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Old 14th June 2008   #1
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Microphone Find - B&O BM-3 and Sony C-57

Hello All,

I just bought some microphones at a garage sale and haven't been able to find much about them, nor their value.

I found 3 B&O Dynaco - BM3 or BM4 - I don't know how to tell the difference. They book look alike in photos online.

Also - a pair of Sony C-57s.

Any advice on value, where to find good information including value, parts, and such would be greatly appreciated!
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Old 14th June 2008   #2
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I love those Sonys...... great mics. A bit noisy, but they sound good. Valued at maybe $2000 for the pair..... not really sure. I bought mine at a steal..
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Old 14th June 2008   #3
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I think I got a great deal on these. I bought all 5 mics for $500 at a garage sale. I just don't have any experience with any of these mics so I am hoping the gurus here can point me in the right direction.
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Old 14th June 2008   #4
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the B&Os sound great after a new ribbon, and reversing the polarity.
but they have low output.
great score!!!!!
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Old 14th June 2008   #5
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Any recommendations on a tech to "repair" them?
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Old 14th June 2008   #6
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Quote:
Originally Posted by pan60 View Post
the B&Os sound great after a new ribbon

That is when their ribbon is oxydised ( as, I agree, they are prone to) , wich is not always the case


Quote:
and reversing the polarity.
Explain this, by all means, and above all: why

Please ...


Quote:
but they have low output.
not lower than a lot of ribbons

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Old 14th June 2008   #7
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I love the discussion - I opened up one and the ribbon is silver, doesn't look like any oxidation has happened. I have one with green lettering (says Fontone) and two with red lettering (don't say fontone) - any difference?
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Old 14th June 2008   #8
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Fontone or Fentone?
check your PM
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Old 14th June 2008   #9
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Quote:
Originally Posted by pan60
the B&Os sound great after a new ribbon
Quote:
Originally Posted by malice View Post
That is when their ribbon is oxidized ( as, I agree, they are prone to) , wich is not always the case
i feel the RCA ribbon i had installed performs better then the original which was not oxidized.
the improvement was very very significant.

Quote:
Originally Posted by pan60
and reversing the polarity.
Quote:
Originally Posted by malice View Post
Explain this, by all means, and above all: why

Please ...
because they are set up as pin three positive. and pin two neg.
they are out of polarity to the current norm.
you could check and see, possibly already changed but i would doubt it, all i have seen were pin three positive.


Quote:
Originally Posted by pan60
but they have low output.
Quote:
Originally Posted by malice View Post

not lower than a lot of ribbons

malice
lower then any thing i have seen other than some older cheap ribbons.
but i have not seen them all and i am no authority on ribbons.
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Old 14th June 2008   #10
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Fentone - sorry I can't read. Also - I don't see any PMs to me.
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Old 14th June 2008   #11
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Nice find! I have a BM-3 myself, it's awesome. Get Stephen Sank to re-ribbon if you need to. It does have really low output, still, with the new ribbons. I also have the BM-5, a stereo version, with the original ribbons intact. Talk about low-output...
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Old 14th June 2008   #12
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Oh yeah, value. How is the chrome on the BM-3s? I bought mine for about $400 and the chrome is in terrible condition! This was from Pro Audio Heaven! Vintage Ribbon Microphones, RCA, Shure, Neumann, Neve, B&O and more... - Home . So you got quite a deal. If you don't like them I'm sure you could sell them. On ebay I saw BM-3s with old ribbons (or untested) going for at least $300 a pop. If it's a new ribbon the value didn't go up, I guess maybe people are not "informed" about what this means.
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Old 14th June 2008   #13
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the chrome's in great condition in my opinion. I have attached a few pictures. Anyone know anything about the Sony C-57s?
Attached Thumbnails
Microphone Find - B&O BM-3 and Sony C-57-img_2593.jpg   Microphone Find - B&O BM-3 and Sony C-57-img_2594.jpg   Microphone Find - B&O BM-3 and Sony C-57-img_2595.jpg  
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Old 14th June 2008   #14
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I guess attachments are still broken...
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Old 14th June 2008   #15
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how about the links below? I just threw them up on my site.

http://forgefocus.com/images/IMG_2593.JPG

http://forgefocus.com/images/IMG_2594.JPG

http://forgefocus.com/images/IMG_2595.JPG
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Old 14th June 2008   #16
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Quote:
Originally Posted by Corran View Post
I guess attachments are still broken...
they are working on this end
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Old 14th June 2008   #17
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Oh well now they show up, must have been some lag. Anyway, they do look very nice, much better than mine, but mine is awful. But oh boy does it sound good, especially on guitar or trumpet.

