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| | #1 |
| Lives for gear Join Date: Jun 2007 Location: Paris
Posts: 905
Thread Starter | The smallest high end mixer (with aux and direct outs) Requirements minimal: 3/4 Tracks - no preamps needed (good preamps get connected before) with Level faders/potis 1 Aux Send, Stereo Return bus (for effects, need to be routed to headphone mix) >=1 Direct Out(s) (minimal 1, usually 3/4) 1 Stereo Master Out 1 Headphone Out High end in quality. Price = whatever (obviously small means cost saving, but without loss in quality). This is used for tracking - as an DAW frontend. The stereo mix goes into track 1+2, the to be recorded signal goes into an external preamp and then into the 1 (2 in case of stereo) free track(s) of the mixer and then directly out into the DAW/Converter. It's mainly used for recording vocals with zero latency effects on the headphone (and other stuff in mono, maybe with a little larger unit also stereo). High end for the to be recorded signal. "Weird" solutions such as a high end splitter box and a Behringer mixing desk are also welcome. But no compromise in the recording. Any suggestions? Greetings, Marky |
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| | #2 |
| Lives for gear Join Date: Sep 2008
Posts: 1,691
| Sounds like the API 8200A. 8 channels of everything you need plus a little! |
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| | #3 |
| Lives for gear Join Date: Mar 2007 Location: Williamsburg, NYC
Posts: 1,439
| The only other alternative that I can think of that includes everything you listed is: SSL MYNX with Monitor card and a 4-line input card. You'd use the rec bus for your aux. Headphones are on the front. 4 stereo outputs. Direct out always present on insert. Additional aux ext input on monitor card. Mix insert. Total recall. Quite a nice little rig. And, down the road, you can blow the system out with an Xrack and build a massive ssl mixing rig. The api 8200a doesn't have the headphone jack on the front ![]()
__________________ "Fight obscenity with its own weapons ...To the truer than true we must oppose the falser than false" Baudrillard |
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| | #4 |
| Gear interested Join Date: Dec 2009
Posts: 8
| i would go with an ssl xdesk, has all the features you need, plus a little more! fully balanced and ready to kick it! |
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| | #5 |
| Lives for gear Join Date: Sep 2008
Posts: 1,691
| WTF! It dosn't........Thing would have been perferct for him! Arrrrgggg... SSL XDesk is a sweet desk but might be overkill for him. Mynx is just so damn ugly! LOL But would work perfect |
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| | #6 |
| Lives for gear Join Date: Jun 2007 Location: Paris
Posts: 905
Thread Starter | Hello, Thanks everybody for this very nice input... I have collected some information in list format, and if you want to read, check this out: High End Gear Feedback welcome. One question to somebody who understands the Tonelux modular system: which modules would we have to choose to put together such a system as described in the requirements above? |
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| | #7 |
| Lives for gear Join Date: Mar 2007 Location: Williamsburg, NYC
Posts: 1,439
| The api 8200a offers direct out. However, it doesnt have a headphone jack. The xdesk is a great solution. Maybe more than what you need riight now, but you might grow into it. |
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| | #8 |
| Lives for gear Join Date: May 2004 Location: The Lost Moon of Poosh
Posts: 1,733
| There's a huge gap in the market for this kind of product. Unless one spends over two and a half K, there really isn't much below that. Either that or you end up with either very unergonomic solutions in terms of layout or just not very good quality. For the ~$2.5K I said f--k it, spent it on two good preamp channels (BAE 1073MPF) and bought a little Mackie 1202vlz3 to monitor with and it is doing its job admirably. If anyone has a better solution for a mixer let me know but so far the Mackie has done its job well. |
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| | #9 |
| Lives for gear Join Date: Jun 2007 Location: Paris
Posts: 905
Thread Starter | Sure, I will also buy a larger desk, but the reason I want the smallest is not my budget, it's because I want a very small DAW frontend of the highest qualities for some occasions. Yes, I think too that there is a market for such a device. |
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| | #10 |
| Lives for gear Join Date: May 2007 Location: Colorado
Posts: 528
| Player1 Don't over look the Midas Venice, it's a pretty good sounding board! |
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| | #11 |
| Lives for gear Join Date: Dec 2005
Posts: 2,396
| studer....check ebay and make sure its in good condition. no way an ssl x-desk can compete :-) |
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| | #12 |
| Lives for gear Join Date: Jun 2007 Location: Paris
Posts: 905
Thread Starter | Please provide URLs to some pages describing small versions of these, I can't easily find them.. |
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| | #13 |
| Gear addict Join Date: May 2006
Posts: 413
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| | #14 | |
| Lives for gear Join Date: Apr 2006 Location: Ghent, Belgium
Posts: 1,212
| ![]() this is a Studer 169 (8ch with mic pre and eq - 2 aux) that is recently sold by Funky Junk France and should be what you're looking after. Other brands like Neotek, D&R, Neve, ... have similar stuff but you need to be on the outlook for these cause they are sought after. Basicly you're looking for a small hi end broadcast console from the 70's or 80's (Studer made these for the german media, others like Calrec, Neve EMI & Audix made some for the BBC, and so on ...)
