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| | #31 |
| Gear maniac | That looks pretty good man. I prefer API on snare and close mics. I noticed you didn't have anything for the drum rooms. I am big on using drum rooms even if it is not completely treated properly. I would suggest some ribbons on the rooms. If your on a budget check out the cascade fatheads. They are very affordable. I have gotten good results with them. Other Ribbons would be coles 4038 and royer 121's, AEA r84's. I'm also a fan of LDC pointed away from the drum or in the corners. AT 4050's or AKG 414's come to mind.
__________________ Christopher Dwyer www.christopherscottdwyer.com http://christopherdwyerrecording.bandcamp.com/ |
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| | #32 |
| Gear addict Joined: Mar 2005 Location: Nashville, TN
Posts: 327
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API all the way!
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| | #33 | |
| Gear Head Joined: Jul 2008
Posts: 55
Thread Starter | Quote:
RE: drum room - I have a nice room - not square - treated and only half dead. (brand new build with 6 layers of sheetrock) | |
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| | #34 | |
| Gear addict Joined: Sep 2006 Location: Dahellaware
Posts: 325
| Quote:
API IMO is to slow on snare and kick.I prefer Daking and APA pres on these.
__________________ I QUIT | |
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| | #35 |
| Gear Head Joined: Jul 2008
Posts: 55
Thread Starter |
using 414tl2s for ohds see the list above for what my system is like |
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| | #36 | |
| Gear Head Joined: Jul 2008
Posts: 55
Thread Starter | Quote:
Im pretty sure this list will suffice for this season. Manley Voxbox AMS Neve 1073DPA Rupert Neve Designs 5024 Quad API 3124+ with Sure AS14AS Pads Focusrite Green Range (ISA) - Soundcraft Ghost LE Console 32-8 for extra pres | |
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| | #37 |
| Lives for gear |
Comment on your 3 scenarios? Well for starters, microphone choice makes more of an impact on sound than preamp choice does IMHO. Other posters have stated mic is 90% and the pre is 10% I would think it's more 75-25 in ratio and when you add a nice comp like an 1176 or an LA2A or an API, then the ratio becomes more 70 mic, 10 comp and 20 pre. Ok, getting back to microphones. I'm puzzled with the sm57s on toms. That's a sure-fire way to make them sound like old fashioned ice-cream tubs. I don't know of any pre that will save that scenario without extensive EQ and by that time, you would just be wishing you had 3 MD421s anyhoo... And a c1000 for the hats? Sure, I guess so... I've had moderate success with c1000s as cymbal microphones (mais, a chacun, sa meme) but then you have your u87 as outside kick microphone, indicating that's the most important part of the entire kit sound to you. I would rather have a mono room sound with the U87 than have a stereo room/overhead sound with cheaper microphones. That's where the bulk of your sound should come from. Just my opinion, others will vary.
__________________ -- Free the electrons! Use tubes/valves when possible. |
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| | #38 |
| Gear Head Joined: Jul 2008
Posts: 55
Thread Starter |
Thanks all
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| | #39 | |
| Gear Head Joined: Jun 2011 Location: Portugal
Posts: 46
| Quote:
Sorry meddle, what is your opinion about Portico 5024? For drums, voice, bass, guitar ...? thanks | |
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