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| | #31 |
| Lives for gear Joined: Apr 2004
Posts: 5,695
Thread Starter |
Thank you Michael. Honestly it is so great to be able to bounce ideas off of you and others here, sometimes I can't get over how the Internet has changed things. Okay last question and I will stop pestering you..... for now anyway. So if you are doing double tracks of something, guitars for instance, do you keep the same mic and switch pres, do you keep the same pre and switch mics or do you keep or ditch the whole chain?? Also (question 1a.. thumbsup ) I would assume that you are using different guitar tones as well for each pass but....?? Different amps, same amp different guitar etc...?? Thanks again.
__________________ Michael |
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| | #32 | |
| High End Moderator Joined: May 2002 Location: Music City USA
Posts: 3,627
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| | #33 | ||
| High End Moderator Joined: May 2002 Location: Music City USA
Posts: 3,627
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| | #34 | |
| Lives for gear | Quote:
I wish I had projects that had big enough budgets to spend that kind of time on getting sounds. | |
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| | #35 | |
| High End Moderator Joined: May 2002 Location: Music City USA
Posts: 3,627
| Quote:
In fact that's the main reason I got my own studio, so even with smaller budgets I can still deliver a great album and don't have to watch the clock. | |
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| | #36 | ||
| Lives for gear Joined: Apr 2004
Posts: 5,695
Thread Starter | Quote:
Thanks, I was bothering you on that thread as well.... That is the thread that prompted me to write this one actually. As a matter of fact I has a question on that thread, got lost in the noise, that pertains to this discussion. Hope you don't mind me re-posting it here..... Quote:
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| | #37 | |
| High End Moderator Joined: May 2002 Location: Music City USA
Posts: 3,627
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| | #38 |
| Lives for gear Joined: Apr 2004
Posts: 5,695
Thread Starter |
Yeah I kind of figured that was going to be your answer but I thought I would ask anyway... thumbsup Okay, thanks Michael |
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