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| | #15 |
| Lives for gear Join Date: Jun 2007 Location: Paris
Posts: 905
Thread Starter | I really meant mini more than medium the size of a shoe box, maybe... or 1 or 2 rack units. Sort of near mobile. Limited in what it can do, but unlimited in quality. Just ok to record a stereo field choir (a school class of children pink floyd style) while listening to other tracks from the DAW, and having some effects on the phones. Sure, I would carry extra high end preamps and DA/AD along. |
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| | #16 | |
| Gear Guru | Quote:
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| | #17 | |
| Lives for gear Join Date: Dec 2005
Posts: 2,396
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| | #18 | |
| Gear interested Join Date: May 2008 Location: Baguette, fromage, France
Posts: 19
| Quote:
I am also looking for a good and small mixer since a few month, to track and mix-down every where i can go with a small car. i wanted a kind of studer169 under 3000€ (BTW, every 169 doesn't have any stereo bus, neither pan on chanels !!!). what i'm gonna buy next tuesday is a Calrec Minimixer mkII, with 4 mono mic/line in, 4 stereo lines in and a master chanel with bus comp, 2 mono aux and a st aux. full balanced. this is small, but it's 2000€. and i'm pretty sure it's gonna feet with my good old pre's, comps, fxs and the RME's. Tonio | |
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| | #19 |
| Lives for gear Join Date: Dec 2005
Posts: 2,396
| now that's a great price! go for it. it's a very cool little console. |
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| | #20 |
| Lives for gear Join Date: Jun 2007 Location: Paris
Posts: 905
Thread Starter | Did I mention I want zero latency on the phones? Zero, not 1.5 ms , with effects, but not the Steinberg MR816 style (digital direct monitoring with effects)... too complex for my current taste... looks good on paper, but I run Apogee for quality and there this does not work (I actually also own the Steinberg device) - I now go analog. Real analog zero latency effects monitoring with a high quality direct out signal. I am fed up with fiddling with digital devices... real analog is so much simpler and easier to use and the signal can be pure. It's really important that you hear exactly what you are recording and really in real time. I also think maybe SSL X-Desk or maybe Tonelux modular, but I still don't fully understand those modules and connections (maybe too complex?). It seems like I can't get below 2500.- $, but over 3500.- $ is too much... I think such a device could be sold for 2500.- $, maybe less, in very high quality, built for this purpose, sort of an 4 channel X-Desk, no much simpler just some channels, sends, direct outs / splitter, summing for the phones, or portable Chandler DAW frontend device could be built by Chandler - sort of a quadro channel strip with 2 super channels and 2 cheap ones... Thanks |
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| | #21 |
| Lives for gear Join Date: Oct 2007 Location: Lot-et-Garonne France
Posts: 704
| I would recommend Tonelux for sure. |
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| | #22 |
| Lives for gear Join Date: Dec 2005
Posts: 2,396
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| | #23 |
| Gear addict Join Date: Nov 2006 Location: Paris - France
Posts: 381
| If you want few channels, high quality and mobility, just get a field mixer. Sound Devices are great, insanely good preamps with lundahl transformers and one of the best transparent limiter I've ever heard. I have a 302, it's a 3 into stereo mixer, I use it all the time on location recording with an edirol portable recorder, and I also frequently use it as a simple preamp in the studio. ![]()
__________________ Nietzche : "God is dead." God : "Nietzche is dead." |
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| | #24 |
| Gear addict Join Date: Nov 2006 Location: Paris - France
Posts: 381
| Sonosax also makes absolute high end small format mixers. |
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| | #25 |
| Lives for gear Join Date: Mar 2007 Location: Williamsburg, NYC
Posts: 1,439
