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| | #1 |
| Lives for gear | Coles 4038 FOK?
I love the R-121 in front of the kit 4-5 feet out about waist high. Do you think the 4038 offers any sonic advantages? How's it compare in this application?
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| | #2 |
| Lives for gear Joined: Jul 2005 Location: Austin
Posts: 960
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They are both awesome. I guess it depends on what your going for. I think the Royer is better when you get in closer cause it can take more abuse and seems to have a little more bottom to me. The tone of the 4038 for a "general" kit mic (old school overheads or rooms) is one of my favorites though. I can't say why. I just like the tone and sound. Same thing on guitar amps. Coles sound killer through an api by but the Royer can need another mic or to be pulled back a lot farther to get the tone right. If your going for KICK in your fok then Royer all the way though. My 2 cents.
__________________ DannyStapleton.com |
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| | #3 |
| Gear nut Joined: Sep 2007 Location: Minneapolis
Posts: 103
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In my opinion, sonically the two are decently similar. I personally like the Coles more for this application. Thought I am a fan of 4038 on everything and anything ![]() I would say it also depends on the room size etc because the Coles seems to like being in bigger rooms much of the time. Can you do a shootout? That way you know for your exact needs.
__________________ Seeing a therapist for my microphone buying habit.... |
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| | #4 |
| Lives for gear | |
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| | #5 | |
| 70% coffee & 30% beer Joined: Dec 2006 Location: Quincy, MA
Posts: 7,728
| Quote:
One of the best things I have ever heard was a 4038 FOK and two 4040's [or a Coles 4050 Detached] as flanks to the left and right.
__________________ Adam Brass adam@dspdoctor.com DSPdoctor "Pro Audio Gear And Advice for the Modern Recording Studio" ________________ "Any opinions above are worth exactly what you paid for them." Anonymous "If I find 10,000 ways something won't work, I haven't failed. I am not discouraged, because every wrong attempt discarded is another step forward. Thomas Edison RTFM | |
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| | #6 | ||
| member no 666 Joined: Jun 2002 Location: Durham, NC
Posts: 10,108
| Quote:
Quote:
Proximity effect at "4-5 feet"? You sure about that? At the end of the day people are going to use the tools they feel enhances their productions... they may know why [which isn't a bad thing], they may not know why [which while not necessarily bad... really isn't good... knowledge is power and all that]... At the end of the day nobody knows if a 4038 is going to work better for the OP's sense of aesthetic than the R-121... which means it would be in their best interest to give it a shot. Personally I would tend to migrate to any of a bunch of other microphones for that application [not really wild about either the 4038 or 121 for FOK... but that too is my own personal decision that has zero relevance to any other world but my own]. Peace
__________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light | ||
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| | #7 | |
| Lives for gear | Quote:
It also seems that Adam was probably talking about the proximity effect of the microphone in general, not about its specific use four feet away from a kick drum. I know you love to rag Fletcher, but sometimes it seems about as helpful as the people who jabber without knowing a damn thing. I'm not a fan on ribbons on FOK either, and I've certainly tried both those mics in that position before. Yes, it is absolutely 100% always situation dependent. And no, I don't think it's so ridiculous that it doesn't deserve some discussion. | |
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| | #8 | |
| Lives for gear | Quote:
The other great advantage of another mic for FOK would be that I could keep the 121 on my guitar cabs which is where I have it most of the time. | |
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| | #9 |
| Gear addict Joined: Jul 2011
Posts: 320
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| | #10 |
| Lives for gear Joined: May 2004 Location: New York City
Posts: 724
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Wait a minute! Not a fan of ribbons on front of kit? Man, do I love a 44 in front with a pair of 67s as overs. Add a D12 on kick and I'm done. 44 takes a squishing from a TG1 with such pleasure. Whoa! (my .02 on the 121/4038 question?. I've had both for a long time and I'm not sure if there's anything I'd choose the 121 over the coles for) there. I said it. david |
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| | #11 |
| Lives for gear | |
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| | #12 | |
| member no 666 Joined: Jun 2002 Location: Durham, NC
Posts: 10,108
| Quote:
I don't "love to rag"... but I really don't suffer bullshit and the spreading of non-factual myth stuff as well as others who frequent this board... character flaw I suppose... but hey, if you wanna roll with the 4038 is "fatter" sounding [proximity effect] please don't let me stand in your way... but please realize that at a distance of 4-5 ft. "proximity effect" is in play at about the same level as the "infield fly rule"... but this is Gearslutz [insert Dave Hecht quote here] which is fine by many [just not so much by moi]. Peace | |
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| | #13 | |
| 70% coffee & 30% beer Joined: Dec 2006 Location: Quincy, MA
Posts: 7,728
| Quote:
And, if your going to bring up what you think "you learned me", CNF <=hype>, while I was assisting you, and helping you as much as my good conscious would ever allow, I should say I've seen YOU blow the ribbon on plenty of 4038's with audio carelessness and plenty of other things I would never do. So thanks for showing me WHAT NOT TO DO. Give yourself a round of applause.... | |
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