![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Gear addict Join Date: Aug 2007 Location: Sant SadurnĂ d'Anoia, Barcelona, Spain
Posts: 301
Thread Starter | high end mic pre with integrated high end ADC? I'm looking forward for Prism Sound to release their Orpheus and I'm planning my future project studio upgrade around that interface. As long as Orpheus only provides 8 channels of conversion (not being enough for some situations like drum set recording), I'm looking for a dual pre with integrated ADC to connect its output to the Orpheus' digital in's (spdif, AES). I've figured out many options and would like to know your opinion: - AMS/Neve 1073 DPD: my primary choice as long as I don't own a Neve type preamp yet (and I'd love to...). On the negative side (besides its price against other high-end copies of this circuitry), I'm not sure wether I could connect its independent AES outputs (one for each channel) to the single AES input on Orpheus (in fact an AES-spdif adapter cable). Any knowledge on this issue? And what about the quality of those converters? - API A2D: Better priced than the Neve above, the Api's are pres which I'd love to be among my arsenal too (I could buy a Vintech or other 1073ish pre for less money than the AMS if I didn't need the ADC). Having 2 channel spdif out, the Api will match the Orpheus easier. To my disappointment, I've read some bad reviews about the converters coming with this unit. Does anybody know about the AES issue I described regarding 1073DPD+Orpheus? Do you think API converters would do the job? In most situations I could run the API pres alone through Orpheus converters, I'd have to rely on the API's converters when in need for more than 8 channels only. All comments are welcome! Thanx in advance . ![]()
__________________ Just because you're paranoid don't mean they're not after you |
| | |
| | #2 |
| Lives for gear Join Date: Jul 2004 Location: Charlotte
Posts: 1,034
| In my opinion the API's are the best pres to start with for a lot of reasons. They stack amazingly well in the mix, they work on everything, are a great bang for the buck pre and they really hold their value well. |
| | |
| | #3 | |
| Gear addict Join Date: Jan 2003
Posts: 409
| Quote:
| |
| | |
| | #4 |
| Lives for gear | The converters are "top notch", check out the Pro Audio Review. "So, the A2D has signature API preamps and a top-notch converter section" API A2D Dual Mic Preamplifier/A-D, by Stephen Murphy I have one and it sounds fantastic. Using with a Folcrom for makeup gain on my analog summing chain, as well as using it for recording acoustic instruments.
__________________ Into action, everybody sprang, and the oil drums were beating out, doolang, doolang - Coma Girl, Joe Strummer A bad movie in 3D is still a bad movie. -wifey Jim Hewitt Barn Jazz Music Productions www.barnjazz.com |
| | |
| | #5 | |
| 3 + infractions, forum membership suspended. Join Date: Oct 2004 Location: Rosedale Cemetery Singing Beach, MA
Posts: 4,873
| Quote:
EVER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! just goshing. I agree . I love the API sound | |
| | |
| | #6 |
| Gear addict Join Date: Aug 2007 Location: Sant SadurnĂ d'Anoia, Barcelona, Spain
Posts: 301
Thread Starter | Thank you all for you opinions. I'm so glad to read good things about the converters coming with the A2D, this is the unit which makes the real deal for me. The bad review I read was from an actual user here at GS, which I trust more than a good review in a magazine. Having heard positive comments from actual users too is a great thing. So I think my decision about the ADC is done. Thanx again! ![]() |
| | |
| | #7 | |
| Lives for gear Join Date: Jul 2004 Location: Charlotte
Posts: 1,034
| Quote:
![]() I'd still like to check the Chandler stuff out some day. But as long as I got my API's I won't cry if I don't. ![]() | |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| Daking Mic Pre/Eq, high-end?? | NIGHT'SCHILD | High end | 34 | 27th March 2009 10:29 PM |
| Dual High-End Mic/Line pre with ADC for acoustic instruments | mosrite | Remote Possibilities in Acoustic Music & Location Recording | 41 | 22nd August 2007 09:26 AM |
| How many High End studio owners live the High End life? | Jules | So much gear, so little time! | 69 | 20th April 2007 03:14 PM |
| High End Mic and Pre you still love? | Chaim Goldman | High end | 83 | 11th November 2006 12:24 PM |
| high end mic pre for tenor voices | lexxon | High end | 6 | 10th July 2006 12:04 PM |
| |