| The Midas Venice is indeed a great mixer/summing solution. I picked up a Venice 320 primarily for the EQ, which was reputed to be great - and it is great!! What was striking is the summing quality. I still had my 16 channel *api 8200 system in place and had just sold my xtramix csi version 5 and ssl mynx summing. With the api 2500 on the venice mix bus my mixes were better than with the 8200, xtramix and ssl. * I attribute this to the channel count, eq, filters and excellent overall sonics. In terms of super mini setup that meets all of your stated needs: ssl mynx with 4 channel card. You stated: 3/4 Tracks - no preamps needed (good preamps get connected before) with Level faders/potis 1 Aux Send, Stereo Return bus (for effects, need to be routed to headphone mix) >=1 Direct Out(s) (minimal 1, usually 3/4) 1 Stereo Master Out 1 Headphone Out You might, however, get more mileage out of something like the metric halo 2882. EDIT: I meant ULN2!!!! But maybe not.... I think the SSL Mynx system is it. |
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| | #26 |
| Lives for gear | You might want to add the APB Dynasonic ProRack to that. Once Midas is assimilated into the Dark Side, these guys will be making one of the best pure analog desks. Pro audio review has reviews on their site, or www.apb-dynasonics.com. Yes, they are friends of mine. But I didn't write the review, which is stellar. |
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| | #27 |
| Lives for gear Join Date: Dec 2005 Location: Belgium // Brussels
Posts: 842
| sonosax without any doubt !! |
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| | #28 |
| Lives for gear Join Date: Nov 2005 Location: Houston, Texas
Posts: 798
| The world could use more reasonably priced mixers without mic pres and eq, but with faders and with 1-2 Aux sends and a headphone jack. There is not much out there like that and it seems a shame to pay a lot for a mixer with pre-amps and eq that you will never use. You could spend a lot of money buying a high end mixer for just summing, or a very expensive high end summing box (with limited features, no aux sends and rotary knobs) and find they don't sound a lot better than a Mackie for summing. Its the eq and the mic pres on the Mackie that are not so good, but just for summing line level inputs, they really sound OK. None other than the legendary Allen Sides of Ocean Way states (interview link below) "...spending a fortune on this stuff isn't necessary. A Mackie is a pretty simple device, bunch of 5534s (op amps), not very much in the signal path, it sounds fine and its relatively inexpensive. You can buy a high-end box that does that and spend $10,000, or you can spend $600 (on a Mackie). But the difference in the sound coming out of Pro Tools is greater than either of those two amounts." TASCAM Shocking comments for Gearslutz Mackie haters, but who can argue with Allen Sides, the man who has every piece of gear in the world? |
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| | #29 |
| Gear addict Join Date: Jul 2007 Location: Edinburgh
Posts: 489
| If this is simply so you can monitor fx at zero latency, then the easiest and cheapest option is to simply half-normal/mult (assuming you have a rackmount patchbay) your preamp-outputs so that you can retain your inserts, but use the mults for aux / monitoring duties - these mults can be hardwired to a very small mixer that doesn't have to be great quality if it's only for monitoring. I do this in my setup, except my mults (reverbs and delays for vocal tracking mainly) are simply patched back intop a spare input on my audio interface - i use the interfaces mixer to set monitoring levels on fx rather than a hardware mixer. Works great. If you are looking for a mixer to submix 3/4 tracks into a stereo recording then the above still holds, you just need a high quality 4-channel line mixer - which does seem to be a difficult proposition - the SSL X-Desk appears to be one of the smallest that ticks all the boxes. The following will tick all the boxes in a single rack space, but it's not exactly high-end, plus it's more channels than X-Desk:- Rolls Corporation - Real Sound - Products RM219 Stereo Line Mixer
__________________ Brittle Head Girl http://brittleheadgirl.bandcamp.com http://www.myspace.com/brittleheadgirl http://www.facebook.com/#!/pages/Bri...46609975396595 My studio build:- http://www.gearslutz.com/board/photo-diaries-recording-studio-construction-projects/398027-simple-project-studio-construction.html |
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| | #30 |
| Gear nut Join Date: Feb 2008
Posts: 147
| sounds like you're looking for something a film sound mixer would have. these ones come to mind. Design and Manufacturers of Professional Sound Mixers definitely seriously high end, sound fantastic and are built like a tank. i've seen them survive serious abuse. they've been industry standard at the top end of the sound-for-film market for a while if the specs work for you and you're happy to meet the cost, you won't be disappointed |
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