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| | #1 |
| Gear Head Joined: Jan 2011
Posts: 66
Thread Starter | Retro Sta Level For Hip Hop Vocals
I was considering buying the Retro Sta Level. I mainly record Hip Hop, Pop, and Rock Vocals. Anybody have any experience using the Sta on rap vox? Thanks |
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| | #2 |
| 70% coffee & 30% beer Joined: Dec 2006 Location: Quincy, MA
Posts: 7,728
| Its fantastic man. Just by running through this thing you get something extremely musical. It has a "olden-golden" sound, that "bronzes" your source and gives you a smooth, polished type of thickening. The Compression is wonderfully natural and has no weirdness to the action. Very transparant and it makes things denser, and smoother. You've really gotta learn the envelope to use it everywhere, but for rappers, and rock vocals, it should work itself out without a struggle.
__________________ Adam Brass adam@dspdoctor.com DSPdoctor "Pro Audio Gear And Advice for the Modern Recording Studio" ________________ "Any opinions above are worth exactly what you paid for them." Anonymous "If I find 10,000 ways something won't work, I haven't failed. I am not discouraged, because every wrong attempt discarded is another step forward. Thomas Edison RTFM |
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| | #3 |
| Gear nut Joined: Dec 2008 Location: USA
Posts: 109
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The Retro has that big tube compression sound and would set you apart from the norm. What mic and preamp do you have?
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| | #4 |
| Gear Head Joined: Jan 2011
Posts: 66
Thread Starter |
Manley Ref C and a Vintech X73i. This would be my first hw compressor, i've been using UAD LA2A 1176 combo. Was thinking of buying the real things, but Im really drawn to the Sta |
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| | #5 |
| Lives for gear Joined: Feb 2009 Location: San Diego
Posts: 1,424
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I use the Sta Level for most of my hip hop. If you can swing a little more cash get the Retro 176. I like it even more and trying to get enough for my own.
__________________ Jeff Sers King's Ransom Studio Sunny Cali |
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| | #6 |
| Gear interested Joined: Jun 2008
Posts: 19
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I love all the Retro stuff, my vocal mixing chain is the Sta into the 176, pretty incredible!!! Harry |
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| | #7 |
| Lives for gear Joined: Feb 2009
Posts: 2,705
| I do mostly rap and r&b. tried the retro. found it to be a little too vintage/dark for my tastes. If you a Ref C and a X73i I would recommend a distressor. The slate dragon was nice when I used one. That's my next purchase.
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| | #8 |
| Lives for gear Joined: Mar 2006 Location: Bahstahn, MA
Posts: 2,687
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In all seriousness, go with the Powerstrip before they wise up and raise the price...the compressor's a little more versatile than a STA-Level in my opinion and you get the rest of the vocal chain tacked on for what is pretty much "$free.99"
__________________ Sean Eldon Qualls Mercenary Audio / sean@mercenary.com "They don't think it be like it is...but it do" - Oscar Gamble |
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| | #9 |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,918
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I probably wouldn't choose a Sta-Level for rap vocals... I think I would probably go with the 176 in that product line, but there are others I would turn to first.
__________________ Tony Belmont ![]() We Sell Gear! ![]() High Profile Audio.....PluginDiscounts.com I may on occasion talk about some of the products I am a dealer for in my posts.. and that's OK! I sell them because I like them. Not vice versa. It's more fun to talk about things you know and love, then things you don't. |
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| | #10 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,252
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176 if you can swing it. It's one of the few compressors on the planet that is to be considered pure magic. Sta-Level is awesome in a different way, 176 just shines on everything and is completely variable so you have total control. Some auto release times could get slightly wonky during faster phrases, that would be my only worry there. 176 = no worry and huge, in your face goodness. War |
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| | #11 |
| Gear addict Joined: Jan 2006 Location: US/UK/Switzerland
Posts: 453
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It depends taste of course and the way people hear things but for me the sta is everything except darkish, high frequencies remain beautiful and smooth but not rolled off as the la-2a I had. It is still sounding open and mate what an amazing sound and balance, it has weight and articulation What a marvelous compressor I need to learn more as just received but these are only my 2 cts |
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| | #12 |
| Lives for gear |
The thing I like about the Retro STA is the set and forget settings plus you get a larger than life sound. It is great for people who do not like to spend time tweaking. Of course you can tweak but it is not needed to get a great sound. Most rappers have little musical training and may have hard time gauging nuances. For this reason the STA is in my opinion just the ticket! |
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| | #13 |
| Gear maniac Joined: Jul 2006 Location: NYC
Posts: 177
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The sta is a great compressor, but I certainly wouldn't put it on a list for first compressor, or vocal compressor. It's very sluggish, which can be amazing, especially on bass heavy sources, but I would imagine doing hip-hop you want something a little faster/crisper. Can't go wrong with an 1176 for hip-hop vocals, or a distressor as a first overall hardware compressor. My favorite is Tube Tech CL1-B, this and an 1176 cover 80% of vocals for me.
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| | #14 |
| Gear Head Joined: Jan 2011
Posts: 66
Thread Starter |
Thanks everyone for their replies, damn! now im torn between the sta, cl1b, and the retro 176. |
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| | #15 |
| Lives for gear |
The Anniversary Edition 1176 is hot on Rap vocals.
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| | #16 |
| Gear nut Joined: Aug 2005 Location: Orlando
Posts: 128
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I Own a STA-LEVEL and Have to say, It's pretty much the ONLY comp I use in Hip Hop and Pop... I Own a PA1176 as well and although lovely as well, It's NOWHERE as fat and warm , thick Punchy as the STA. I Use a Manley Ref C with BAE1272 into the Sta Level, and call it done... I have been through so many compressors and for the money it's wonderous. I am considering selling my PA1176 and getting their version of the 176. Has anyone in here used it? It has GOT TO BE amazing as well. Their gear it the real deal... just GET IT!..and be done.. it's worth every single penny. |
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| | #17 | |
| Gear Head Joined: Jan 2011
Posts: 66
Thread Starter | Quote:
Thats awesome to hear! Do you use any compressors during mix? | |
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| | #18 |
| Lives for gear Joined: Dec 2005
Posts: 2,462
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i dont know where you are coming from in terms of hip hop music. if you want to creat a new sound it might work great. but if you are aiming for the classic hip hop sound (im talking mid 90s hip hop, not the plastic thats on the radio today) this is certainly the wrong tool. you will get way better results from way cheaper comps.
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| | #19 |
| Gear Head Joined: Jan 2011
Posts: 66
Thread Starter |
Like what? I hate todays rap with a passion. Personally, I make underground hip hop but a lot of my clients are into the lil wayne drake crap. |
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| | #20 |
| Lives for gear Joined: Dec 2005
Posts: 2,462
| i really like that you hate todays rap with a passion :-) just get an 1176. thats what people used back then in most cases. pair it with a u67 or u87. thats the hip hop sound from the mid 90s. good luck
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| | #21 |
| Gear Guru Joined: Oct 2004 Location: The Land of Sunshine
Posts: 11,287
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You could do everything you'd ever need with an RNC. If you want the smooth, fat tone and texture of the tube levelers, get a 525, it kills on vocals. Gregory Scott - ubk |
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| | #22 |
| Cho-Cho Beater Joined: Oct 2010 Location: New York
Posts: 169
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Manley Ref Card + X73i, HipHop + Rock vox. I would go with Distressor. |
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