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| | #31 |
| Lives for gear Joined: Jul 2009 Location: Taipei/NewYork/Toronto
Posts: 825
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" Fatigue city and they don't translate worth a darn." ........... Lol Genelec ain't that horrible XD I find Genelec does the best job on subwoofer translate. So if you are wondering how you mix going to sound in sub system always check it in Genelec 8050/8250+, you won't be disappointed at the result. Adam and yamaha might be great for any two ways translation, but I still find Genelec has the best sub details(things below 70hz) to me. |
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| | #32 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,252
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| | #33 |
| Lives for gear Joined: Jul 2006 Location: Cayucos California
Posts: 1,248
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besides Barefoots... Pelonis PSS110P Quested V2108 Sonics Anima SP Acoustics ME Geithain |
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| | #34 | |
| Gear interested Joined: Sep 2010 Location: Washington, DC
Posts: 11
| Quote:
Rumor has it that they will be on display (along with some other fun stuff) at the upcoming AES show in NY...
__________________ Ben Maiorino Sales Manager Lipinski Corporation Washington D.C., USA http://lipinskisound.com/ http://twitter.com/Lipinski_Sound | |
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| | #35 |
| Gear interested Joined: Oct 2011
Posts: 1
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ks digital c88
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| | #36 |
| Gear maniac Joined: Oct 2009
Posts: 182
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yes, barefoots
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| | #37 | |
| Lives for gear | Quote:
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| | #38 |
| Gear Head Joined: Apr 2009
Posts: 66
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Focal twins, ns-10`s and s3x-h here. I usually start on the s3x-h`s whilst building vibe then start switching between the focal twin`s to straighten out any high mid presence problems, towards the end of the mix ill start x referencing on the ns-10`s, although im getting more and more used to dropping the ns-10`s out the equation all together, Focal Twins are EXCEPTIONAL.
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| | #39 |
| Lives for gear Joined: Apr 2009 Location: North of Mexico, South of Canada
Posts: 1,380
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K+H o300 (they stopped making the analog only version, so the K+H o300D) Worth an audition. Very happy with mine!
__________________ If at first you don't succeed... |
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| | #40 |
| Gear maniac Joined: Jan 2011 Location: The Cities (twin that is)
Posts: 189
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I have to say that the Event Opals far exceeded my expectations and my expectation were high. I think they are an amazing buy at the price point and even more amazing when you consider that they sound better than monitors 2x the price (to me in my space 22x22x12). Just my opinion, but worth a look and listen since especially since you would have $2k left over for room treatment or nice sub (not that you will need it) |
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| | #41 |
| Lives for gear Joined: Jun 2002 Location: Bloomington Il
Posts: 5,185
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I can't say what to buy, but I can suggest that once you've narrowed it down to 2 (maybe 3) try to get them in your studio at the same time and then make your final evaluations.
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! Follow me on TWITTER! WWJMD? Come see me on the Tape Op boards! It's only inches on the reel to reel |
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| | #42 | |
| Lives for gear Joined: Apr 2009 Location: North of Mexico, South of Canada
Posts: 1,380
| Quote:
Do audition. Only you knows what will work best for you, and the only way to find that out is to try them out. | |
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| | #43 |
| Gear Head Joined: Mar 2006
Posts: 53
| +/- 1/4 dB
Hi Ben from Lipinski -- Welcome to GS, it's always nice to see manufacturer's reps here. The L70 spec says: Frequency response: 63Hz-20kHz +/- l/4dB (38Hz-40kHz +/- 3dB) That means the L70 is ruler flat, to within 1/4 dB. Would you like to post a graph? Please make sure the lines of the graph are no more than 1 dB apart, not the usual 10 dB. Otherwise, we won't be able to properly appreciate your achievement. Or you could just admit that the spec is somewhat exaggerated. :-) BTW, it's indeed possible to equalize a speaker to be ruler-flat on axis, using FIR DSP equalization to smooth every bump. Oddly, if you do that, you find that the speaker sounds unnaturally bright. Some theories have been proposed, but for the moment, it remains a mystery. David |
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| | #44 |
| Gear Head Joined: Jun 2010
Posts: 63
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I agree that Genelec's are fatiguing, and mixes don't too transfer well to me. I picked up a pair of NHT M20's and an S20...they sound SOOO sweet. Discontinued by NHT over a year ago, you see them pop up on ebay every once in a while. Usually$1500-1800 for the set w/sub.
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| | #45 |
| Lives for gear Joined: Aug 2002 Location: Sanger, TX
Posts: 1,269
| It could also be interpreted to mean that the response is within 5dB overall (+1dB to -4dB) from 63Hz to 20kHz.
