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| | #1 |
| Gear addict Joined: Jul 2011
Posts: 320
Thread Starter | What Should I Buy Next
I'm stuck, I want to purchase a pair of Telefunken C12's or 10 API 550a's for tracking and mixing. I can't get both right now and have a very handsome mic collection but can't figure out what would serve me better. I work on mostly rock, some jazz and also a small amount of classical. My mic locker today consists of: Telefunken U47, Brauner VM1 (2), Lucas CS-4, Wunder CM7, Bock 251, Microtech-Geffell UM 92.1, Bock 195, Josephson e22 (4), Josephson C42 (3), Coles 4038 (3), Microtech-Geffell M-300 (2), ”Original” Handmade Mojave LDC, Mojave MA-200, AEA R92 (2), AEA R-88, AEA R-84, Royer SF-1, Royer 121 (2), Crowley and Tripp Naked Eye, Peluso P-Stereo, Peluso P-28 with custom premium power supplies (2), Peluso 2247LE (modified with Beezneez capsule), Technica 4033 (2), Michael Joly OktavaMod 219 (2), Shure KSM 27, Shure KSM313, Sennheiser 421 (5), Electrovoice RE-20, AKG D112, Shure SM57 (2), BeyerDynamic M201, Rode N4, MPC Custom Tube LDC (2), Fox Audio Research C12+, plus quite a few others…… EQ's I have are a Manley Massive Passive and a Chandler Curve Bender. Help me make a wise choice. Thanks Paul |
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| | #2 |
| Gear maniac |
Id take the API pres. Your mic locker looks fine.
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| | #3 |
| Lives for gear Joined: May 2006 Location: Sydney, Australia
Posts: 1,630
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Without knowing more about what other outboard you have, I'd look at either a number of different EQ's, or stick with API's (550A, 550B, 560) if you want a consistent flavour, much like a console. What pre's do you have ?? Lovely collection of mics you have there btw. I'd be interested to know more about Brian Fox's C12's .. |
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| | #4 |
| 70% coffee & 30% beer Joined: Dec 2006 Location: Quincy, MA
Posts: 7,728
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Paul seems to be lookin' for 550A's, [API EQ] in which case I would, +1 the 550A's or simply 10 amazing 500 EQ's to mix and track with, compared to a pair of new tele c12 mic's. Even though, the Tele's are amazing, I would rather have 10 equalizers in my rig, and I don't have nearly as many cool mic's to use as Paul does.
__________________ Adam Brass adam@dspdoctor.com DSPdoctor "Pro Audio Gear And Advice for the Modern Recording Studio" ________________ "Any opinions above are worth exactly what you paid for them." Anonymous "If I find 10,000 ways something won't work, I haven't failed. I am not discouraged, because every wrong attempt discarded is another step forward. Thomas Edison RTFM |
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| | #5 |
| Lives for gear |
If I were in your shoes, with all those great mics, I would consider getting a pair of Langs and three 550a EQ's and maybe a couple 560's. PS. First I would go with mic pre's. What kind of pre-amps do you have? With all those great mics, a wide selection of pre-amps too and the need for EQ diminishes tremendously.
__________________ Looking for: 201/1 to pair up, 44C to pair up, Church mic to pair up, C12 to pair up, orig 1084 in mono Averill chassis to pair up... all lonely pieces that need a mate. PLATINUM AUDIO RENTALS For the Slutz that need stuff now... Please check out my friend's site below. http://PlatinumAudioRentals.com/ |
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| | #6 | |
| Lives for gear Joined: Sep 2008 Location: Denmark
Posts: 3,430
| Quote:
Otherwise, I'd get the eq's though I'd probably mix in a few others with the 550a's, unless there's a deal involved when buying 10, just for variations sake.
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