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| | #1 |
| Lives for gear Joined: May 2008
Posts: 540
Thread Starter | if you had 10,000 to add onto a studio
Hello currently i wouldn't even call what I have a studio but... I'm working with an 003 on a pimped out computer running XP that I built. I have roughly 10g's to spend and I need enough channels to do drums and hopefully 1-2 really high quality channels for vocals and other overdubs. I thought about a rosetta 800 does that work with XP? or only mac.. Thought about a couple 500 series pre's Maybe one real nice pre like a 1073 and then some 8 rack unit like a presonus digimax 96k? I need mics to though... I know its not a ton of money but any recommendation on what it should go into? |
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| | #2 |
| Lives for gear |
Without knowing what rounds out your collection (aside from the 003), it's a lot of speculation on anyone's part... Importance of chain is: 1) mics 2) pre's 3) converters If you don't have drum mics yet, you could blow the entire load on these alone. Suffice to say, having one GREAT mic, and a host of other useful ones (and some expertise!) should help get you in the ballpark. One good LDC mic like a U87 or similar, trying to keep cost down to $2000 or so. List could include Peluso, Pearlman, etc. - only YOU can decide what mic works for you and your needs, so choose wisely... Add one ribbon (cheap ones are alright, just not incredible) a pr. of SDC like Oktava 012's or AKG 451's, or Marshall 603's etc., and a couple of dynamics like a 421 and of course a SM57 - total budget for all mics - $3000 Pre's - again, you could blow your load on this alone - keep in mind, there is a budget issue on how many GREAT channels you can afford. Having a pr. of great pre's like the Great River, API, Hardy should run you the max of $2000. Add a Sytek 4 channel pre for another $700 - this brings the total to $2700 Converters - is 8 channels enough, or maybe having 16 so in the future you could track more channels? Getting a set of Lynx Aurora 8 channel should be about $2000, and 16 channels should be about $3000 So - total now sits at between 7000-9000 dollars. Now I ask - what are your monitors? How is your room - treated or untreated? This is where I think priorities need to be. Gear means something, but good monitoring in a neutral space cannot be undervalued. For the remainder of your funds, whatever that may be, spend it on low-cost bass trapping and diffusion for you listening zone. If you do it yourself, it should not cost you more than $1000. This will then leave you some funds to possibly upgrade monitoring - if you already have monitors you trust and enjoy, skip this, and plan on upgrading cabling, mike stands, etc. - this is never a cheap option and can easily absorb the remainder of your funds... Hope this helps, |
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| | #3 |
| Lives for gear Joined: Jan 2008 Location: Colorado
Posts: 879
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For $10,000, I'd stick to mid range converters... RME 800 (10 CHannels) and it has outs for headphones. What about monitors?? These are a huge part of it too. A pair of Adam A7 for about $1000 The Sytek for $700 Then I'd check Vintage King for a 4 ch. Shadow Hills Gama... awesome sound with tons of flexibility. $3300 Then you have more left for an assortment of mics, room treatment, etc. my 2 shillings |
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| | #4 |
| Lives for gear Joined: Dec 2006 Location: GERMANY:FRANKFURT-WIESBADEN
Posts: 1,475
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this is only my personaly view on it cuz i dont now what is your main biz so if you like digi stay with it. if you can live without that extra tdm processing power then go too black lion audio and make a 003 mod of the pres clock ... or buy a protools hd1 and a prism ada8 (second hand) add some grace 801 or millenia pres 8 channel too your setup and your fine for most applications(of course used ebay..) |
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| | #5 |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
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for the PRICE and the sound the Shure drum system with the mini tom condensers can't be beat vox mic if i had to pick 1 for a great price that is an all around workhorse i'd say ADK area 51.. 1 good vox pre? the multi pourpose milennia td1 ..'cleanleness is next to godleness" when dealing with an all around pre..you can add "flavor" in you mix chain when desired
__________________ "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://miketarsia.com http://www.myspace.com/miketarsia https://members.grammy365.com/users/mike-tarsia |
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| | #6 |
| Gear Head Joined: Nov 2007
Posts: 44
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why this thread is in the High End section?
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| | #7 |
| Lives for gear Joined: Jul 2002 Location: Brooklyn, NY
Posts: 1,051
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Acoustics, man, acoustics It's tough to shell out for something that isn't gear on a limited budget but I would put at least $1k into room treatment:corner fills, side wall foam and maybe a cloud above you head. If you have poor vision you need to put on your glasses before you can paint, right? So many people try to record and mix without "focusing" their room first and end up wasting huge amounts of time doing things over and over again and never getting it right because they can't really hear what's going on. Good Luck.
__________________ Angelo Montrone Majestic Music Factory: Studio / Label Majestic Music Mastering Twitter: @MajesticMusicNY Williamsburg, Brooklyn, NY STUDIO SHARE AVAILABLE (make Majestic Music your home for 10 days/month) PM for info. |
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| | #8 |
| Gear Head Joined: Apr 2008
Posts: 55
| damn straight. doing as much DYI can save a lot of $ mics: $2050 an ADK Vienna (1k) for vox and an ADK s7 (300) for guitar/drums the S7 is great for a lot of things.. it can handle up to 150db maybe some Sennheiser e's (550) for drums MXL pencil's (200) for overheads use the S7 on snare and Vienna as room mic pres: $3300ish (whether you build shit or not) If you can solder, Seventh Circle or JLM or if you have time restraints, the 2 x Sytek MPX's (1800) will give you clean results. they are always on ebay and if you go sytek, the one 'super pre' could be anything in the 1k range depending on what you're recording.. I got an ADK AP-1 (900) as my 'super pre'; It's kind of a jack-of-all-trades since the opamp and transformer are swappable.. and opamps/transformers are pretty cheap.. so you can get new sounds w $100 upgrades here and there. compression: $200 ah ****.. u can't get 8ch of good compression. allow some headroom and you can use compression plug-ins (at least you have a good computer).. get an FMR RNC (200)for now.. but in the future go ****in ape shit.. get a Purple Audio MC77 (1700) IMHO, sell yourself on craigslist (if you deem this ethical), or do some nude modeling to get serious $$ jk converter: $2000 i 2nd the Lynx Aurora @ 2k. subtotal = $7550 monitors/cables/room: $2000 assuming you have furniture.. Yamaha HS80's and HS10W sub (1200) they have a very flat/clear response. get diffusers/absorbers or DYI panels w rockwool and foam. Make your own cables.. Canare cables Neutrik connectors. w that extra $450, get yourself one of those donald trump chairs they are mad comfy |
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| | #9 |
| Lives for gear Joined: Nov 2005 Location: Huntsville AL
Posts: 824
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| | #10 |
| Gear nut Joined: Aug 2007 Location: Europe
Posts: 131
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2 x Api 3124 RME FF 800 SM7b 4 x Sm57 Beyer MC930 Stereo pair Gefell UMT70s Stereo pair Maybe you can get a good compressor also (distressor or something), if you get good deals. You could also buy just one Api 3124 and build it from there. Don't rush it take your time to find the deals! Buy used !!! With this setup you will have top quality, name recognition and all this within your budget. Maybe a little over. Best wishes
__________________ Why do young engineers often worry more about sample rate than the actual sound of a converter? Because numbers are the thing they can judge most easily, not the substance of the device's sound. Brian Lucey |
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