__________________ Harvey Gerst, Engineer Indian Trail Recording Studio Manufacturer - MoreMe Studio Headphones Website: MoreMe Headphones Designer - Trident HG3 Nearfield Monitors Trident HG3 Nearfield Monitors |
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| | #46 | |
| Gear interested Joined: Sep 2010 Location: Washington, DC
Posts: 11
| Quote:
I'll have to check to see if I have a graph handy that I can put up. 1/4 dB was a typo on the website which we just fixed. Thank you for catching it. The production model is able to stay within +/- 3/4 dB from 63Hz-20kHz. While we certainly have the specs to harp about, I wouldn't get too hung up on them. Please try to keep in mind that discussions like these (however interesting) are really not the best way to form an opinion about a loudspeaker. The best asset of the L-70 is its absolute transparency, which is not measurable, but audible by all standards. In addition, this kind of response was achieved without DSP. Our target sound was designed in first so that we wouldn't have to electronically correct the fundamentals later. Thank you guys for the interest! | |
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| | #47 |
| Gear interested Joined: Sep 2010 Location: Washington, DC
Posts: 11
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| | #48 |
| Gear interested Joined: May 2011
Posts: 14
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| | #49 |
| Gear maniac Joined: May 2006 Location: Pacific NW
Posts: 180
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Those Lipinski's are gonna be sweet. Used a pair in a mix situation and they blew my mind! Also the K&H 0300D's are great! Honestly, you can mix on anything as long as you "learn" the speaker.
__________________ Nick Moon Tone Proper Mastering LLC - Analog Mastering Tone Proper Software www.toneproper.com |
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| | #50 |
| Lives for gear Joined: Aug 2002 Location: Sanger, TX
Posts: 1,269
| The new spec for the L70 reads: Frequency response: 63Hz-20kHz +/- 1dB (38Hz-40kHz +/- 3dB), which means the basic response will vary within a 2 dB window from 63Hz to 20kHz. The +/-3 dB figure is probably just where the response is -6 dB down from flat. So, it's pretty flat from 63 to 20 and starts rolling off quickly after that. Still, that's very good. |
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| | #51 |
| Gear interested Joined: Sep 2010 Location: Washington, DC
Posts: 11
| Interest has been very high, and we do look forward to opening up availability as soon as possible. They have been trickling out s-l-o-w-l-y for several months, but our goal is to go into full production before the end of the year. Unfortunately, I don't have a more specific timetable. I will do my best to push out updates here, but if you guys ever have any questions about our products, please feel free to contact us directly at Sales@Lipinskisound.com for the quickest response. Thank you! |
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| | #52 |
| Lives for gear |
Focals?
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| | #53 | |
| Lives for gear Joined: Oct 2004 Location: Indianapolis, IN
Posts: 544
| Quote:
I agree about with the Dyn's. The only thing they helped with is making lots of coasters. ![]() +1 on the PMC's. I have a pair of the TB2S+, but it has taken me over a year to completely understand them. I like the sound of the dyns for listening, but they never translated really well outside of my room.
__________________ www.snapjoint.com | |
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| | #54 |
| Gear maniac Joined: Apr 2009 Location: Moscow, Russia
Posts: 174
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Today, listening to two pairs of KS Digital monitors (C8-Coax and C55-Coax). Really impressed by C55, listen to them around 4 hours and I start to really love them. I will ask my boss to buy them in small CR (we have ADAMs S2A with Sub1 in main CR). These monitors have their own particular sound (as well as any others), but in my opinion are a good workhorse. Excellent detail, good study of space, a decent bass extension. Of the characteristic features - some "hump" of about 8 kHz, followed by a recession and a weakened "air". PS: Forgive me if I misuse the English words, English isn't native for me.
__________________ http://rusmusic-records.ru/ |
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| | #55 |
| Lives for gear Joined: Jul 2009 Location: Taipei/NewYork/Toronto
Posts: 825
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I think an aptitude test is necessary for monitors selection. There won't be any useful conclusion between two totally different users and characters. People who love Radiohead won't love Limbizkit. |
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| | #56 |
| Gear nut Joined: Oct 2011
Posts: 126
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I tried barefoots, dyns, yamahas and focals. hated the focals berylium tweeter and when I first heard the adams I was blown away by how smooth and open the tweeter and the whole upper range freq. was. got myself S#X-H and never looked back. So my vote goes for ADAM
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| | #57 |
| Lives for gear Joined: Feb 2011 Location: Australia
Posts: 1,921
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Loving my PMC Tb2+ , much more neutral than my Focal Twins - the tweeter is too "shiny" sounding
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| | #58 |
| Lives for gear Joined: Nov 2006
Posts: 756
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If you can PMC!!!! TB2S-A II
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| | #59 |
| Lives for gear | |
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| | #60 |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,393
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. My new favorite nearfields. Powered with Emotiva XPA-5's. ******//www.tyleracoustics.com/Images.../mon_wn_lg.jpg I have two pairs, and moving toward a 5th for the center. With the SEAS tweeters and woofers, they are simply killer. For mid-field/full-range QC/pseudo mastering, I use Linkwitz Orions - also with SEAS drivers... Again, the tweeter detail in these things is just incredible. Gorgeous. FWIW, I really like both PMC and K+H speakers. They would have been among the next choices. We considered Barefoot, as well. .
__________________ Sqye (Sky) ::::::::::::::::::::::::::::::::Music 4 Film+TV+Web:::::: Wired Planet::::::Buddha Studio Cat i7 + RME UFX + Linkwitz Orions + Tyler Acoustics Linbrooks + Buzz Audio Arc + GT-67 + Sonar + Komplete + Omnisphere-Trilian-Stylus + Symphobia |
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