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| Lives for gear | Has Lexicon PCM91 Jumped the Shark?
Is the pcm91 still a respected reverb, or is Lexicon not what it used to be? Who's the 800lb gorilla on the reverb block now?
__________________ www.carvelstudios.com "I like my women the way I like my scotch, 20 years old and mix up in coke." |
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| | #2 |
| Lives for gear Joined: May 2002 Location: Ans (Liege) Belgium
Posts: 3,286
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lexicon and TC electronics for me ... others will definately add the likes of Eventide and Kurzweil and maybe even some yamaha's and sony's. I think most will agree that the first four mentioned without a doubt are 'gorilla's' as you like to call them ... PCM-91 is definately a small female gorilla, The 960 would be the young Male, 480 maybe the older group leader, 224 etc ... council of old wise men. Plugins ..... hmmmmm ..... chimpansees at best,...... imho of course.
__________________ Chris Lambrechts |
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| | #3 | |
| Lives for gear | Quote:
I'm looking to add a Silverback to my gear... Thanks for the input | |
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| | #4 |
| Gear Head Joined: Nov 2004 Location: CT.
Posts: 72
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i really liked the pcm91 but i cant stand the operating system on it. |
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| | #5 |
| Gear nut Joined: Jul 2004 Location: DC
Posts: 78
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Have to ditto that operating system. I didn't even look at the manual except to run through presets for the first few weeks. Used to own a 91 but it's been gone a long time and I haven't had any gearslut pangs to repurchase. I've said this many times before but when you move up the Lex ladder to the 300 you bring along some of the same operating system hassle but the sound fills in where the 91 always seemed to have holes, not the right word but the 300 just sounded smoother and complete. I agree with the gorilla line. Still like the 480 the best with the classic cart. One thing the 91 brings to the table is lots of presets to mess with but in the end I only had about a dozen that I would use with any regularity. In retrospect I would probably hold on to the PCM70 and save my dollars to jump the shark.
__________________ "Verbs R Wee! |
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| | #6 | |
| Lives for gear | Quote:
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| | #7 |
| Gearslutz.com admin |
"Jumped the shark" is a Austrailian / Kiwi expression isnt it? What does it mean again?
__________________ Jules Add your reviews to the new reviews area! Gearslutz on Facebook Follow my GS picks on Twitter |
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| | #8 | |
| Lives for gear Joined: Feb 2003 Location: Western North Carolina
Posts: 3,659
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__________________ "I know that most men, including those at ease with problems of the greatest complexity, can seldom accept even the simplest and most obvious truth if it be such as would oblige them to admit the falsity of conclusions which they have delighted in explaining to colleagues, which they have proudly taught to others, and which they have woven, thread by thread, into the fabric of their lives." Tolstoy | |
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| | #9 | |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
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| | #10 | |
| Lives for gear Joined: Jun 2004 Location: Midwest
Posts: 535
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| | #11 |
| Lives for gear |
I'm a big Lexicon lover, but I hate to say it I don't really like the PCM series except the PCM70. The 480 is wonderful the 300 very useful - but no PCM90/97/80 could give me the same satisfaction. The PCM70 is another story - doesn't sound that good solo'ed but in the mix it's just perfect. Jo |
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| | #12 |
| Lives for gear Joined: May 2004 Location: The Lost Moon of Poosh
Posts: 1,759
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No one wants to talk about the PCM 60? |
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| | #13 |
| Lives for gear |
sorry dunno that old fuuucker |
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| | #14 |
| Gear maniac Joined: Jul 2004 Location: Newburyport, MA, USA
Posts: 181
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Admitted reverb junkie here... I do like (own 2) the PCM60...no options, just really good sounding verb. I love the Lexicon M300 (only have one)...almost always sounds great on things. I have one of those Sony convolution verbs (DRE S-777) which is amazing on real spaces and plates. The older Sony units are nice, too...R7, MUR201...both get used here regularly. I'm not a huge TC fan. I still like and use the Yamaha REV7...sounds great on electric guitar, hammond...things which need no zing on the top of the verb. The Yamaha PRO-R3 is still the right thing here, too. They're all different flavors...and as time passes I don't find that any newer boxes do everything so well that I'd get rid of any of them. They all fit the right source, just like microphones. -tom
__________________ tom eaton • producer / engineer type me thomas eaton recording my place universal noise storage and will ackerman's imaginary road studios |
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| | #15 | |
