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This is why big analog boards are EXPENSIVE
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jaxvon
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#1
20th November 2007
Old 20th November 2007
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This is why big analog boards are EXPENSIVE

If you ever wanted to know why big analog boards are a huge amount of money and work, check out these photos from API:

Photos

On a side note, these photos are also a great argument against fancy cabling and rather just durable cabling.
#2
20th November 2007
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f'ing cool.
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20th November 2007
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Thanks for the photos

Thanks for the photos and do you have a ballpark cost on this desk, regards,,deda,,
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NICE!
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that's just amazing...
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BEATITUL!!!
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Thanks for the post, those pics where great.
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Man, there's a lot of cables...
#10
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Good Lawd!
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20th November 2007
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This is a LOT OF CABLES!!!!!

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#12
20th November 2007
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Quote:
Originally Posted by TonyBelmont View Post
This is a LOT OF CABLES!!!!!

Reminds me the head of Medusa.
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Man, that would bee like the coolest christmas present ever.. Imagine unwrapping that bad boy, phew...
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Nice pic,...

Each one of those cables is 24 pair with 3 wires pr pair

yikes !


does any one know what year that was ?

.
#15
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Quote:
Originally Posted by Drawmer69 View Post
Reminds me the head of Medusa.
Reminds me of my warehouse.
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I mix ITB ....


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Quote:
Originally Posted by Drawmer69 View Post
Reminds me the head of Medusa.
That's actually what I want to avoid
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Quote:
Man, that would bee like the coolest christmas present ever.. Imagine unwrapping that bad boy, phew...
Tell me about it.

Somehow I think McBride can afford it though ...

Panda
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hey that's fantastic, thanks

that cable pic reminds me of those things in the Matrix
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nice. I was just in that room the other day. it looks beautiful. a nice upgrade from the trident that was in there.
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Damn, and that thing is just going in studio D. I'd love to see what's in A.
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Quote:
Originally Posted by stevep View Post
Nice pic,...

Each one of those cables is 24 pair with 3 wires pr pair

yikes !


does any one know what year that was ?

.
"It was a very good year..."

Kalli
#23
20th November 2007
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Quote:
Originally Posted by Chucho View Post
I mix ITB ....


I mix ITB too, but that console is a thing of beauty!
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That does look really cool! And look, no F'in mouse pad!
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Quote:
Originally Posted by jaxvon View Post

On a side note, these photos are also a great argument against fancy cabling and rather just durable cabling.
Oh... and btw... I can assure you that is VERY high quality cable.
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Quote:
Originally Posted by Midiguy View Post
Damn, and that thing is just going in studio D. I'd love to see what's in A.
Studio A is a completely custom re-wired, re-amped, re-built 8078.

This Legacy is the biggest ever produced according to Mark at API.

I think it tipped in around $475K, if I remember right. We got a great tour about a month ago from John. Bartley Pursley was hanging out in this Legacy room (they have 2 BTW) when we went through. He engineers Big & Rich's stuff. In McBride's words, "Bartley is responsible for the best sounding record to come out of Nashville in years, Horse of a Different Color." I only assumed it was done on this Legacy, might be wrong. Those are some big words coming from the guy who does some great work with Martina.

The other Legacy room (Studio B I think) is where last years Dixie Chicks record that won all the Grammys was mixed. I think it's only a 48 input little guy.

Blackbird's got it all goin' on. That is for sure.

Didn't Blackbird open in 2001? This desk can't be much more than a few years old then, if that.

Thanks for the pic link. They are great!
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They should get some cable ties for that mess.
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Man I'm OTB but those pics made me want to switch ITB
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Quote:
Originally Posted by vin-gear View Post
Studio A is a completely custom re-wired, re-amped, re-built 8078.

This Legacy is the biggest ever produced according to Mark at API.

I think it tipped in around $475K, if I remember right. We got a great tour about a month ago from John. Bartley Pursley was hanging out in this Legacy room (they have 2 BTW) when we went through. He engineers Big & Rich's stuff. In McBride's words, "Bartley is responsible for the best sounding record to come out of Nashville in years, Horse of a Different Color." I only assumed it was done on this Legacy, might be wrong. Those are some big words coming from the guy who does some great work with Martina.

The other Legacy room (Studio B I think) is where last years Dixie Chicks record that won all the Grammys was mixed. I think it's only a 48 input little guy.

Blackbird's got it all goin' on. That is for sure.

Didn't Blackbird open in 2001? This desk can't be much more than a few years old then, if that.

Thanks for the pic link. They are great!

I am 99% sure that desk only went in a few months ago. The Trident was still there this past summer... I am almost positive.
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I thought the desk was installed this year. Wrong? And I was told that GML actually agreed to build a new automation system for it. No idea if it differs in any way from any other GML systems (computer used, etc.), but it's great GM (apparently) agreed to do it.

It is probably significant that GM has quite a room at Blackbird. Really nice to see this kind o investment being made.
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