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| | #121 |
| Lives for gear Join Date: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,769
| Yes Bobalou, I am getting a nice low end punch that blends in nicely when compressed. Although, I am also getting a little 3d delay on it but that only adds bigness to my sound. Maybe Jules can elaborate a little more on this theory since I've picked it up after seeing his M149's placed facing the way away from the kit. I'm also getting a nice sizzle from the cymbals. I'm also greatful for this thread that you started Bobalou... IMO it's helped alot. Especially being able to check out everyone's OH micing techniques. Jason
__________________ If it don't sound like a record... don't press record |
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| | #122 |
| Lives for gear Join Date: Nov 2002 Location: on the beach in warm, sunny SC
Posts: 872
| Just did a jazz recording in San Diego. More info at The Listening Sessions Meets Jazzooo Drums: Overheads: pair of Earthworks QTC-1's omnis OR a pair of Earthworks SR77's cardioids - running through Millennia HV-3D Kick: Audio-Technica ATM25 - running to Roland VS 2480 mic pre. Snare: Studio Projects C1 - running to Millennia HV-3D Hat: AKG 414 B-ULS - running to Millennia HV-3D Toms: Rack toms - Studio Projects B1's, floor tom - Studio Projects B3 - all running to Roland VS 2480 pres. Here's a shot of the hand-made Le Soprano drum kit all miked up. ![]()
__________________ Dan Richards Yackin' about gear and recording techniques at http://studioforums.com |
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| | #123 |
| Lives for gear Join Date: Nov 2002 Location: on the beach in warm, sunny SC
Posts: 872
| Two pairs of Earthworks mics are used on OH's. A pair of QTC-1's for the softer, more mellow tracks where space, dimension and imagery are a priority. And a pair of SR77's for the louder tracks. We had the QTC-1's up and were getting occasional mic overload on loud passages, so we switched to the SR77 for the loud stuff. The QTC-1's running through the Millennia HV-3D are stunning on drum overheads. Here's a shot of the POV of the overheads to the drum kit. The OH array is set to 110ยบ ORTF. ![]() |
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| | #124 |
| Lives for gear Join Date: Nov 2002 Location: on the beach in warm, sunny SC
Posts: 872
| Here's the snare miked on top with a Studio Projects C1. [ positioned with back of C1 facing hats for rejection ] The hats are miked with an AKG 414B-ULS. ![]() |
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| | #125 |
| Lives for gear Join Date: Nov 2002 Location: on the beach in warm, sunny SC
Posts: 872
| Rack toms both mics with Studio Projects B1's. ![]() |
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| | #126 |
| Lives for gear Join Date: Nov 2002 Location: on the beach in warm, sunny SC
Posts: 872
| Floor tom miked with Studio Projects B3. ![]() |
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| | #127 |
| Gearslutz.com admin | Thanks Chris! (from the last page) We have producer Gil Norton in for 3 days (Pixies / Foo Fighters) he's working with my junior engineer Tom on some pre prod... Must drop in to see how they are getting on! Who knows, if they like the studio........ ("Ahhhhh".....sound of crashing waves..... "another Mai Tai darling? Shall we have lobster again for dinner"?... AND THEN I WOKE UP! )If its anything wacky and new I will try to take pictures! ![]()
__________________ Jules Add your reviews to the new reviews area! Gearslutz on Facebook Follow my GS picks on Twitter |
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| | #128 |
| Lives for gear | Dan, That kit is absolutely stunning! It looks like incredibly thought and workmanship went into every last detail. I bet it sounds absolutely gorgeous on tape- what format did you track to, digital of some sort? Any chance we can hear it? Also it looks like the mics are pointed up and away from their sources (toms anyway), how does that sound versus pointing the mics at the heads? |
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| | #129 |
| Lives for gear Join Date: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,769
| Yeah, I noticed that two. Also on the snare. Kit looks very nice btw. I'd say it captures more of the natural sound of the kit. I hope I'm right if that kits sounds as good as it looks. Jason |
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| | #130 |
| Lives for gear | I'm really curious to find out how that kit sounds. I'm going to be picking up a new kit sometime in the next year or so as I try to make a real residential whole band set up for myself. I've got a great mmx kit from Pearl, but I think I'm looking for something a lot more natural and warm. |
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| | #131 |
| Lives for gear | Can someone post a pic of Recordermans OH setup? I dont think I understand it correctly, cause people always hit the mics when I set them up like I think its supposed to. |
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| | #132 |
| Lives for gear Join Date: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,769
| Planet Red... The kit I miced up a few pages back on this thread... I used the Recorderman setup. Although I set my mics at two and 3/4 lenghs away from the snare. Jason ps: Do a search on this site for more info on it. There's a really good post on it a few months back. |
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| | #133 |
| Lives for gear Join Date: Nov 2002 Location: on the beach in warm, sunny SC
Posts: 872
