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| | #31 |
| Lives for gear Join Date: Feb 2008 Location: Scotland
Posts: 694
| Few weeks ago done the sound for the ex frontman of a band i worshiped as a kid. Nicest guy ive ever met. Dedicated my favorite song of his old band to me! Dont often get star struck... xcx
__________________ "i hate it when people quote themselves..." Craig McConnell circa 2008 |
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| | #32 |
| Lives for gear Join Date: Jun 2002 Location: Santa Monica, CA
Posts: 6,257
| About 5 years ago I composed the theme music for China's international television network, CCTV-9 (English language, produced in Beijing). I composed the synth tracks on Pro Tools here, then took the tracks to the large studio at the network in Beijing and transfered them to a Sony digital machine. They provided me with an orchestra for the news theme, and as I was conducting the string section, with the Chinese musicians sawing away like their lives depended on it, I had a real epiphany. A mere 35 years ago these musicians could have been killed or exiled for merely possessing these instruments. Now here they were playing the theme music to their international news network, written by a western composer no less. I still get chills when I think about it. -R |
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| | #33 |
| Lives for gear Join Date: Mar 2009 Location: Scotts Valley Ca.(Santa Cruz)
Posts: 505
| goog stuff For me it was playing big gigs and getting laid afterwords ![]() But now its tracking the soon to be released "Moby Grape" CD the old legends are making a comeback (I hope) the CD dose sound good and maybe just maybe Robert Plant will sing on a track and RCA will re pick them UP anyways good times with the band and a lot of it was done at my little studio |
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| | #34 | |
| Lives for gear Join Date: Nov 2007 Location: Cleveland, Ohio
Posts: 2,256
| Quote:
__________________ "Art is magic delivered from the lie of being truth." ~ Theodor Adorno My music: http://www.reverbnation.com/studiodrome | |
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| | #35 |
| Lives for gear Join Date: May 2008
Posts: 681
Thread Starter | Do the bump. |
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| | #36 |
| Lives for gear Join Date: May 2006 Location: Ipswich, UK
Posts: 925
| Working for Bonzo Dog the first time was eeek exciting and really quite scary for a then very young engineer. I bet I sounded like a real twat but they were so so nice about everything and it was so easy as they just sounded great anyway whatever I did. ![]() ![]()
__________________ Regards.•:*¨¨*:•. ¸¸.•´¯`•.Mark Fairfax-Harwood, Engineer Springvale Studios http://www.springvalestudios.com |
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| | #37 | |
| Lives for gear Join Date: Jul 2008 Location: Memphis TN
Posts: 3,747
| Quote:
The time I mentioned that my mother would trip if she knew who I was mixing one day and the star called her up and messed with her head for about 30 minutes over the phone. The time I was mixing a show, 1 of 6, and Clapton showed up in the break with a small tape deck and nicely said, "record this for me eh?" which is a good thing because the other guy died later. When Al Kooper told me, "you know this is going to be horn centric, right?" and I said, "duh". When Mick Fleetwood stepped off the stage, over my board and sat down next to me, put his hands on my face, (at this point I thought I was going to be killed) and gave me a big smooch and a hug during the show. I'm not gay, but, for a split second there... When I went to a party and Massenberg got introduced to me. Big one! Totally unexpected. When Chieli from Special EFX asked me to tour, big one. Warm-up tour with Jack Bruce. Interesting. Making "eye contact" with Carly Simon, ooh, those eyes! Add me to the list of victims. But the biggest of all was, after mixing in a million shitty rooms throughout my youth and on shitty shitty gear that you could make a dent with, I finally got to mix on stuff that worked and it was suddenly so easy I seriously couldn't believe it was me doing it. Moved here and mixed an old star's "next hit" and the guy who recorded the tracks said "WHOAH, Look at this dude! THIS is what he does!" and then he said, "Why don't my mixes come out as punchy as yours?" Nice boost after a protracted hiatus. There's plenty more, some can't be put on the internets. Then my kids being born tops it all though and they exceed my expectations every day.
__________________ I think I just ran past myself. http://www.memphisindie.com ![]() I won't use pitch correcting software. I use "coaching" maybe you've heard of it. It keeps working even when you don't have it on. | |
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| | #38 | |
| Lives for gear Join Date: Apr 2007 Location: Mesa, AZ
Posts: 728
| Quote:
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| | #39 |
| Lives for gear Join Date: Mar 2009 Location: Carolina is where they'll bury me.
