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| | #1 |
| Gear interested Join Date: Feb 2009 Location: SF Bay Area
Posts: 18
Thread Starter | Folks, Long time reader first post as I haven't seen this discussed: Which clock do you suppose I should use as a master, my Lucid GENx192 master clock or the clock in my Neve 1073 DPD? The Lucid GENx192 is required to sync everything else I'm using (003R, SSL Alpha Channel with crappy non-word SPDIF-only option, POD XT Pro AES sync, etc). However, the Lucid can either drive everything using it's own internal clock or it can accept an external word clock as master and just act as distro. My logic is that the Neve is probably pretty sweet, but also thinking that since the Lucid is *only* a clock that perhaps it might keep up or have the edge. Unfortunately my ears can't do me any good right now as everything is ripped apart and I'm awaiting a few remaining cabling components. Love to hear some thoughts or better yet experience. |
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| | #2 | |
| 3 + infractions, forum membership suspended. Join Date: Oct 2008
Posts: 1,978
| Quote:
but dont have the Lucid genx192 or Neve clocks around to test them. i wrote to Lucid asking the Genx192 vs. 88192 performance..., becouse the old .pdf brochure/spec, Lucid say it has +-25ppm the new .pdf they removed that info. GENx192_ds.pdf - 866.7 KB,they wrote: ******************************************* From: "Symetrix" <support@symetrixaudio.com> Add sender to Contacts Update for Case #673 - "88192" Jitter measurements were made using the Stanford 610 Universal Time Counter. Jitter is expressed (in seconds) as the Mean Allan Variance of 10,000 measurements of the positive edge-to-positive edge period of the input clock, running at the frequency indicated. Arming mode is External-Time, positive edge. The devie and the Stanford counter were allowed to warm up for at least 30 minutes prior to taking the measurements. The test used BNC cable terminated at the counter with 50-ohm termination. The word clock signals were generated internally by each device. Here are the Gnx192 jitter specs using teh Standford method. Word Clock Frequency GenX192 MAV Jitter (picoseconds) 44.1 KHz 28 48.0 KHz 31 88.2 KHz 36 96.0 KHz 26 176.4 KHz 75 192.0 KHz 73 ************************************************ #2. clocks are sensible/afected by dirty AC power. be shure to buy a Furman AR-15 Series ][, minium. also true 99.997% OFC cables like philips pxt1000 or better silver cables like acoustic zen silver byte. also the crystal optimal operating temperature is 31° acording to wiki. #3. You should try to do the loop back test to see any changes. if you have RME or Lynx soundcard disable DDS &/or SynchroLock(TM), if you input a better external clock DDS not disabled that will not allow the soundcard to freelly follow the ext.clock. test A/D D/A - without personal bias & without ears! http://www.gearslutz.com/board/4277032-post3.html Drawmer D-Clock | |
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| | #3 | |
| 70% coffee & 30% beer Join Date: Dec 2006 Location: Quincy, MA
Posts: 7,379
| Quote:
__________________ Adam Brass adam@dspdoctor.com DSPdoctor "Pro Audio Gear And Advice for the Modern Recording Studio" ________________ "Any opinions above are worth exactly what you paid for them." Anonymous "If I find 10,000 ways something won't work, I haven't failed. I am not discouraged, because every wrong attempt discarded is another step forward. Thomas Edison RTFM | |
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| | #4 | |
| Lives for gear Join Date: Jun 2009
Posts: 3,397
| According to Lucid, they have better jitter than Big Ben. From e-mail: Quote:
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| | #5 |
| Lives for gear Join Date: Jul 2006 Location: Puerto Rico
Posts: 1,091
| When my Rosendahl Nanosync died we tried the Lucid and absolutely hated it ( and I really wanted to like it 'cause it was inexpensive and I was broke ). The stereo image got smaller and the frequency response seemed to lose top end. We then bit the bullet and bought the BB and where much happier. Specs are one thing but in our studio my partner and I liked the BB by a very large margin. I wonder how accurate that jitter comparison is because the BB, without a doubt, smoked the Lucid. Seems strange ( at least to me ) that the Lucid would out perform the BB in any way. ![]() |
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| | #6 | |
| Lives for gear Join Date: Jun 2009
Posts: 3,397
| Quote:
Any other thoughts? Roc, I know you've had both in studio, if you're still reading this any comment would be appreciated. | |
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| | #7 |
| Lives for gear Join Date: Jul 2006 Location: Puerto Rico
Posts: 1,091
| [QUOTE=mobius.media;4351366]Really? That's pretty discouraging. Personally, I'm not eager for the Big Ben sound - I find it has exaggeration in the lows I'm not really looking for. I wanted something more neutral but didn't want to pay big for an Isochrone, so I thought the Lucid was it. Any other thoughts? My experience with the unit is what sent me after the BB. Like I said, it just seemed to take away from the stereo image and made things sound like there was less top AND bottom. That said I do find that the BB does enhance the lows but in a way that to me at least is very flattering and complementary to my work. I think that the Antelope Isochrone OCX is in the same price range as the BB and even tho I've never used it everything I've read and heard about it suggests that it's a fantastic unit (and very neutral in character). I personally would LOVE the 10-M but that falls squrely in the silly money territory. Oh well someday.... ![]() |
