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| | #1 |
| Gear maniac Joined: Oct 2005
Posts: 256
Thread Starter | Is it still worth getting PCM70, 80, 90 effects?
With the current plugins and new hardware, is it still worth getting the old Lexicon PCM units or should a person save money on the newer models or plugins? Are people still using the PCM 70, 80, 90 as their main or only reverb or fx in music? |
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| | #2 |
| Gear maniac Joined: Feb 2007 Location: BUENOS AIRES - ARGENTINA
Posts: 226
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Clearly PCM70 worths if you want the lexicon sound. 80 and 90: i don´t know. +1 PCM70 lushhhhhhhh¡¡¡¡ |
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| | #3 |
| Lives for gear Joined: Jun 2002 Location: Bloomington Il
Posts: 5,185
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If you want obvious and tizzzy reverb they are the ticket.
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| | #4 |
| Lives for gear Joined: Mar 2008 Location: Jerkoffski; on the Dutch-Polish border...
Posts: 554
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How does the PCM70 compare to the MPX-1, a Kurzweil Rumour and TC M-One XL? I currently have an M-One XL, Sony DPS-V55M and a Boss SE-50. Might wanna add something more 'alluring' for the clients in the future. |
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| | #5 |
| Gear Head Joined: Jan 2009 Location: South Coast UK
Posts: 39
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The PCM70 is an amazing reverb at a rediculously cheap price now...it is very thick, dense sounding with beautiful modulated tails ! I have version 2 software which is supposed to be the best ??....I had the pcm80 and thought it was a little noisy...the noisy tap tempo feature annoyed me.. Stay away from the LXP-II ...it pretty noisy and too muddy to my ears..... The Lexicon 224xl is incredible....but the PCM70 is almost there at a fraction of the cost ....I wish that made a remote for the 70 |
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| | #6 |
| Lives for gear Joined: Feb 2003 Location: Atascadero, CA
Posts: 4,055
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there seems to be two camps when it comes to the PCM70. One camp says "it rocks" and the other camp says "it's tizzy" or something to that effect. I find the 70 to be cheap and metallic sounding (tizzy). As to the 80, it is smoother but not really easy to get great sounds out of. I had one and eventually programed a couple of nice reverb settings but sold it after a couple of years. I've owned Lex. 224, 200, 960L, 80 and LXP15-II. probably other Lex's I've forgotten. Still have the 224 and 960L. |
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| | #7 | |
| Lives for gear Joined: Mar 2007
Posts: 858
| Quote:
It used to be my main drum or vocal reverb back in the 80's/90's. And the Yamaha Rev 5 was stuck on early reflections, while SPX 90 went on pitch shift C. Aye! Those were the days....
__________________ "Subterfuge and deceit in arguing about talking about talking about making music is just spectacularly odd." Mousdrvr | |
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| | #8 |
| Gear Head Joined: Jan 2009 Location: South Coast UK
Posts: 39
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I don't now what you mean by 'tizzy'...It certainly isn't metallic sounding. ...especially if you EQ the bottom end more, and increase the x-time on the lower frequencies ...it sounds huge to me....no noise what so ever...VERY nice on electric guitar... I think it's a steal for $600-700 ! I love my Roland R880 and don't feel the need to get a 224x |
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| | #9 |
| Gear Head Joined: Jan 2009 Location: South Coast UK
Posts: 39
| You can program their MRC remote so that it works with a PCM 70. It used to be my main drum or vocal reverb back in the 80's/90's. And the Yamaha Rev 5 was stuck on early reflections, while SPX 90 went on pitch shift C. Aye! Those were the days.... LOL ! ...cool, I didn't know the MRC could be programmed for use with the PCM70....I'll look into that...thanks ! .... |
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| | #10 | |
| Lives for gear Joined: Feb 2003 Location: Atascadero, CA
Posts: 4,055
| Quote:
Oh, I also had an R880 for many years and wish I still had one around. Used it to nice effect when I was working on several albums of folklorico music that featured a lot of huge bamboo flutes. It was very nice with long regenerated sounds. | |
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| | #11 |
| Gear Head Joined: Jan 2009 Location: South Coast UK
Posts: 39
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Yes maybe with acoustic guitar it is not best suited ...not so natural...but that is what I like about it! metallic would not be the word for me.. ... man I bet those bamboo flutes were mesmerising ! ....I wish I had a 224x actually ! ...enjoy your verbs ! |
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| | #12 | |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
| Quote:
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| | #13 | |
| Lives for gear Joined: Sep 2007 Location: Rome, Italy
Posts: 741
| Quote:
80,90...no The PCM70 it's great, it has its sound, although some people don't like it. In my book,the main reverb for any studio other than a bedroom studio should be a lexicon. So, if you can't afford a 480/300, the 70 is different, less tweekable, but definitely close enough and a steal at the price. | |
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| | #14 |
| Gear addict Joined: Dec 2006 Location: Utah
Posts: 361
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How does the Lexicon 96 compare to the classic units?
