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| | #1 |
| Gear maniac Join Date: Nov 2005
Posts: 222
Thread Starter | what mic? omni for recording a band i want to get a mic that works really well for recording a full band (drums, bass, gtr, keys, etc... no vocals) the kind of thing where you just put one mic up and position everyone around it to get a good balance. like those pictures you see where everyone is in a perfect horse shoe. what is a good mic for this? are SDC like avenson and Earthworks good? or is it better to use a LDC with multipattern like a U87? earthworks claims that there mics are great for recording rehearsals. is the omni band capture method (i just made that up) just as well excecuted or perhaps even better when 2 mics are used. i fell like that would complicate things. i like to be able to focus on the realtionship between one mic and the band instead of one mic with another mic which together are with a band. ok this is too wordy. help. |
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| | #2 |
| Registered User Join Date: Mar 2005
Posts: 472
| A Gefell or Brauner should work for you. try them out! |
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| | #3 |
| Gear nut Join Date: Nov 2005 Location: BFE
Posts: 100
| One mic will work fine, I personally would put up two becuase I like the stereo image. They can be omni mics, two mics would give you a little more versatility. If you got a large diaphragm that would give you the option of vocals in the future. I love the earthworks, they are great mikes. But here are a few suggestions: Earthworks Neumann M149 Schoeps SE Z5600A (9 polar patterns; tube; warm with a clean top end; $750) |
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| | #4 |
| Lives for gear Join Date: Aug 2005 Location: Boston, MA
Posts: 585
| plus, if they are omni's you have to worry less about phase issues. |
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| | #5 | |
| Gear addict | Quote:
__________________ cellist, recordist, acoustics geek | |
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| | #6 |
| Lives for gear Join Date: Aug 2005 Location: Indianapolis, IN
Posts: 2,825
| i use a pair of Earthworks TC30k's. never let me down as far as omni's go. I think the Avensons would do the job as well. and go with a pair. we have 2 ears, so use 2 mics.
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| | #7 | |
| 3 + infractions, forum membership suspended. Join Date: Oct 2004 Location: Rosedale Cemetery Singing Beach, MA
Posts: 4,873
| Quote:
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| | #8 |
| Gear addict Join Date: Dec 2005 Location: EUROPE
Posts: 358
| Maybe you should give the DPA (Bruel+Kjaer)4006 a try . Very realistic image, very versitile. http://dpamicrophones.com/ |
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| | #9 |
| Lives for gear | I'd use an LDC like an 87, 67 or 47. You totally rule, it takes balls and commitment to do this. Be careful with the mic placement, record a little and make adjustments. Good luck!
__________________ "I know of several comparisons [right here on this board] where no one could tell the difference between a Martech pre-amp and a Behringer." - Fletcher Darian Rundall |
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| | #10 |
| Gear maniac Join Date: Jun 2007
Posts: 259
| I really like the Royer SF12 for this! |
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