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| | #1 |
| Gear maniac Join Date: Nov 2007
Posts: 245
Thread Starter | Console Question? Allen and Heath or Toft ATB 24 I currently own an Allen and Heath System 8 MKIII 16 ch console. Buttttt.....this new Toft ATB Boards look like it could be a contender for a replacement, anyone have any thoughts on if this would be a smart move? Btw I have read all of the Toft threads on here. -Dan |
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| | #2 |
| Gear Guru Join Date: Jul 2006 Location: So Cal
Posts: 11,013
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| | #3 |
| Lives for gear Join Date: May 2007 Location: Phoenix AZ.
Posts: 561
| Toft... it's just solid man. |
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| | #4 |
| Lives for gear | I have an A&H system 8 and well, and I must say I love it. Be interesting to compare the 2 boards.
__________________ www.myspace,com/twitchcraft |
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| | #5 |
| Gear maniac Join Date: Nov 2007
Posts: 245
Thread Starter | I was thinking the Toft was amazing, but I really like the System 8 on drums and just about everything about it, except the EQ. I think the EQ limits me a lot. It also sounds very warm and full which is nice to have. I was sooo intrigued by the 4 band wonderful EQ everyone talks about on the Toft. Also is the Toft really made in China? I couldnt justify paying that much money for a board that is made in China. -Dan |
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| | #6 | |
| Gear addict Join Date: Feb 2006 Location: Normandy, France & Austin, TX
Posts: 449
| Quote:
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| | #7 | |
| Gear maniac Join Date: Aug 2002 Location: New York City
Posts: 247
| Quote:
There are many factories there with intelligent people working in them. Its made right down the block from the Ipod factory--from what I hear. Even considering the weakness of the dollar, the ATB if made here would cost $20k-$30k. This is where cheap "skilled" labor works for us.
__________________ Larry Hammel Vocalist/Producer/CEO Deepwave Music Productions http://www.deepwavemusic.com Long Island City/NYC | |
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| | #8 | |
| Lives for gear Join Date: Nov 2006 Location: Kent UK
Posts: 625
| Quote:
![]() I echo other posters comments about going and checking one out for your self. See if any studios/ppl local to you have one. Good luck. Oz | |
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| | #9 |
| Gear addict | I wouldnt back out on a good board just because it was made in China. Malcom Toft is a respected designer.. Its not like it was designed by Behringer |
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| | #10 |
| Lives for gear Join Date: May 2005 Location: Hollyweird
Posts: 7,377
| I was fortunate enough to be in a position to purchase boards at MUCh higher price points... After a lot of research, reading all these post and other info AND considering factors like sound quality, maintance, etc. My voting dollar went to the Toft ATB -andrews |
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| | #11 |
| Lives for gear | the faders are not automateable. how do you integrate this into your mixing? |
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| | #12 |
| Banned Join Date: Aug 2006 Location: Los Angeles, CA
Posts: 1,645
| I think, regarding mixing, that most folks are using it with faders at unity, doing automation in the DAW before stemming out. |
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| | #13 | |
| Lives for gear Join Date: May 2005 Location: Hollyweird
Posts: 7,377
| Quote:
That's the newest plan, anyway. | |
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| | #14 |
| Lives for gear | ...and then no use of outboard compressors, right? |
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| | #15 |
| Lives for gear | I use mine for mixing. I run all my stuff into the daw with faders at unity, then assign 16 stems to the console on mixdown, mix with the faders, use the outboard compressors and other effects, and then mix it down to a hd recorder. Then its back into to wavelab as a .wav file for mastering. Simple, easy, and the best of both analogue and digital worlds. Alex |
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| | #16 |
| Lives for gear Join Date: Nov 2005 Location: S.F bay area
Posts: 2,240
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| | #17 |
| Lives for gear Join Date: May 2005 Location: Hollyweird
Posts: 7,377
| Yes, hardware compression too... It's back to basics really. PTHD is becoming more the tape machine, with the added bonus of great editing and then some good plugs to plus good hardware or augment. Everything else is hardware, including inserted compressors on various channels, as well as on 8-buss groups and master 2-buss insert. -andrews |
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| | #18 | |
| Gear maniac Join Date: Nov 2007
Posts: 245
Thread Starter | Quote:
-Dan | |
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| | #19 |
| Gear addict Join Date: Dec 2006
Posts: 306
| Have not tried the ATB, but had Mr toft demo the board a few years back at olympia - I was wasted , so my opinion is null and void, on a personal note I am not a fan of Allen&Heath eq . would rather use an old vlz mackie eq wise |
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| | #20 | |
| Lives for gear Join Date: Jul 2002 Location: Gardena, California and Maui Hawaii
Posts: 1,022
| Quote:
Dan, that is most likely the design of the console and not the build quality. If you design a console with plastic pots and knobs, they will wiggle. If you use inexpensive paint or cheap wood, it will not look good. One of our competitors builds in the UK, and perhaps it is even Poland, but the reason it is what it is is because of the way it is designed.... We take a lot of time and spend a lot of effort in our design. That is why we use metal pots, aluminum knobs, individual modules and through hole assembly. The design is solid, so the assembly of the design is easy to do.... Get your hands on our ATB and you will understand what I am talking about....If we can help that happen, let me know. | |
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| | #21 | |
| Lives for gear Join Date: Mar 2005 Location: Chesapeake, Virginia
Posts: 537
| Quote:
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| | #22 |
| Gear Guru Join Date: Jul 2006 Location: So Cal
Posts: 11,013
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| | #23 |
| Gear Guru Join Date: Jul 2006 Location: So Cal
Posts: 11,013
| Yeah, but they are POST Pro Tools faders. Automating in PT or your DAW of choice will preclude you from inserting a compressor/limiter on the console channel insert. Unless of course you aren't changing the mix levels to that channel coming out of PT/DAW. Well, in all fairness, you CAN change the levels, but it will change your compression as well. Not the optimum. |
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