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NS-10 Mixing Tricks

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Old 22nd April 2009   #61
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I'm using a crown XTI 1000 and it's sounds great, enough watts to blow them out, but, I never do. Accurate enough monitoring for just about anything. Everywhere I bring a mix, it sounds and balances just like my monitors. Yay me.
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I won't use pitch correcting software. I use "coaching" maybe you've heard of it. It keeps working even when you don't have it on.
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Old 22nd April 2009   #62
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Umm!

Back in the late eighties I remember the best thing about them was that thats what was in most Um and Argh department orifices.
They used to have Tannoy's back when chaps were chaps and women where glad of it.
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Old 22nd April 2009   #63
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Quote:
Originally Posted by James Meeker View Post
There's no trick to NS-10's really.
I like using NS10's for Kick Drum Thud Mics, its got the best "ummpphhhh" out of all the broadcast monitors!!!
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Old 28th July 2009   #64
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Quote:
Originally Posted by Igotsoul4u View Post
I think the thing that helped me the most with NS10's was finding a good ref CD of similar material that you are currently working on. Match em up and you should be good to go.
I know what you mean, but at one point I noticed it's a bit pointless: why trying to compare fully mastered material to the one just being mixed?

The sound is hardly comparable.
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Old 28th July 2009   #65
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Originally Posted by Waltz Mastering View Post
NS 10's can get very fatiguing on the high end. That's why the put the tp on them.

TW
used some veeery long time ago.
i took care about the highs with some lil paper sheets infront the tweeters, worked well
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Old 28th July 2009   #66
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Quote:
Originally Posted by Bob Amirian View Post
why trying to compare fully mastered material to the one just being mixed?
FYI, the best mixes need VERY LITTLE help from mastering. You can put a mastered, universally agreed upon "good mix" and get 99 percent of what you need in terms of a reference. Sure it will be louder, but you will be listening to the tonal balances of the instruments, compression on individual instruments and vocal as your reference. The rest is knowing what to do with the tracks you are given as a mixer, and to get them to impact the listener to the same degree the reference did. The NS10's don't lie, they yell at you when you are wrong. (btw, i can see NS10 haters conjuring some way of turning my use of the word "yell" into something that is irrelevant to my point).
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Old 12th May 2011   #67
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NS10s with Tapco SW10 subwoofer here.
I had Truth Audio TA1P, Proac Studio 100 and currently I have Sonics Anima.

NS10s with the sub translate best.
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Old 12th May 2011   #68
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Quote:
Originally Posted by six_wax View Post
Between

"say a giant stole them"

and

"your post is worth a bucket of hamster vomit"

this thread should surely make tonight's highlight reel...
Gee, who wrote these things...
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Old 12th May 2011   #69
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Quote:
Originally Posted by ajv205 View Post
FYI, the best mixes need VERY LITTLE help from mastering. You can put a mastered, universally agreed upon "good mix" and get 99 percent of what you need in terms of a reference. Sure it will be louder, but you will be listening to the tonal balances of the instruments, compression on individual instruments and vocal as your reference. The rest is knowing what to do with the tracks you are given as a mixer, and to get them to impact the listener to the same degree the reference did. The NS10's don't lie, they yell at you when you are wrong. (btw, i can see NS10 haters conjuring some way of turning my use of the word "yell" into something that is irrelevant to my point).
The best mixes sure don't need a lot of mastering touch.

It's all clear.

I just think that it's a mistake to compare the sound of a song being mixed to the one that's already mastered and released on CD.

It's like comparing a fine lady after she woke up with a finer lady in full make up dressed to kill.
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Old 12th May 2011   #70
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Sampson Servo amp + NS 10m is a winning combo believe it or not. Bryston 2b-LP is good too... although that amp is a little bit scooped compared to the 3B or 4B. People always say to overpower them ... I say, they just want you to buy a new woofer every other session...

Yea and as for the tricks... one is, if the woofers are flopping around with a cardboardy sound... at a level where the treble is still comfortable... too much bass. The other trick is that if you place the instruments somewhere in the soundstage with them... that's where they'll appear on every set of speakers. It's a fact... NS-10ms translate like no other. You can trust them. You can make great mixes even with a tascam 4 track on NS-10ms...

I actually like listening to music on them too... they don't add resonance to make things pretty... it's all impulse response which to me, makes them sound very clear and pleasing... they definitely get harsh when you bump em too loud and they distort a bit though...

If you use the NS-10m model (not the NS-10) then you can skip the tp over the tweeter.
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