Posts: 7,098
| going on tour and sharing a stage with Elvis Presley's band as a bass singer last year... Ronnie Tutt, Glenn D. Hardin, Millie Kirkham, DJ Fontana....man, what a thrill, and boy, was it humbling. hung out with Sonny West a lot too..he is a great, great man. many others, but that one sticks out.. hopefully the best is yet to come!
__________________ "I would shoot a man if he put me through autotune" - Charlie Louvin |
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| | #40 |
| Lives for gear | My first gig for Joe Perry, and my ensuing gigs with Aerosmith. Particularly working with Marko Hudson (Bowie, Nilsson, etc). Just did a session at Water Music in Hoboken last week with World/Inferno Friendship Society. Great band, amazing facility, and really special music. I had a blast, and can't wait for the record to come out; I've even been listening to the roughs non-stop, just for fun, which I almost never do. And I'll always remember my very first paying gig at a "real" studio, back in my intern days. It was just a simple voiceover, but it meant a lot, and the client that day remains one today ![]() |
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| | #41 |
| Lives for gear Join Date: Mar 2006
Posts: 643
| Loads of firsts, but not all are recording related.
__________________ Voiceovers by Gregory Houser Philadelphia based Voice Actor My Blog - A Man, A Martini, and a Lot of Microphones. |
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| | #42 |
| Lives for gear Join Date: May 2008
Posts: 681
Thread Starter | Man, it feels like this thread is taking off. I've read some great highlights. More more more! (bump) ![]()
__________________ HookedOnHardware R E C O R D I N G - S T U D I O S (New studio opening soon!) Music is art, engineering is science...and production is what bridges the two. |
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| | #43 | |
| Lives for gear Join Date: Jul 2008 Location: Memphis TN
Posts: 3,747
| Quote:
I'll sue later! | |
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| | #44 |
| Jai guru deva om Join Date: Feb 2003 Location: South Carolina
Posts: 11,910
| I usually feel like whatever I'm doing now is just about the coolest thing ever. ![]() It usually involves working on a great sounding record with a band that will likely sell 500 over the course of the next few years though. War
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| | #45 |
| Gear nut Join Date: Sep 2008 Location: NYC
Posts: 143
| Opening for James Brown in Belgium summer, 2000. and this...YouTube - wheatus teenage dirtbag party in the park! bbb, wheatus.com |
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| | #46 | |
| Lives for gear Join Date: May 2008
Posts: 681
Thread Starter | Quote:
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| | #47 |
| Gear Head Join Date: Apr 2009 Location: Kansas City, MO
Posts: 74
| I answered an ad in Cleveland's Scene magazine in the late 80's: "Dance band needs guitarist" That was for Trent Reznor and Chris Vrenna on what would become Pretty Hate Machine. Worked with them for a few months, get to studio to track guitar parts and got fired on the spot. I was 18 and didnt realize you have to re-intonate a guitar with a floating trem when you switch to a higher gauge. Needless to say Trent was none too happy that I couldn't stay in tune. I think that qualifies as both a "highlight" and a low point at the same time. |
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| | #48 |
| Lives for gear Join Date: May 2008
Posts: 681
Thread Starter | *B*U*M*P* |
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| | #49 |
| Gear maniac Join Date: Apr 2008 Location: Edinburgh, UK
Posts: 242
| Mixing an album of traditional Scottish music on Tori Amos' massive Neve desk. Recording a fusion piano album in Crear (which has an amazing Steinway), with Donald Lunny producing. He was my idol for years. I managed to not f it up completely despite being nervous as hell! |
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| | #50 |
| Lives for gear Join Date: Aug 2006 Location: St. Louis, MO USA (Hot Louis)
Posts: 1,546
| Well.. I don't have a lot of famous names in my credits and I have no gold records and Grammys but heres mine.. Going to Wal-Mart and buying a DVD of a movie I did the songs for... Going to Toys R Us and buying toys that I did the sound for... Seeing a commercial for a video game that I did the audio for... (never actually got to play it) Seeing a Saturday morning Disney Channel commercial that I helped out with... Unexpectedly finding toys I did the audio for being sold at Walgreens... Of course, I love hearing my stuff on the radio, even if it's on the local show... Anytime a band full of great musicians come in!
