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Old 30th November 2007   #1
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Console Question? Allen and Heath or Toft ATB 24

I currently own an Allen and Heath System 8 MKIII 16 ch console. Buttttt.....this new Toft ATB Boards look like it could be a contender for a replacement, anyone have any thoughts on if this would be a smart move? Btw I have read all of the Toft threads on here.

-Dan
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Old 30th November 2007   #2
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Btw I have read all of the Toft threads on here.
-Dan

And you still have questions???

Then I think it's time you go and listen to one for yourself, eh??
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Old 30th November 2007   #3
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Toft... it's just solid man.
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Old 1st December 2007   #4
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I have an A&H system 8 and well, and I must say I love it. Be interesting to compare the 2 boards.
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Old 1st December 2007   #5
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I was thinking the Toft was amazing, but I really like the System 8 on drums and just about everything about it, except the EQ. I think the EQ limits me a lot. It also sounds very warm and full which is nice to have. I was sooo intrigued by the 4 band wonderful EQ everyone talks about on the Toft. Also is the Toft really made in China? I couldnt justify paying that much money for a board that is made in China.

-Dan
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Old 1st December 2007   #6
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I was thinking the Toft was amazing, but I really like the System 8 on drums and just about everything about it, except the EQ. I think the EQ limits me a lot. It also sounds very warm and full which is nice to have. I was sooo intrigued by the 4 band wonderful EQ everyone talks about on the Toft. Also is the Toft really made in China? I couldnt justify paying that much money for a board that is made in China.

-Dan
That much money ???... It's the cheapest board of its league ever !!!...
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Old 1st December 2007   #7
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Originally Posted by Superdan138 View Post
I was thinking the Toft was amazing, but I really like the System 8 on drums and just about everything about it, except the EQ. I think the EQ limits me a lot. It also sounds very warm and full which is nice to have. I was sooo intrigued by the 4 band wonderful EQ everyone talks about on the Toft. Also is the Toft really made in China? I couldnt justify paying that much money for a board that is made in China.

-Dan
Actually China is part of the world of human inhabitants as we know it. There are many factories there with intelligent people working in them. Its made right down the block from the Ipod factory--from what I hear. Even considering the weakness of the dollar, the ATB if made here would cost $20k-$30k. This is where cheap "skilled" labor works for us.
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Old 1st December 2007   #8
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Also is the Toft really made in China? I couldnt justify paying that much money for a board that is made in China.

-Dan
Then you have your answer

I echo other posters comments about going and checking one out for your self. See if any studios/ppl local to you have one.

Good luck.
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Old 1st December 2007   #9
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I wouldnt back out on a good board just because it was made in China. Malcom Toft is a respected designer.. Its not like it was designed by Behringer
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Old 1st December 2007   #10
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Thumbs up Toft ATB-24 over MUCh more expensive consoles...

I was fortunate enough to be in a position to purchase boards at MUCh higher price points...

After a lot of research, reading all these post and other info AND considering factors like sound quality, maintance, etc.

My voting dollar went to the Toft ATB


-andrews
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Old 1st December 2007   #11
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the faders are not automateable.
how do you integrate this into your mixing?
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Old 1st December 2007   #12
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I think, regarding mixing, that most folks are using it with faders at unity, doing automation in the DAW before stemming out.
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Old 1st December 2007   #13
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I think, regarding mixing, that most folks are using it with faders at unity, doing automation in the DAW before stemming out.
Yepper... let the board do the EQ, summing, FX sends and returns (although, I combine the hardware with plugs too) and then all automation is in Pro Tools.

That's the newest plan, anyway.
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Old 1st December 2007   #14
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...and then no use of outboard compressors, right?
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Old 1st December 2007   #15
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I use mine for mixing. I run all my stuff into the daw with faders at unity, then assign 16 stems to the console on mixdown, mix with the faders, use the outboard compressors and other effects, and then mix it down to a hd recorder. Then its back into to wavelab as a .wav file for mastering.

Simple, easy, and the best of both analogue and digital worlds.

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Old 1st December 2007   #16
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...and then no use of outboard compressors, right?