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| | #8 | |
| 70% coffee & 30% beer Join Date: Dec 2006 Location: Quincy, MA
Posts: 7,379
| Quote:
I would buy a Horch RM2J instead. | |
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| | #9 | |
| Lives for gear Join Date: Jun 2009
Posts: 3,397
| Quote:
Also, the Antelope OCX was the other one I was looking at. It's not super expensive like the 10M, but it is still over twice the price of the Lucid. Of course, I'd always rather put that money elsewhere if I can. Looks like I'll have to try both for myself. | |
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| | #10 |
| 70% coffee & 30% beer Join Date: Dec 2006 Location: Quincy, MA
Posts: 7,379
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| | #11 |
| Lives for gear Join Date: Jun 2009
Posts: 3,397
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| | #12 | |
| 3 + infractions, forum membership suspended. Join Date: Oct 2008
Posts: 1,978
| Quote:
so far... my Drawmer M-Clock has a verry nice sound, Full Lows "not heavy", strong mid-bass vs. Alesis Ai-2., coherent & transparent mids & highs. but the highs sound round like some Tube Equipment., not quiet, loud enough, balanced, and detailed but diferent than OCX, Mytek or the BLA MicroClock highs for example. other clock i would like to test its the Teac Esoteric, becouse has atomic input. .... i think the exagerated lows in the BigBen its becouse the Apogee ADC75 cable... recently i purchased an Apogee Wyde-Eye 3ft. WordClock BNC cable. 75ohm coaxial Digital/Analog Audio Cable ADC75 Apogee Electronics. and tested vs. Philips PXT1000, same everything. in test #1. Mackie d8b DACs, Yamaha hs80, no processing, WMP, listening not the best recorded song, the song lacked lows and was a bit bright. the Apogee Wyde-Eye added a lot of Low-MidBass, and for listening that song it was great. ...and same song with the PXT1000 it sounded like it is, bad recorded. at that moment i thought the Apogee Wyde-Eye was better cable!!. then i did a the second test, with lots other songs i know verry well. It turned out that the Apogee Cable Adds too much hamonics in the low-midbass to all songs, maybe becouse signal reflections, even they say they dont have any becouse they are 75ohm. anyway... the Philips PXT1000 dont say its 75ohm, but was much more transparent, mid range and highs, and bass was accurate. if its bad recorded sounds like it is "annoing", if its well recorded sounds like a master piece, sometimes verry impressive. bad clock cables add the "same thing" to all songs. ... When i heard the Acoustic Zen Silver Byte, i knew its one of the best cables outthere no matter the price range, but... i want to test others, just to be shure & becouse i dont like the looks of the Silver Byte connectors, they look so ugly. i will try to find the perfect cable for me, that looks as good at it sounds. also i want to buy those Silver Gold Plated Fuses to replace the stock fuses inside my Drawmer M-Clock, and maybe some day ill purchase Balanced power too, to see/hear how good my Drawmer can it be. :::::::::::::::::::::::::::::::::::::::::::::: anyway... these is a partial list of the cables i want to test: Oyaide's DR-510 "the BNC looks so pretty, i hope it sounds good", but looks a bit skinny/thin and that worries me. http://www.thecableco.com/product.php?id=4083 ![]() ... Acoustic Zen's Silver Bytes "connectors look ugly, but sounds good" http://www.thecableco.com/product.php?id=1991 ![]() ... Harmonic Technology's Digital Copper "they say 99.9997% OFC, better than Philips PXT1000 99.997% OFC" but strands conficguration? http://www.thecableco.com/product.php?id=909 ![]() ... Tara Labs's Spectrum 2d "Hi quality copper Single Conductor, similar to Vovox, but not silver plated?" http://www.thecableco.com/product.php?id=3159 ![]() ... VOVOX®link protect AD shielded digital cable , hi quality silver plated OFC. VOVOX: Klangleiter - Sound Conductors ![]() ... EvidenceAudio.com Mono Rail, & Melody ... DH Labs Silver Sonic's D-75 "the rca in these look pretty, some day ill see if not just a pretty face." http://www.thecableco.com/product.php?id=5211 ![]() ... Audio Magic's XStream "look a bit ugly but seems creaper" http://www.thecableco.com/product.php?id=2541 ![]() ... PSAudio.com Digital, xStream Digital Cables : Product Details | PS Audio ... the APC Digital, also the connector looks a bit ugly for my taste. APCAV Product Technical Specifications: DIGCOAX15-1M ![]() ... the monsterpower digital cable: 1GHz silver plater copper conductors + Quad Shield. M1000 High Resolution Digital Coaxial Cable ![]() ... the new Sony Digital triple shielded, ... and the Empirical Audio Digital Interconnects also seems interesting. but... a bit over priced. Digital Interconnects > Cables : Empirical Audio ![]() ... & Proelgroup.com DiaHard i think one of these could be the true thing, no overpriced crap. so far... Acoustic Zen Silver Byte and Philips PXT1000 are the clear winners. so far... | |
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| | #13 |
| Lives for gear Join Date: Jul 2006 Location: Puerto Rico
Posts: 1,091
| [QUOTE=Roc Mixwell;4353627]Your right! This other post discouraging the use of the Lucid as the master does not hold water in my experience. He did not even list the converters he used to test, which I need to validate what happened. The converters where the ones on the Alesis HD-24 thru an RME HDSP 9652 card into Nuendo. By the way I was in no way trying to discourage anyone from anything , simply stating what my experience with the unit was. To be clear, in my experience both the Rosendahl and the Apogee out performed the Lucid by a very large margin, as always YMMV. Hope this helps. |
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