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| | #1 |
| Gear addict Join Date: Jul 2005
Posts: 322
Thread Starter | $50 for a monster fiber optics cable (2 meters), $22 for a hosa (5 foot). I could see a difference in cables if we were talking about quarter inch or xlr runs here, but whats the opinion on optics? Should it really make any difference? thanks p.s. the question is really regarding the topic, is there really a 'high end' optical cable, or they all just the same? p.s.s. I would never buy a monster cable anyway, maybe look for something better than the hosa or m-audio |
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| | #2 |
| Lives for gear Join Date: Feb 2003 Location: Western North Carolina
Posts: 3,655
| dfegad Monster. |
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| | #3 |
| Gear addict Join Date: Jul 2005
Posts: 322
Thread Starter | yeah i edited the original post |
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| | #4 |
| Lives for gear Join Date: Sep 2004 Location: Canuk
Posts: 5,163
| If it's a portable system that gets moved around a lot get good cables as they probably will last longer. Otherwise go budget lightpipe will work or it will not. |
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| | #5 |
| Lives for gear Join Date: Dec 2004 Location: The Great Northwest
Posts: 634
| The build of the Monster optical's is pretty impressive! |
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| | #6 | |
| Lives for gear Join Date: Mar 2005 Location: NYC
Posts: 2,560
| Quote:
I gotta admit, that is true...especially compared to the build quality of Hosa optical cables. I got a couple Monster LightSpeed fiber optic interlinks or whateverthefuk they're called (at dealer cost) to replace the sucky Hosa's I had previously. I haven't even bothered to think about whether there's any audible difference, but my sense of confidence & security when I'm moving the gear that they're attached to is much higher. If you don't want to feed the Monster, check out the "high end" optical interconnects from StraightWire in Florida. Very nicely made heavy duty lightpipes from a company that is the complete antithesis of Monster; i.e., StraightWire is a small company made up of honorable decent guys with as high a level of moral responsibility as one can have while still selling exotic audio cables. | |
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| | #7 |
| Lives for gear Join Date: Nov 2004 Location: here
Posts: 4,285
| I heard that Apogee produces high quality glass fiber optical cables that can work in same path as plastic (usually glass FOC requires different transmitting technology due to optical differences). I believe they are much costlier than any plastic FOC, but I would expect them to be much better, too. Short info TOSlink to TOSlink Glass Fiber Optical Cable The first optical cable designed exclusively for professional use, Apogee’s new Glass PRO Optical Cable, combines the flexibility of a TOSlink connector with the transparency of glass fiber. Features TOSlink™ optical format Compatible with all ADAT (TM) Devices Superb Light transfer characteristics allow runs as far as 5 Meters with no loss or jitter transmission. Super flexible cable - ultra low bend radius (±45º) Superb jitter reduction and signal transmission Compatible with all digital optical formats and sample rates Also compatible with professional theatre installations Price: around 55$ for 2 m. I guess that would be high-end optical cable, compared to prosumer plastic types incl. mentioned Monsters. Also, if longer than 2-3 foots all plastic optical cables ADD subtle, but audible degradation (call it jitter if you want). so I would not think twice when buying glass type. GYang |
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| | #8 |
| Gear nut Join Date: Aug 2005
Posts: 104
| RE: I have one by Monster, and one by Calrad, both are pretty cool. Don't use either currently, just have them in the drawer. The Calrad has a neat feature in that the inner tip is spring-loaded, so that it is always pressing in to make the best contact with the female receptacle even after the barrel is inserted. There's an old joke around the building about 'the gold connector fiberoptic cables are better' but I think there are a few things to look out for. Glass fiber vs. plastic seems to be one issue, and jacketing seems to be another. I think Monster's best has a fabric outer layer and a thick teflon inner layer, but remember the heavier the cable the more strain it puts on the poor plastic female receptacle in the machine. To me, the most important issue is whether the barrel and tip are made of metal or plastic. The reason I say this is that the plastic ones smooth out and wear down with repeated insertion, where as the metal tip/metal barrel ones don't, guaranteeing a solid and straight connection every time. I have seen what happens to fiberoptic cables when they've been worn out like an old pencil in the soundtesting dept, they end up eventually not staying in, falling out, and angling upwards when they do stay in. I've seen some with metal barrel but plastic tip, and some with metal tip and plastic barrel, so if you can find one with all metal ends then you've got a winner. doesn't have to be gold. : ) that being said, if you're only gonna plug it on once then who cares : ) Chad PreSonus |
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| | #9 |
| Lives for gear Join Date: Aug 2003 Location: Los Angeles
Posts: 4,318
| I have not tested this myself, but I have heard that some of the heavy duty optical cables actually have too much weight on the end connectors and gravity actually makes for a less than ideal connection. I used chepo optical cable for years and never had a problem.
__________________ Ronan Chris Murphy+ http://ronansrecordingshow.com next Boot Camp in LA February 20-25, 2012 |
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| | #10 | |
| Lives for gear Join Date: May 2005 Location: good ol´germany
Posts: 1,553
| Quote:
a very long time - no problems... rcm is probably right with his comment about the weight of the cable. Although i never used heavy duty cables i can imagine that the connection might get worn out soon.... | |
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