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| | #1 |
| Gear maniac Joined: May 2005 Location: Greenland
Posts: 282
Thread Starter | EMERY SOUND MICROBABY recording guitar amp
Good Day, Is there anyone who is using these small low watt recording designed amps and can answer a few questions? 1. Do you like the way it sounds? 2. Can it sound like a Vox AC15/30 using the right combination of tubes? 3. How loud is it in a room when the amp is set for a great clean sounding tone? When turned up to maximum volume and set for the lowest wattage how loud is the amp? 4. How much noise and hiss does it produce? Is it a quiet amp when idling? 5. With it's low 1-2 wattage, a user will require a lot more gain from the mic preamp. These aren't going to produce the normal volume of regular guitar amps. Are there any problems with a poor signal to noise ratio in the recordings? 6. How happy have you been with the results using the Microbaby? |
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| | #2 |
| Lives for gear Joined: Apr 2005 Location: nyc / london
Posts: 3,510
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i think i'm about to buy one of those or the super baby........ i have a good feeling about those amps....... i've talked with their maker a couple of times...... eventually, due to my sickness, i may have to buy both...... be well - jack |
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| | #3 | |
| Lives for gear Joined: Apr 2004
Posts: 5,695
| Quote:
I would love to hear some feedback to echo unit's questions as well.
__________________ Michael | |
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| | #4 |
| Gear maniac Joined: Dec 2004 Location: CA Bay Area
Posts: 200
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I am extremely interested in these amps too. I go to school very close to where Emery Sound is located, so hopefully I can get over there and try the Microbaby out. I am seriously fiending for a super low-wattage tube amp right now, and have heard mostly positive things about the EmerySound amps. That tube mad scientist kit looks pretty interesting too.
__________________ -Brian |
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| | #5 | |
| Lives for gear Joined: Mar 2003 Location: Norway
Posts: 3,086
| Quote:
Some of the MOJO comes from cheaper parts with a high tolerate grade (>5%), and every one sounded slightly different. An old AC, gain on 2 o'clock, a bit underbiased with ghostly subharmonics. Mmm, love it thumbsup The Emery can be a beauty, though. ruudman | |
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| | #6 |
| Gear maniac Joined: Dec 2004 Location: CA Bay Area
Posts: 200
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Have you guys seen this page? http://www.emerysound.com/TubePage.html Has some interesting "tube recipes", and suggests these setups for Vox-like tone: small vox- 5Y3, EL84, 12AX7 (loose) big vox- 5R4 or 5AR4, EL84, 12AX7 (loose) Have no idea how close this setup would sound to an AC15/30 though, but it does seem like a pretty damn versatile amp, capable of a lot of different tones through the tube and voicing customization. From what I have heard about it, it isn't the best choice for loud clean tone, because there is not that much headroom on a 2 watt amp. |
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| | #7 |
| Gear maniac Joined: May 2005 Location: Greenland
Posts: 282
Thread Starter |
How loud do you think this amp is in a room when set for a tone that is just beneath the break up point. If this amp isn't loud enough to get a decent tone then maybe my Vox AC30 with a hot plate on it would be better? Any opinions of the hot plate? I was thinking that the Emery would be a better choice than getting into the hot plate on a Vox but maybe not? |
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| | #8 |
| Lives for gear Joined: Mar 2003 Location: Norway
Posts: 3,086
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I would have tested the Emery, always felt that something's wrong when I've used attenuators. I understand the idea of low watt amps, but the room itself is an important element of how the amp sounds and behaves. With louder amps, obviously, the room makes more impact. ruudman |
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| | #9 | |
| Lives for gear Joined: Apr 2004
Posts: 5,695
| Quote:
Also it is important to remember that many of the great guitar sounds of rock history were low wattage amps, Supros, Champs etc. | |
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| | #10 |
| Lives for gear Joined: Oct 2003 Location: Beantown
Posts: 2,462
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Count me in as well. Seriously cool looking little amp. How many watts is the Super Baby ? Is it 5 ? That might be a little more realistic for me personally. 2 Just seems a little too low. I guess if you stick the mic right on the grill it`s all the same really but something about it scares me. If somebody accidently whispered on the other side of the room it`d be louder than the amp !
