![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Gear maniac Joined: Feb 2005 Location: NC
Posts: 207
Thread Starter | Specific Compressor settings question
Hey guys, I have a quick question. I was wondering for the most part what would the outcome of this compressor setting would be on the audio (roughly) Attack :0 Release: 50 Ratio: 5 Obviously the the threshold etc are all different depending on material. But the reason I am asking is there is a preset called "Average Low Level" and I just wondered sonically what effect this has on the audio. I just wanted a different opinion about this. It seems to soften up the audio and make it sit alittle better without squashing it to much. Thanks Jason |
| | |
| | #2 |
| Lives for gear Joined: Nov 2002 Location: Hollywood
Posts: 3,632
|
Which compressor is this? With that attack ratio you can also, kiss your transients goodbye. That setting seems better suited for vocals. How much gain reduction is occuring? |
| | |
| | #3 |
| Gear maniac Joined: Feb 2005 Location: NC
Posts: 207
Thread Starter |
picksail: Hey, it was the Sonitus Compressor. I just happend to be trying it out for fun. I have better compressors that I use like Sonalksis, Golden Compressor, etc... I was only doing about 2-3 db of gain reduction not to kill the transients. Thanks Jason |
| | |
| | #4 |
| Gear maniac Joined: May 2003 Location: San Francisco
Posts: 178
|
2-3 db with an Attack of 0 WILL kill some of your transients. You are telling the Comp to kick in right away and that will roll of any initial attack of, let's say a snare hit. By pushing your Attack time out to at least 50 will retain the 'attack' of your source material. --Giovanni |
| | |
| | #5 |
| Guest
Posts: n/a
|
All points aside. Why not read up on compressors and then play with it. Your ears will tell you what it does to the audio better then a chat room will. Threshold= what level it kicks in at Attack= how quickly it kicks in at threshold/passing threshold Ratio= how much it will reduce the sound. This is provided in a ratio form. 4:1 means for every 4db the sound goes up it will go up only 1 with the compressor in. Release= how quickly it lets go after passing back under the threshold. If you don't have a desire to learn this, you may be doing the wrong thing with your time. My lead singer loves to just play with the eq and hopes he finds what he is looking for. It takes hours and most often leads to nothing. No sense in blindly moving knobs. I don't think?????? Good luck! D |
|
| | #6 |
| Gear maniac Joined: Feb 2005 Location: NC
Posts: 207
Thread Starter |
dpasch: hey, actually I know what I am doing and I know all of what you were speaking off, I just wanted an opinion on that particular set of parameters and how/why you would want to use it. Jason |
| | |
| | #7 |
| Lives for gear Joined: Jun 2002 Location: Germany
Posts: 2,006
|
i would call this preset " ac guitar player on stereoids " |
| | |
| | #8 |
| Lives for gear Joined: Sep 2004 Location: Copenhagen, Denmark
Posts: 4,770
|
Attack :0 Release: 50 Ratio: 5 Almost a limiter, although you'd turn the ratio to 10 then. 2-3dB pf GR with this setting would definitely chop off some transients and could sound quite enclosed.
__________________ Professional geek Online Mastering - At the moment: Mastering Christopher (EMI) ยท Mixing Michalis (Universal) |
| | |
| | #9 |
| Gear maniac Joined: Mar 2005
Posts: 283
|
why would you want to cut out transients for vocals??
|
| | |
| | #10 | |
| Lives for gear Joined: Sep 2004 Location: Copenhagen, Denmark
Posts: 4,770
| Quote:
I prefer trying to record as well as possible so post recording fiddling won't be necessary, and also resorting to quick volume auto rather than de-essing. | |
| | |
| | #11 | |
| Gear maniac Joined: Mar 2005
Posts: 283
| Quote:
ahhhh. yeah that's something I'd try to fix in tracking. | |
| | |
| | #12 |
| Lives for gear Joined: Sep 2004 Location: Copenhagen, Denmark
Posts: 4,770
|
Yup, I also found a nice trick with singers with extreme sibilance. Place a very small piece of chewing gum behind the two front teeth, and let it dry for a few moments so it sticks. Apparently a whole lot of whistling and sibilance comes from the small gap between the front teeth. Beats a de-esser any day if you can convince the singer that is!
|
| | |
| | #13 | |
| Gear maniac Joined: Mar 2005
Posts: 283
| Quote:
| |
| | |
| | #14 |
| Lives for gear Joined: Aug 2002 Location: Scotland
Posts: 893
|
Apparently Madonna sticks a dollop of wax in there. Maybe it's one she scraped off Willem Dafoe's chest |
| | |
| | #15 | |
| Lives for gear Joined: Dec 2004
Posts: 810
| Quote:
jwnc your original question omits some important detail which make it difficult to give a meaningful answer - type of sound source, its dynamics, and overall recorded level | |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| switching from Logic 5.5 to Nuendo - specific plug-ins question | lubaloo | Music computers | 23 | 3rd May 2006 12:03 PM |
| Specific mic question. | James Lugo | High end | 20 | 24th August 2005 01:17 AM |
| specific patchbay question | DirkB | So much gear, so little time! | 3 | 24th October 2004 12:04 PM |
| Beating a dead horse (sorry), but...a specific Channel strip question | rockguit | High end | 2 | 8th July 2004 11:49 AM |
| Very specific Fatso question | Jam | So much gear, so little time! | 8 | 17th May 2004 04:42 AM |
| |