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| | #1 |
| Lives for gear Joined: Oct 2008 Location: fear and loathing across the country, listening to my 8-track
Posts: 2,561
Thread Starter | Looking for that Magical Electronic buzz/aliveness
Hello all- I'm new to gearslutz, but have been spending a month reading archives that have led to a few purchases, including a H8000FW, Duende, and Liquid Mix- I'm an electronic musician and the majority of my sounds are produced using synthesizers and high end sample libraries. I'm going to describe a quality in tone and texture that is not often referenced, but many of you professionals have experienced on a daily basis. I am extremely grateful for your honest guidance. What I'm looking for I can describe with these words- electric aliveness, presence, buzz, harmonics, energy. I have not found it in analog tape or eq, as these process that inherent quality. I have also not found it in reverb. The best example I can give is an electric or amped guitar, and the quality of electric sheen that feels emotional rather than technical. I have heard this in a few recordings, but it's rare that this quality is captured. Perhaps a certain preamp can give this quality to an sampled instrument? |
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| | #2 |
| Lives for gear Joined: Oct 2004 Location: Wisconsin, USA
Posts: 570
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I don't really listen to or record electronic music, but I get the feeling you describe from the "zing" in some old transformer based stuff. Put a Crane Song HEDD and something like a pair of Neve 1272's or modern knock-off on your wish list. Pump your computer generated sounds through those and you'll get closer to where you want to be. |
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| | #3 |
| Lives for gear | Buzz
Sounds like harmonic distortion. Plug-ins can do this but not as well as a nice preamp. Especially the 'alive' part.
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| | #4 |
| Lives for gear |
It might seem crazy, but - throw a 10Khz tone (i.e. from a console's oscillator) across the mix. To many, that sounds like 'money' or to A&R types a "HIT"! Otherwise, you could cut a track of just guitar/amp buzz and mix it in. Quite often in digital, the thing we miss the most is noise. Without any, sounds can be very sterile, and lacking in dimension/perspective. |
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| | #5 |
| Gear nut Joined: Sep 2008
Posts: 77
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take a look at the Thermionic Culture Vulture, it might fit your needs |
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| | #6 |
| Lives for gear Joined: Oct 2008 Location: fear and loathing across the country, listening to my 8-track
Posts: 2,561
Thread Starter |
Great suggestions! I'm going to take a look into all of them, or preferably, a listen.
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| | #7 | |
| Gear Guru Joined: Oct 2004 Location: The Land of Sunshine
Posts: 11,292
| Quote:
such as? i'm thinking overdrive, as in tubes, trafos, and amps; but if you could provide a reference, we could all be more accurate with our guesses. gregoire del ubk . | |
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| | #8 |
| Lives for gear Joined: Mar 2003 Location: solar system
Posts: 887
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I think it's tough to get that "live" sound in digital, as the process of digitizing a signal kills that liveness, even with great conversion. The only converter I've heard that perserves the live sound well enough is the Burl B2 Bomber. Not cheap though....
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| | #9 |
| Lives for gear Joined: Dec 2004 Location: los angeles
Posts: 1,739
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+1 for culture vulture. Just used one on a CS-60 and it was awesome.
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