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| | #15 |
| Gear maniac Joined: Feb 2007 Location: BUENOS AIRES - ARGENTINA
Posts: 226
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I think pcm96 have that classic lexicon sound. Buy a pcm96, then bricasti m7 and you'll be almost completely covered. |
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| | #16 |
| Gear addict Joined: Sep 2004 Location: Denmark
Posts: 401
| You should check the following posts : PCM96 + 224 http://www.gearslutz.com/board/4478901-post284.html and 480L + 224XL http://www.gearslutz.com/board/4497684-post303.html |
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| | #17 |
| Lives for gear |
I sold my 224xl when I got a PCM 70. The sound was similar enough to encourage me to get rid of the 224 before it broke and could never be repaired. At least if the PCM 70 goes it's only taking a fraction of the cash with it. Anyway, putting it alongside everything else I've worked with I still use it every day. It's definitely not real sounding in the way the bricasti is but it does a wonderful job of adding space around vocals even when there's nowhere left to go with them in a dense rock mix. |
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| | #18 |
| Lives for gear Joined: Oct 2007 Location: NY
Posts: 2,284
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have checked out the pcm 70 versus my 91. Well, I just sold the PCM 70 IN FAVOUR of my PCM 91. Don't believe every hype. |
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| | #19 |
| Lives for gear Joined: Jul 2004 Location: Brooklyn
Posts: 3,656
| Is it still worth getting PCM70, 80, 90 effects?
I had a PCM 70 and really liked it. With the right dialing in eq wise it never sounded metallic to me. I had it paired with a Kurzweil rumor, which was less vibey and much cleaner. Sold both and bought the PCM Native bundle. I think honestly the plugs are just simply better reverb. But in certain instances, they don't gel as well in the mix as the hardware boxes. But they are much cleaner and more refined, with just a tinge of character there as well. PCM 70 and PCM 90/91 are 2 completely generations of lexicon verb. Some prefer the older 224 sound (basis for the PCM 70) and some prefer the 480 sound (basis for the 90/91). I'm so glad they released those lex plugs and I could sell my boxes that aren't being made anymore before they broke. Also, I'd recommend trying warp's 480 plug before you consider buying any hardware. I haven't bought it yet (ran into a $ tough patch) but it sounds amazing in every respect. I have no want for a hardware reverb ever again. |
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| | #20 |
| Lives for gear Joined: Jul 2004 Location: Brooklyn
Posts: 3,656
| Is it still worth getting PCM70, 80, 90 effects?
Also, Sean Costello's Valhalla Shimmer is going to be rad as well. Super long exaggerated verbs for the eno fans.
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| | #21 |
| Lives for gear Joined: Sep 2008 Location: United States
Posts: 5,351
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I find the PCM 70 is a unique sounding verb. Sounds dirty. Nice addition to any studio. However, I don't like it on vocals yet.
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| | #22 |
| Gear maniac Joined: Jul 2007 Location: Los Angeles
Posts: 180
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i've owned and loved using my pcm 70 since 1998. so much so i picked up a second on this year because they can be found for such low prices now. great reverb for vox, drums, electric guitar, sax. it will be a sad day when they've stopped working.
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| | #23 |
| Gear addict Joined: Jul 2009
Posts: 396
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Yes and no. For effects that have a chorusing element, you need the orig boxes. Otherwise IR's are fine for all practical purposes.
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| | #24 | |
| Lives for gear Joined: Jun 2002 Location: Bloomington Il
Posts: 5,185
| Quote:
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! Follow me on TWITTER! WWJMD? Come see me on the Tape Op boards! It's only inches on the reel to reel | |
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| | #25 |
| Gear addict Joined: May 2010
Posts: 364
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Recman: If you're buying new, you can't go past the MX200 for a bones basic verb/delay. Pair that with a TC Electronic M4000 and you have a killer combination.
__________________ I, Reverb Junkie |
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| | #26 |
| Lives for gear Joined: Aug 2004 Location: Up here
Posts: 6,180
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