Man oh man I don't suppose you'd be interested in passing your good find on a fellow gearslut I'd love to get one of those BM-3s to make a set...
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Old 14th June 2008   #18
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Quote:
Originally Posted by forgefocus View Post
Fentone - sorry I can't read. Also - I don't see any PMs to me.
try now.
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Old 14th June 2008   #19
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The plating and engraving of the B&Os are quite nice.

The transformer is very small and the magnets are not terribly strong, so you have to be realistic in your expectations . Here is a picture of the insides of a perfect one.

Latest News from Crowley and Tripp's Lab: Duralumin in ribbon microphones


Note that the original ribbon is made of a type of high strength alloy. Over time it would stiffen and lower the output. Some people also say that alloy is prone to corrosion at the clamps. These mics have a sharp cutoff due to the parallel sides of the motor unit, and the surrounding ribs. I have a couple of them in the museum and people love the phallic rocketship look.
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Old 14th June 2008   #20
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Attached Thumbnails
Microphone Find - B&O BM-3 and Sony C-57-b-o_1_1_2.jpg  
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Old 14th June 2008   #21
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http://microphonium.blogspot.com/2007/04/duralumin-in-ribbon-microphones.html

it all comes from the ground

its actually a pretty important subject for better advancement of materials

glad to see someone in the mic industry trying to push forward
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Old 18th June 2008   #22
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It seems like the wiring of the BM3 is non-standard vs. normal XLR. It appears that the ground and white are switched. Does anyone have experience with this? Also, are their shockmounts available?

Thanks!

Chris
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Old 18th June 2008   #23
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Quote:
Originally Posted by forgefocus View Post
It seems like the wiring of the BM3 is non-standard vs. normal XLR. It appears that the ground and white are switched. Does anyone have experience with this? Chris
i think this is not isolated to just B&O.
other older mics will be wired backwards as well.


Quote:
Originally Posted by forgefocus View Post
Also, are their shockmounts available?

Thanks!

Chris
i have made a few mounts but they are more then a bit pricey.
as well i have made many adaptor so the B&O can be mounted in a standard shock mount.
their could be some offered, but their would have to be a fair amount of interest, for me to do so.
Attached Thumbnails
Microphone Find - B&O BM-3 and Sony C-57-adapterhanging.jpg   Microphone Find - B&O BM-3 and Sony C-57-adapterpins.jpg  
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Old 19th June 2008   #24
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I've used the Sabra-som system to great success with my BM-3. Not the absolute best fit but it works well enough.
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Old 19th June 2008   #25
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Has anyone used Sony C-57s? What was your experience and thoughts about them? Problems or highlights?
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Old 20th June 2008   #26
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Quote:
Originally Posted by pan60 View Post

My lord. I knew someone in high school who was in a car accident and had to wear one of those....
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Old 20th June 2008   #27
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Quote:
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My lord. I knew someone in high school who was in a car accident and had to wear one of those....
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Old 20th June 2008   #28
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c57

Sony C-57 Manufactures Information

The links on the above page are wrong...

Sony C-57 Tube Mic

It appears to use the same power supply as the C37A... the audio transformer is located in the power supply. The following link the power supply drawing from my webpage...
c37apg9

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Old 21st June 2008   #29
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Thanks for the image. I actually have the original manuals for the C-57s. I just can't find anyone who has actually used one. Just curious.
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Old 21st June 2008   #30
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The design looks suspiciously similar to the C37A... does it use the mechanical shutter switched by a screw on the back of the capsule to change the directional pattern like the C37A? Do they have the polar plots and frequency response in the manual? How does it compare to the ones for a C37A?

C-37A Weber Music

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