Sure you can use outboard compressors. The channel inserts, group inserts, and L/R main inserts are all prefader, so fader moves don't affect compressor behavior. Same as most consoles.
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Old 2nd December 2007   #17
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Yes, hardware compression too...

It's back to basics really.

PTHD is becoming more the tape machine, with the added bonus of great editing and then some good plugs to plus good hardware or augment.

Everything else is hardware, including inserted compressors on various channels, as well as on 8-buss groups and master 2-buss insert.

-andrews
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Old 2nd December 2007   #18
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I wouldnt back out on a good board just because it was made in China. Malcom Toft is a respected designer.. Its not like it was designed by Behringer
Not the design Im worrried about. I have a great example of what put me off of China made products for good. I bought an Allen and Heath Xone 92 mixer that was made in China and it was totally garbage. The paint looked cheap, the buttons all jiggled.....it was just crap. My friends 92 was made in UK and was amazing, that was the reason I wanted one for DJing. So I returned it and found a store online that had one left on sale and that was made in UK. After receiving that.....I melted into butter soup. It was sooo well made and just felt like a mixer that was worth every penny. The other one shoud have been thrown out the window....I was that close to doing that. I am a stickler for quality and I think you guys are right, I NEED to go out and find an ATB in person to physically molest and let it molest me to become a true Gearslut!!!!

-Dan
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Old 2nd December 2007   #19
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Have not tried the ATB, but had Mr toft demo the board a few years back at olympia - I was wasted , so my opinion is null and void, on a personal note I am not a fan of Allen&Heath eq . would rather use an old vlz mackie eq wise
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Old 3rd December 2007   #20
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Quote:
Originally Posted by Superdan138 View Post
Not the design Im worrried about. I have a great example of what put me off of China made products for good. I bought an Allen and Heath Xone 92 mixer that was made in China and it was totally garbage. The paint looked cheap, the buttons all jiggled.....it was just crap. My friends 92 was made in UK and was amazing, that was the reason I wanted one for DJing. So I returned it and found a store online that had one left on sale and that was made in UK. After receiving that.....I melted into butter soup. It was sooo well made and just felt like a mixer that was worth every penny. The other one shoud have been thrown out the window....I was that close to doing that. I am a stickler for quality and I think you guys are right, I NEED to go out and find an ATB in person to physically molest and let it molest me to become a true Gearslut!!!!

-Dan

Dan, that is most likely the design of the console and not the build quality. If you design a console with plastic pots and knobs, they will wiggle. If you use inexpensive paint or cheap wood, it will not look good. One of our competitors builds in the UK, and perhaps it is even Poland, but the reason it is what it is is because of the way it is designed....

We take a lot of time and spend a lot of effort in our design. That is why we use metal pots, aluminum knobs, individual modules and through hole assembly. The design is solid, so the assembly of the design is easy to do.... Get your hands on our ATB and you will understand what I am talking about....If we can help that happen, let me know.
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Old 5th December 2007   #21
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I currently own an Allen and Heath System 8 MKIII 16 ch console. Buttttt.....this new Toft ATB Boards look like it could be a contender for a replacement, anyone have any thoughts on if this would be a smart move? Btw I have read all of the Toft threads on here.

-Dan
I have used both. Replace the System 8 would be my recommendation. The system 8 came out somewhere around 85. It was a nice, economical mixer for the time and we could work with the eq at the time. But the Toft is in a different class altogether.
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Old 5th December 2007   #22
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Its not like it was designed by Behringer

Hey, hey, heeeeeyyy. Behringer has good designs. They know enough to steal from decent designers.
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Old 5th December 2007   #23
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Sure you can use outboard compressors. The channel inserts, group inserts, and L/R main inserts are all prefader, so fader moves don't affect compressor behavior. Same as most consoles.
Yeah, but they are POST Pro Tools faders. Automating in PT or your DAW of choice will preclude you from inserting a compressor/limiter on the console channel insert. Unless of course you aren't changing the mix levels to that channel coming out of PT/DAW. Well, in all fairness, you CAN change the levels, but it will change your compression as well. Not the optimum.
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