similar statistically to the o300 K&H. I think you can make fair comparisons if you choose comparable models. | |
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| | #73 |
| Lives for gear Joined: Jun 2005 Location: Burbank, CA
Posts: 989
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Heard a pair of the ADMS 3a's the other night, thought they were fantastic. I would have to mix on them for a while before I would endorse. ADAM's do seem to be the new trend. I currently mix on Dynaudio BM-15's along with NS-10's and Auratones. I like the way the mixes translate, so no need to change. www.bluethumbproductions.com |
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| | #74 |
| Lives for gear Joined: Feb 2005 Location: Chicago
Posts: 1,765
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We put Barefoot MM27s in our tracking/ mixing room and each of the 8 engineers that have heard them have freaked! They are extremely revieling and translate very well. When we finish a mix and tie- line it into our mastering room it's remarkable how few "issues" we hear.
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| | #75 | |
| Lives for gear Joined: Apr 2004 Location: Sweden
Posts: 539
| Quote:
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| | #76 |
| Lives for gear |
I too found the K&H o300d monitors to sound similar to the Genelec 8000 series, especially in the upper range. The bass end on the o300s is sweet though, it sounds and feels just right. I liked both the 8040a and 8050a the most in the 8000 range. As for the S3a, its pure class too. |
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| | #77 | |
| Gear interested Joined: Nov 2005 Location: Germany
Posts: 17
| Quote:
I did like the S3A much better than the P11, more transparent in the Low End, and they also seemed to work well in my nearfield-situation. So i was thinking between the S3a and the RL906, and finally decided to get the 906 with the Stands to put them on a table. What really amazes my on the Geithains is the Stereo-Image. I can hear a difference in almost every step of the pan-pot in cubase. The mixes traslate well. The Low-End ist really surprising. You wouldnt expect this little speakers to produce that much bass. Of course not much below 50 Hz and you can´t go really loud if you have a lot of bass, but it is really good. Geithain claims that all Speakers of the RL-Series sound the same, so you might get one of the bigger Speakers if you have a bigger room or need more SPL and/or more bass. The bigger Speakers are quite expensive. So in my PERSONAL OPINION Geithains are an amazing product of german quality engineering, no marketing bullshit, not cheap but really worth it. | |
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| | #78 |
| Gear addict Joined: Nov 2005 Location: Not sure
Posts: 408
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I had Dynaudio M3s and Ns10s. I found that there was something missing that i could flick over to somewhere between the two. So no i have adam s3as in the middle. I like them but find them a bit of a strain to listen to all day. I prefer dynaudio Bm15s but it seemed a bit pointless to have them with the larger dynaudios.
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| | #79 |
| Voiding warranties Joined: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 10,070
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Any monitor with a crappy power amp in it is a no go for me. Just look at them. How do you expect to fit a great amp into any of them? Simple, by cutting corners. My other beef: Crossovers! Most are built with crap and a quick call to Michael Percy Audio will fix them up real good with great film caps, wirewound resistors, air foil inductors, etc. I'm always amazed at the prices some of these speakers go for and then you see cookie cutter generic parts used in the crossovers. It's as if they cut the corners where the buyer can't see, the insides. Removing the wool stuffing in these monitors really helps as well. Install some Deflex panels and the boxy ring of the cabinet goes away as the mids clear up in an amazing way. These stop the mid smear as the mid frequencies bounce off the back of the cabinet to interfere with the woofer excusion in boxes using rock wool, fiberglass or any similar treatment which has no effect below 400 hz. Don't let the manufacturers sell you short, fix what they missed and you will have real value. Jim Williams Audio Upgrades |
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| | #80 |
| Gear nut Joined: Jun 2005 Location: London
Posts: 123
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Well, if you can't afford the PMC AML's the TB2SA's are pretty good, next to my Dynaudio BM15a's they are in a different league.
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| | #81 |
| Lives for gear Joined: Aug 2004 Location: Houston, TX
Posts: 3,714
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Using BM 6A and NS10M w/ a yammy sub sdf |
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| | #82 |
| Lives for gear |
If it has to be nearfields I guess that puts the B&W Nautilus' out of the running since they aren't really nearfields. But I like them a lot- use 802's with a Classé amp. I feel comfortable mixing with the following: ATC PMC ProAc NHT KRK Westlake It's all a matter of what you prefer, I think any of those will get you there once you get used to them. I actually have to go against what people are saying about the Meyer HD-1's. There is a pair in one of the places I work that almost never get turned on any more, at least while I'm working there... I've tried them in a couple different rooms and never got them to work right- and it seems like they have this funny phase correction thingy that drives me batty. Also not a big fan of Genelec 10xx series, haven't tried any of the others. |
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| | #83 |
| Gear nut Joined: Jun 2004 Location: Switzerland
Posts: 144
| PMC AML1
I finally enjoy mixing.
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| | #84 |
| Lives for gear Joined: Mar 2006 Location: Bell, CA
Posts: 810
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| | #85 |
| Lives for gear Joined: Jun 2006 Location: Brooklyn, NY
Posts: 920
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Something good and something crappy. I use auratones and ASP8s at home. I use NS10s and whatever fancy pants monitors they have when I'm out on the town. Get something you like the sound of. If you get monitors that are to bright for your taste, everything will end up sounding dull if you mix so that things sound good to YOU. |
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| | #86 |
| Gear maniac Joined: Apr 2006 Location: Denmark
Posts: 274
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I use Dynaudio BM6A too. Just to add to the "mentioning" of these. Haven't compared to anything, but the Yorkvilles I had before. I don't care either, because the BM6A's just sound fine and detailed and cause no fatigue, and I don't consider getting anything else, except perhaps the Dynaudio sub. Still, there is a lot of other gear I would buy before that. |
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| | #87 | |
| Lives for gear Joined: Aug 2003 Location: Sydney Australia
Posts: 1,289
| Quote:
Nick | |
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