| Lives for gear Joined: Jun 2002 Location: Funky Town FL
Posts: 1,304
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| | #16 | |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
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thumbsup I think the other popular term i hear alot when it comes to fixing messed up gear(like computers and tube gear) is "why don't you give it a Fonzie". | |
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| | #17 | |
| Lives for gear | Quote:
How about the Lexicon 960L? if you have one of these, it's already Christmas for you | |
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| | #18 | |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
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I find the reverbs useful because even though it only has one engine devoted for reverb, it has another more powerful one for doing modulation processing. And we know when it comes to mixing the secret to make certain things sound reverbed is to add modulation to the tails. The PCM 91 because of its dual reverb engine sounds less like a Lexicon, more like a TC unit. | |
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| | #19 | |
| Lives for gear | Quote:
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| | #20 | |
| Lives for gear | Re: Has Lexicon PCM91 Jumped the Shark? Quote:
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| | #21 |
| Gear addict Joined: Sep 2004 Location: Ontario, Canada
Posts: 337
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Heeeeeee Fonzyyyyyy I loved that show. I just love things from the past. Ya like my PCM 91......and the Hooper triplets. Hoa! Hey I still have those Happy Days stickers on my old Drum kit. Cool or what ? Peace dfegad
__________________ WG To know and not to do, is not to know. |
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| | #22 |
| Lives for gear |
I'm just glad I'm not the only one old enough to have actually watched Happy Days. ![]() And these reverb tips are really helping me out! Aaaaaaaaaaeeeeeehhhhhh |
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| | #23 |
| Lives for gear |
I have PCM 91 (which sounds quite good to my ears). Recently I was tempted to get a second hand 480 L but was told by several people that if I consider only reverbs (I am not interested in oher effects) the sound difference is that small that it is not at all worth the (big) extra money
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| | #24 | |
| Lives for gear | Quote:
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| | #25 |
| Lives for gear |
Ivo listen to a 480 for yourself and decide - people told me that the 300 is half a 480 dfegad - I dunno where they lost their ears Jo |
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| | #26 |
| Lives for gear Joined: Jun 2002 Location: Germany
Posts: 2,006
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would be COOL if my 91 would sound like a 480 ... no way still it sounds way better compared to the plugs i know thats how it is : if u know all reverb units ... pcm91 sucks if u know just the spx90 ... youll love it |
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| | #27 |
| Lives for gear |
I basically need just one good long universal reverb, nothing very special. I usually use Large Hall, Deep Blue, Small Church or Gothic Hall on PCM-91. PCM-91 sounds very good, smooth and makes a nice illusion of a rich space. I wonder whether you would AB recognise the same solo instrument using the same Large Hall setting on PCM-91 and 480. As for plugins, they do not sound serious comparing to PCM-91. |
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| | #28 |
| Lives for gear |
I'm a very firm believer in less is more. I utilize reverb, any effects for that matter, very sparingly. A 'vanilla' outboard reverb may be very good for me. Some of the other high end processors do more than just reverb, like the Eventide... I know I would spend hours playing with all the setting and not get anything done. ADD? So perhaps I can find a pcm91 for sale and give it a go... wading toe deep in the reverb pool to get me started |
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| | #29 |
| Gear maniac Joined: Nov 2004
Posts: 158
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1. Real spaces when apropriate 2. Real plates 3. TC M4000 and up 4. Lex 480, 960 91 isn't quite there. |
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| | #30 |
| Gear nut Joined: Feb 2004 Location: Oregon
Posts: 144
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I use a PCM91 and an Eventide Orville. I've had both for almost a year now and am always surprised at what I find. Prior to this, I worked with a TC System 6000. The System 6000 sounded somewhat unnatural to me. Yeah, crazy, I know. But it was so damn good, it gave me this uncanny feeling when applying it to mixes. Sometimes the reverb literally dissapeared in the mixes because it was so natural! Now the Orville always had this sweet spot. This little "slur" to the reverb when applied to vox. You could minniumize it, but I felt it was always there regardless. Now to the PCM91. At first I thought it was junk. I really did. I used like two presets after auditioning ten for vocals. Flimsy junk. Then one day, I needed something a little different. So I found a "multi" preset, and this time, I recorded it onto multiple tracks. I panned them and voila! It has been gold for me since. It just goes to show that sometimes you just gotta live in it to see how it feels. (An analogy to a mix) -John |
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