__________________ - Kev |
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| | #11 |
| Lives for gear |
I've worked with the SuperBaby on a number of occasions.. Kurt is a swell guy, and puts a lot into these things. Great little amps, IMO.. and not as quiet as you might think... They bark pretty decently, and are very recordable. -dave |
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| | #12 |
| Gear maniac Joined: May 2005 Location: Greenland
Posts: 282
Thread Starter | dave-G, question for ya
What kind of clean tones does the superbaby produce? Is it more on the side of a Fender or more like a Vox? I prefer the sound of a clean Vox and was wondering if these are going to get even close to a sound as good as that. My other option is to get the Hot Plate for my AC30. Any opinions would be grand since you have had experience with the Curt Emery Amp. Hey, when clean, how loud is the superbaby? Can a it give good tone at low room volume? Thanks for the help bro |
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| | #13 | |
| Lives for gear Joined: Oct 2003 Location: Beantown
Posts: 2,462
| Quote:
I bet with the right combo you could find something close to what your looking for but again I`ve haven`t tried one yet. | |
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| | #14 | |
| Gear Guru Joined: Oct 2004 Location: The Land of Sunshine
Posts: 11,287
| Quote:
i don't subscribe to that notion... ime a signal at low volume in a crappy room produces the same direct:crap ratio as a signal at loud volume. i've experienced this time and again with everything from classical guitar to nearfield monitors. my conclusion is that the room is an equally important factor regardless of volume. gregoire del ubik | |
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| | #15 | |
| Lives for gear Joined: Mar 2003 Location: Norway
Posts: 3,086
| Quote:
low watt is the ticket. Or to get different sounds than with big amps. But a Champ can be loud too ruudman | |
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| | #16 |
| Lives for gear Joined: Oct 2004 Location: right coast
Posts: 3,857
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| | #17 | |
| Lives for gear Joined: Apr 2004
Posts: 5,695
| Quote:
I don't record a nylon string guitar from an inch away and I don't put my ear up against the grill of my near fields. In both examples you give the room is a very important part of the whole deal but a 5 watt guitar amp is a different kettle of fish. I tend to record most but not all electric guitar sounds from about a inch away from the grill, maybe a bit more maybe a bit less. Low wattage amps are still hefty, I have a 10 watt Supro that is surprisingly loud. A 100 watt Marshall takes some work to distort the power amp section and for the record, if anyone has ever heard a really and I mean really cranked 100 Marshall the tone is not coming from the over loaded input stage, it is the power section where that last little bit of tone comes from. To get a 100 watt head to sound like that you are setting up all kinds of nodes in you recording environment and because the amplitude of the original signal is so strong the reflected signal is producing deep nodes that can be very unflattering even back to the mic 1 inch away from the grill. A 5 watt amp will go into power section distortion much easier (obviously) but the amplitude of the source is such that the first reflections are not strong enough to make a dent in the mic. I know because I have recorded both high wattage amps and low wattage and I have had great success with low watt amps in bad rooms. As I said we agree to disagree and YMMV for sure. | |
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| | #18 | |
| Lives for gear | Quote:
So, not to duck out on your question ... but to get really in-depth, you really should call and talk to Curt himself... I'm sure it would be enlightening. What I can tell you is that the times I have used it, I've found it to be really easy to get a sound going, and just sit back and let the player fly with it. -dave | |
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| | #19 |
| Gear addict Joined: Aug 2005 Location: Los Angeles
Posts: 450
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An alternative to buying a new amp specifically for the purpose of low-volume recording: http://www.ultimateattenuator.com/home.html Supposedly, unlike the THD hotplate, this one does the job without noticeable tonal degredation. Haven't had the chance to use one yet, just read the raves about it (check out harmony-central). |
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| | #20 | |
| Gear maniac Joined: Mar 2004 Location: Norway
Posts: 286
| Quote:
West Labs Guitar Amp "Pico-Fire", will be available in finished form or kit http://westlabs.com/Products.HTML Vintone Circuits SimpleX http://www.vintone.com/simplex.html PIERSON 5F1, TWEED DELUXE 5E3 REPLICA http://www.tubecellar.com/champ/index.html New 5w amp by Mark Sampson (Matchless etc) http://www.supersoundmusic.com/star.html http://www.larrymorganmusic.com/new_page_81.htm NEW FARGEN MINI PLEX http://www.bostonguitar.com/Merchant...y_Code=AM-FARG http://www.fargenamps.com/ Dr. Z Amplification Mini-Z http://www.drzamps.com/ Mill Hill. Summer amp. 3.5 watts. 1x8 combo. $625 list. 12V6 power tube http://www.amptone.com/millhillsummer.htm If you can do some very basic soldering; Gilmore Jr Kit $249. Two Watt Converter $19 http://www.guytronix.com/pages/1/index.htm http://www.gerhartamps.com/products.htm New Ardmore 8 Watts 2xEL-84 Kit $299 "Best 5watt amp" (Check the pics of the Vintone SimpleX ) http://www.thegearpage.net/board/sho...5&pagenumber=1 | |
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| | #21 |
| Gear nut Joined: Jul 2005 Location: Pacific Northwest USA
Posts: 85
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I'm really trying to stay away from amp lust these days, but if I had $2k burning a hole in my pocked I might get one of these: http://carramps.com/mercury.html It's 8 watts with built-in attenuation down to 2, 1/2, or 1/10 watt. I haven't heard one, but I'd love to try it. It's sort of ugly too, which I like. Some of the boutique amps are way too pretty for my taste. |
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| | #22 |
| Gear maniac Joined: May 2005 Location: Greenland
Posts: 282
Thread Starter | Attenuator Instead
I think I am going to get an attenuator for my Vox AC30 to keep the volume down. Any recommendations on which attenuator is the best one? I have read a lot of bad comments regarding the Hot Plate by THD Electronics. What are the alternatives? |
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| | #23 |
| Gear addict Joined: Aug 2005 Location: Los Angeles
Posts: 450
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Try the Ultimate Attenuator. That one has the best reviews of any I've seen. Scroll up to my previous post for the link.
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| | #24 |
| Lives for gear |
There is one attenuator that I can recommend... that is the Microbaby... Its a wallet attenuator, shrinks the size of your wallet but sounds great!
__________________ Looking for: 201/1 to pair up, 44C to pair up, Church mic to pair up, C12 to pair up, orig 1084 in mono Averill chassis to pair up... all lonely pieces that need a mate. PLATINUM AUDIO RENTALS For the Slutz that need stuff now... Please check out my friend's site below. http://PlatinumAudioRentals.com/ |
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| | #25 | |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
| Quote:
![]() ![]() My wallet is smaller too toneguru.. But I LOVE, LOVE, LOVE my microbaby. Best recording amp I've recorded for anything less than earbleeding shred. I've got it going into a 12" 16ohm celestion greenback that came out of a 60's 4X12 cab. It's sitting in a deluxe that's blown up right now, but the MBaby is happy to make that celestion sing it's heart out. Seriously great amp.
__________________ Mindseye http://www.mindseyeprod.com IMDB Composer - Orchestrator Scoring & Mix Engineer - Music Editor | |
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