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| | #1 |
| Lives for gear Join Date: Dec 2005
Posts: 1,008
Thread Starter | I know, I know.... I shouldn't ask this in a thread and it breaks the rules. Therefore, you can PM me... The reason I ask is because I want to know where to price myself. I am currently getting a lot of work thrown my way for mixing projects from Indi-labels, top-labels, and some independent artist. I change my prices to fit whom I am working with and what they want. If they want a Neve room or ans SSL room I upcharge. If they want alternative mixes etc.... I just need ballpark figures. I priced myself at $500 a mix for a smaller label and they accepted. Makes me think for future work I can demand more. I know it is what I think I am worth but I DO NOT want to set prices to high and price myself out of work! I read something in here when a guy was charging $1500 a mix flat fee. To me that seems kind of high unless you are really in demand. From what I have been told my $500 a mix is slightly pricey, but I get work! Please help me out!!!! PM me if you want to remain unknown to others.... thank you!!! |
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| | #2 |
| Lives for gear | my prices are on my site. $500 a track for indie labels is a fair price. I've been quoting stuff quite a bit lower than what's on my site, but it's for self funded artists. When dealing with majors if you tell them you'll do it for $500 they might think your not professional or desperate...neither of which looks good. Pro's get anywhere from $1,000 a song to $3,500. Then there's the top shelf fokkers....but we'll not get into that cuz I'll just get depressed again ![]()
__________________ _________________ "What is a crossfire hurricane & why wasn't I born in one?" Randy Wright |
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| | #3 |
| Lives for gear | Yeah, If you are being paid 500$ a song and been getting work, I would keep it there. It´s alof of money for a days work no ? You will be able to do the 1k + thing only if you mix a hit eventually. I wouldn´t raise the bar if that didn´t happen yet, but that´s just me.
__________________ www.thejoti.com www.myspace.com/thejoti http://www.youtube.com/watch?v=sR116su2Uuo ¨But, then again, I'm British and think you Yanks with your fancy pre for each track are a bunch of weirdos¨ Mark |
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| | #4 |
| Lives for gear Join Date: Dec 2005
Posts: 1,008
Thread Starter | Thats good advice.... Do you add on equiptment charges on top? Say they want a 4K SSL mix.... I have been asked this, so I have to rent the room and charge on top of that. Then its like how do I compete? I am up to at least $1250, thats tough! And when mixing do you provide alternate mixes at no charge? I get this.... Master at 24bit, Instrumental, VOX 0, VOX +1db, Clean edit.... some clean edits are tough at times. Do I charge more? Then I get some mixes where I get a call to bring up ad-libs or bring up an instrument. I do all this for free I guess but I aam starting to think I should charge! |
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| | #5 | |
| Lives for gear Join Date: Sep 2005 Location: New York City
Posts: 4,088
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| | #6 |
| Lives for gear | Yep, what Mike said. If they want an SSL mix, I let them know I have to pay studio time, so it comes out of their pocket. If they're cool with that, then do it. Mixing on SSl's is fun ![]() As for revisions, I don't charge extra for that. It's easy to make changes with a mouse ![]() |
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| | #7 |
| Lives for gear Join Date: Dec 2005
Posts: 1,008
Thread Starter | Thats the point, it is easy with the mouse!!! But when does it become a hassle? |
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| | #8 | |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 14,176
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| | #9 | |
| Lives for gear | Quote:
Specialy with editing.. do you consider that part of your job ? | |
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| | #10 |
| Lives for gear Join Date: Dec 2005
Posts: 1,008
Thread Starter | I do edit stuff.... I get sloppy sessions a lot. But I dont want to scare customers away or piss them off so I get taken advantage of!!! |
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| | #11 |
| Lives for gear Join Date: Apr 2006 Location: Los Angeles
Posts: 711
| Charge a decent rate and get more work - that's your best investment in yourself, rather than being overpaid now. If a major label asks you to mix something, you should personally pocket at least $1000 before additional costs. The big mix deities get 4k a track (or sometimes more) as their personal fee, then sometimes rent their own gear back to you for another grand, then you have to pay for the studio time on top of that. They all ask for a point on the record as well, which they often get. It's easy to spend 10k per song when mixing with those dudes.
__________________ www.gregwells.net |
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| | #12 |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,753
| $500 is a fair rate for an indie mix. |
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