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| | #1 |
| Gear interested Join Date: Jul 2008
Posts: 11
Thread Starter | Apogee Duet Pre for Coles 4038??? Howdy everyone, Just a quick question. I've got an Apogee Duet and am looking to get a stereo pair of ribbons. The Duet has up to 75db of gain. Anyone have some thoughts on whether the Duet could drive the 4038 fine? The Duet pre is especially clean, am I still gonna get the flavor and coloration of the ribbon coming through? Thanks in advance for any thoughts you might have. Justin |
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| | #2 |
| Gear nut Join Date: Mar 2009
Posts: 84
| I've used the Duet with the Coles 4038 a few times this year. The preamp will drive the mic just fine! |
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| | #3 |
| member no 666 Join Date: Jun 2002 Location: Durham, NC
Posts: 9,464
| Should do fine [unless you're trying to record a mouse fart from 15 ft. away in which case nothing but an NPNG or a GML can give you enough quiet gain]. On the mic end of things I prefer the Royer SF-1 or the Coles 4040 to the 4038 but that's your decision. Peace.
__________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome TELEFUNKEN Elektroakustik SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light |
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| | #4 |
| Gear interested Join Date: Apr 2007
Posts: 12
| IMO, it really depends on what you'll be micing with the coles; guitar amps, drums, louder sources, absolutely fine. Quiet, fingerpicked, acoustic guitars, too much noise for me. Having said that, I only have one 4038, and its an old STC BBC version, may have lower output than the coles version, not sure. Recently got an AEA TRP: no more noise, I can now mic anything with my 4038, its my favourite mic by far, really dark, dont like much top end myself, lovin it |
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| | #5 |
| member no 666 Join Date: Jun 2002 Location: Durham, NC
Posts: 9,464
| While the TRP is a fantastic pre-amp... what were you using before? Was it a "Duet"? Because if it wasn't a "Duet" then what is the point of your post? |
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| | #6 |
| Gear interested Join Date: Jul 2008
Posts: 11
Thread Starter | Thanks for the feedback everyone. Simply put...I have a modest setup and am trying to capture a vintage Folky/Beatley and Ennio Morricone sound. As it stands, I'm simply using two SM-57s into the Duet into my MBP. I'm primarily recording a strummed 1967 Gibson J-50 (which, with the ceramic saddle is a particularly jangly guitar), mic'ing a small 15W amp, handclaps, various percussion and eventually overheads for a vintage Ludwig Kick and Snare. Think the 4038 + Duet combo would be up to the task? Or would I be better suited getting a better preamp first. I've been looking at the TG-2. Thanks folks! Justin |
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| | #7 |
| member no 666 Join Date: Jun 2002 Location: Durham, NC
Posts: 9,464
| You're going in about 9 directions at once. The TG-2 is my favorite pre-amp on the Chandler roster... and MILES different from the pre's in the "Duet"... but the difference between a 57 and a 4038 is equally as vast. At this point it might be a good idea to put away the computer, get on the phone, and start getting these things into your facility and trying them. From there you can make decisions that are appropriate to your sense of aesthetic and overall goals. Best of luck with your search!! Peace. |
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| | #8 | |
| Gear interested Join Date: Apr 2007
Posts: 12
| Quote:
Apologies fletcher, I should have made that clear, YES, I was using the duet pre's. I've tried the 4038 with a couple of different pres on quiet sources and the only one that worked for me was the TRP. It gives the mic so much more potential use FOR ME. I now use 4038->TRP->duet or MH2882 A/D. As I stated previously, my 4038 is a BBC original and may be different in terms of output to the Coles, so please keep that in mind. Obviously, trying these things out for yourself is the really the only way to be sure. However, as I was in a similar position as the o/p some time ago, I thought I could offer some help to them | |
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| | #9 | |
| Gear interested Join Date: Jul 2008
Posts: 11
Thread Starter | Quote:
In what capacity are you using the 4038 through the Duet? What sources are you recording and how would you describe the sound? Thanks for your insight! JPS | |
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| | #10 | |
| Gear interested Join Date: Jul 2008
Posts: 11
Thread Starter | Quote:
JPS | |
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| | #11 |
| Gear interested Join Date: Apr 2007
Posts: 12
| I've used the 4038 on lots of things: e.g. mono drums overhead, trumpet, banjo, fiddle, electric guitar cabinet. The duet preamps work great with the mic for all those things and many many more, however for quiet finger picked acoustic guitar, quiet vocals etc. the duet pres got too noisy for me once I got over 60-65dB of gain approx. It may not be an issue for you at all if you're not going to be using it on those sources. In terms of how the mic sounds, you really need to try one for yourself, sorry.... |
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| | #12 | |
| Gear interested Join Date: Jul 2008
Posts: 11
Thread Starter | Quote:
JPS | |
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| | #13 | |
| member no 666 Join Date: Jun 2002 Location: Durham, NC
Posts: 9,464
| Quote:
The STC 4038 is the same as the modern ones... they haven't updated a thing. If I remember correctly there may be a couple of options on output impedance but that shouldn't change much other than the way the pre is "loaded" by the microphone [which will be true of most pre's... though I believe the "Duet"s front end is less susceptible to loading issues than many others]. Peace. | |
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| | #14 | |
| Gear interested Join Date: Jul 2008
Posts: 11
Thread Starter | Quote:
There seems to be a scarcity of quality gear shops in the San Francisco Bay Area. From the way everyone raves about Mercenary around these parts...looks like it might make sense to give them a call. Thanks, JPS | |
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