| That kits is a [ there's a link here ----> ] Le Soprano Prima Original hand-made in Italy. Price tag on the drums alone is about $7500. The two ride cymbals are Peter Erskine Zildjians [ with three sizzles ] - the one on the drummers left is a Peter Erskine Left hand Ride prototype. The players all know and have played with Peter Erskine. BattleAngel, all the mics on the toms and snare are side-address condensers - and are, in fact, pointing towards the tom heads. Although, not the recording I worked on last week [ where these shots were taken ], there is an MP3 of a song, "We've Got Time" here at this link that uses this Le Soprano kit. There is a CD being released soon of the recordings and we'll also make some MP3's available. The band and my gear set up is still in San Diego and they'll continue recording for the next couple of weeks. I'll post a link when the CD is available. [ edited - 320 bitrate MP3's of kit available at http://www.thelisteningsessions.com/jazzooo.htm Download "NY BLues" and "LizBarber" ] |
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| | #134 |
| Lives for gear | Yeah I was just looking it up- superbly expensive but I guess some guys just have to sound *that* good. Lord knows I would if I were good enough to justify it ;-) That clip's not working by the way =( I really want to hear it! |
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| | #135 |
| Gear Guru Join Date: Oct 2002 Location: Oz
Posts: 15,356
| It worked for me. Very nice track and I like the band. Shame the MP3 didn't really showcase the kit though. |
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| | #136 |
| Lives for gear | Got it. Beautiful :-) The drums sound phenomenal but this track doesn't show off the whole kit a lot. Not that it matters- at 7500 I can't afford it. Yet ;-) |
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| | #137 | |
| Gear addict Join Date: Aug 2003 Location: Milwaukee, WI
Posts: 402
| Quote:
I guess that explains why you didn't buy new heads to put on the drums before recording ![]() Bobby Peru Milwaukee, WI | |
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| | #138 | |
| Gear Guru Join Date: Oct 2002 Location: Oz
Posts: 15,356
| Quote:
Anyone seen or heard the Josephson E22s (side address condensors)? They were designed in conjunction with Steve Albini and look quite strange. | |
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| | #139 |
| Lives for gear Join Date: Nov 2002 Location: Pittsburgh Pa
Posts: 562
| Every cool cat worth his whiskers knows ya don't replace heads or clean cymbals on a jazz kit.... Go to your room!tutt |
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| | #140 |
| Gear nut Join Date: Feb 2003 Location: Houston
Posts: 97
| '64 Slingerland with '53 Gretsch snare. Amazing sound!. Photo taken before we got the room mics up and the sea of mic cables so it looked cleaner for promotional photos. Your "standard" setup - 57 snare, 421s on the toms, D112 on kick, B&O stereo ribbon overhead, 87's in the room |
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| | #141 |
| Gear nut Join Date: Feb 2003 Location: Houston
Posts: 97
| another shot |
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| | #142 |
| Gear nut Join Date: Feb 2003 Location: Houston
Posts: 97
| that was the same one - this should be right |
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| | #143 |
| Lives for gear Join Date: Nov 2002 Location: on the beach in warm, sunny SC
Posts: 872
| Sweet! |
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| | #144 |
| Lives for gear Join Date: Mar 2003 Location: chicago
Posts: 1,025
| what a great thread! Drummerman that kit is completely dope. Here is an update on my kit, much learned from this thread and others on this board. Sounds much better and improving all the time! Updates: - Ditched SP C3's for a pair of Josephson C42's - moved rack toms off kick and onto stands - added subkick ns10 mic - lost tom mics and replaced with r121 FOK mic - removed rugs went with bare floor Fargin eh, thanks guys. ![]() |
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| | #145 |
| Lives for gear Join Date: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,769
| Always enjoy seeing new posts on this thread! I have to try placing a speaker on a kick one of these days! Looking good folks, keep em coming! Jason |
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| | #146 |
| Lives for gear Join Date: Jul 2003 Location: Portsmouth, UK
Posts: 1,469
| Piccy I took a week or so back, we've just put a new Vinyl floor down but still have to tweak the acoustics a little. Anyway here's the pic: Cheers, Rich |
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| | #147 |
| Lives for gear | Frighteningly good 15 yr old drummer Ilian Rubin. Tracked two tunes for "get the girl" band today. Oh my god. This kid is as talented, at 15 as ANY drummer I've seen in the rock world currently. watch out. He taught himself classical Piano as well(started 6 months ago) and guitar. Fully endorsed by OCDP, Paiste, Vic firth. fuucker. Here's his abbreviated kit for this session: Beta 51, Ns 10, 57's on snare, 87 rack, 421 floor, 414 OH's, Royer 121's room.
__________________ http://recordingdrummerproducer.com http://socaldrumsociety.com http://ProCraftMedia.com ----------------------------------------------------------------- Watch your thoughts, for they become words. Watch your words, for they become actions. Watch your actions, for they become habits. Watch your habits, for they become character. Watch your character, for it becomes your destiny. |
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| | #148 |
| Lives for gear Join Date: Jan 2004 Location: Chicago
Posts: 1,002
| No pics now, but if you are ever get a chance to put a good pair of C12A's or C12B's over your kit, it will put a smile on your face. |
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| | #149 | |
| Lives for gear Join Date: Dec 2003 Location: China
Posts: 2,336
| Quote:
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| | #150 |
| Gear addict | OK. Here we go. Yamaha Stage Custom kit. Kick: Soundelux U195 (in front) and a MD421 at the beater -> both through Trident A-range's Snare: on top a MD421 -> D.W.Fearn VT1 and on the side: AKG C451/CK1 -> Drawmer 1969 Toms: AKG C414B-ULS -> all through Trident A-range's Ride: Neumann KM84 -> AMEK 9098eq OH: Neumann KM184 -> Great River MP-2NV Ambience: Microtech Gefell UM92.1s -> Neumann V476n |
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