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| | #61 | |
| Lives for gear Joined: Jul 2009 Location: Taipei/NewYork/Toronto
Posts: 825
| Quote:
I just said we should considerate the ability/flexibility of analogue aux/grouping/routing with hardware as well. Like AWS 948's double faders ain't the same as the traditional 4000's double faders. Aws has to assigned it to a knob by pressing down. They did this to save up size and cost of the console. But I prefer the old 4000's double faders because it's clear to view the overall picture. knobs just can't replace faders... | |
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| | #62 |
| Gear interested Joined: May 2011 Location: Bath, UK
Posts: 3
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I'm selling a blue D-Control fader pack, scaling down from a 32 to a 16 fader system because of lack of space. Its in great condition, and I also have the cross beams and back brace for a 32 fader stand....which ain't cheap if you try to buy them from Avid!
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| | #63 | |
| Lives for gear Joined: May 2007 Location: UK
Posts: 9,574
| Quote:
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| | #64 |
| Gear maniac |
i dont understand why people think something could valued less if it doesn't pass audio.. to me the value is the work flow and how much is that worth to you. Im going to get a D control this year.. (blue one) and i can't wait!!
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