__________________ I think you'll find that 'generic and flavourless' is generally something that occurs before the microphone -Karloff70 Two f**in' weeks to make up your mind whether you want a beard or you want a job. This is the Buddy Rich Band; young people...with faces!- Buddy Rich |
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| | #51 |
| Lives for gear Join Date: Oct 2007 Location: Lot-et-Garonne France
Posts: 704
| Many (way too) highlights but a few from a hazy memory (and I hope it don't sound like bragging)...... Our first track being single of the week in Melody Maker Signing off the Dole to become pro's. Getting a 5 star review for Dive Deep in the Independent Hearing a track on radio for the first time. Hearing "who can you trust?" on the Sopranos pilot. Taking Limo motorbikes from a TV show to a private jet before a show in Paris. Being told we are the music of choice for Dolphins. Working with Slick Rick at Electric Lady. Getting to co-produce David Byrne on his Feelings album. Getting signed at different times by Jack Holzman and Seymour Stein. Elton John Raving about our songs at an awards ceremony in Ireland. Hearing Iggy Pop, Lou Reed and Ozzy Osbourne were fans. Making Dive Deep with a great bunch of folks. Using a 40 piece orchestra at Olympic Studios. Playing the Albert Hall. Having my kids appear on stage with us at festivals. Going multi-platinum. Having George Michael cover "tape Loop" in our studio and him dancing in his inimitable style in our vocal booth. His boyfriend Kenny told us they had matching Apple laptops that they had got for each other LAST CHRISTMAS, I nearly pissed myself. And many more, wow we were definitely in the right place at the right time and I too feel blessed I can still actually do this for a living and that I feel there are great experiences ahead. Cheers Paul G |
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| | #52 |
| Gear maniac Join Date: Apr 2008 Location: Edinburgh, UK
Posts: 242
| Dude--that is a great George Michael story : ) |
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| | #53 | |
| Lives for gear Join Date: May 2008
Posts: 681
Thread Starter | Quote:
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| | #54 |
| Lives for gear Join Date: Apr 2004 Location: LONDON
Posts: 662
| Being told on two separate occasions to "F%*k off!" by Dave Gilmour, real highlight ![]() Paul G love your stories, go on write a book ![]() |
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| | #55 | |
| Lives for gear Join Date: Jul 2008 Location: Memphis TN
Posts: 3,747
| Quote:
ROCK ON! | |
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| | #56 |
| Lives for gear Join Date: Mar 2009 Location: Carolina is where they'll bury me.
Posts: 7,098
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| | #57 |
| Lives for gear | For me even though I like royalty checks better, the first time I got a gold/platinum album with my name on it. The last show of a 6 month tour mixing the Clash at the second US festival. Turning around and seeing and hearing 200,000 people singing and dancing to Rock the Casbah. A great way to end a tour.
__________________ AnalogTubes.com - Cutsom Tube Sets Guitar-Tubes.com Crank it up A studio is a financial black hole with good acoustics. It's only vintage if it works. Other wise it's just old crap. JS Bach or Beethoven never used auto-tune or comp tracks, nor an eq, a compressor/limiter, a reverb or a delay an analog or digital mix system. All that was achieved in the writing and performance of the music. Obviously Bach and Beethoven were doing it wrong. |
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| | #58 |
| Lives for gear Join Date: Oct 2007 Location: Lot-et-Garonne France
Posts: 704
| thanks guys, the book is in the pipeline ![]() I forgot to mention the Red Hot and Rhapsody Aids awareness gig in NYC when Bobby Womack was supposed to feature with The Roots and he was carried out pre show, high as a kite screaming get me a f****** hooker. wow, Dave Gilmour seems like such a gent on camera, pissing him off must take some doing Yes having the kids proud and onstage has given me a whole new drive in this twisted business. PG |
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| | #59 | |
| Lives for gear Join Date: Nov 2005 Location: S.F bay area
Posts: 2,240
| Quote:
I was just about to add my story about how I met David Gilmour during his About Face solo tour years ago when I was doing live sound work and how I was totally star struck. He was a real nice guy when I met him. What the heck did YOU do? ![]() | |
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| | #60 |
| Lives for gear Join Date: Aug 2006 Location: St. Louis, MO USA (Hot Louis)
Posts: 1,546
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